The refined conference begins soon, and book friends are welcome to participate. However, while you get the essence, don’t forget to vote for your precious recommendations for the mistress. Thank you.

－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－

Leng Qian's "The Sixteen Methods of Piano Sound" is found in Xiang Yuanbian's "Nine Records of Banana Window" by Xiang Yuanbian in the Ming Dynasty. The Sixteen Methods of Piano Sound actually propose sixteen aesthetic categories, attempting to summarize and base the aesthetic and performance of piano music. The sixteen methods are: light, loose, crisp, slippery, high, clean, clear, empty, strange, ancient, calm, middle, harmonious, fast, and stern. Under each aesthetic category, Leng Qian discusses its connotation and extension in more detail, trying to guide readers to grasp the sound beauty of the guqin from different essences, phenomena and aesthetic characteristics.

The current situation of high and low qu:

The Guqin is the most noble musical instrument in ancient China, ranking first among the "qin, chess, calligraphy and painting". The allusion of "high mountains and flowing water" has been passed down for thousands of years and is still talked about. It can be said that the significance and value of the Guqin far exceeds ordinary musical instruments, and the cultural connotation of Guqin music is also far beyond the scope of music.

However, the survival of the guqin is not optimistic. There are very few people who understand guqin, and guqin rarely plays it in public, which makes the public very familiar with and pay attention to guqin. Many people confuse guqin with guqin. One fact is that there are no one specializing in guqin research at the Institute of Music of the Chinese Academy of Arts now.

Mr. Wu Zhao, president of the Chinese Guqin Research Association, said that since ancient times, Guqin has not been a popular instrument, and Guqin is more of a kind of elegant and elegant person as a cultural person. Wu Zhao said in an interview with China Newsweek: "Among the entire national instrument, Guqin is a relatively weak one."

There are many reasons for the decline of the guqin. The most important thing is that there has always been a self-admiration in the guqin world. The Central Conservatory of Music is the ancient Chinese

Qin professor Zhao Jiazhen told reporters that the art of guqin has been self-proclaimed for the past period of time, and guqin workers should be responsible for the reality that the popularity of guqin is not high. Zhao Jiazhen said: "Guqin is ultimately a musical instrument, not an antique. If the guqin is still limited to the scope of making friends with guqin, the guqin will sooner or later die."
Chapter completed!