Wumeng saw through Richard's thoughts and said, "The object of sacrifice is myself. The sacrifice is right in front of me, and it is directly converted and absorbed. No other altar is needed. Build this platform just to facilitate the arrangement of things. In addition, it should also be more grand and formal. Okay, this is my new ability. You can take a closer look. Also, don't forget to continue looking for sacrifices. If you find one, give it to me first."

Richard spoke without flaws, and his consciousness was already occupied by a large amount of information transmitted by the faceless.

After entering the holy realm, the ability of the war madman was improved as Wu Faith said, and became the king of war.

The King of War can also greatly improve the target's offensive and defensive magic and other attributes. The effect is equivalent to increasing two or more complete levels, and it also has an effect on legendary strongmen. However, if the target is a legendary strongmen, the level can only be increased by one level.

Richard was already a little numb when he saw this. Don’t underestimate the first level after the legend. The 22-level legendary powerhouse and the 21-level level are very different. In addition to the normal major attribute improvements, every time the legendary powerhouse increases, there will be additional legendary attributes and legend resistance improvements. Moreover, the gap between each level is so large that it has a qualitative improvement compared to before the legend.

The King of War also gives the target a new ability. War puppets. Those who have been blessed by the King of War can cast war puppets on the warriors. They can cast a total of ten times. This will create a temporary powerful team and fight with the caster. In this way, the person who is blessed by the King of War is equivalent to having the ability of a level 18 war priest.

Originally, war madmen were quite defiant, and the power of the King of War was incredible. Richard's followers were already full of heavenly holy realms. No matter who was blessed by the King of War, he could immediately fight with ordinary legends.

"Where is the prisoner of war." This is the ability that Richard cares about equally,

"Oh, it didn't change much, it was just that the casting interval was reduced by half, and the number of stackings changed from four to seven."

At this moment, Richard was completely speechless. There was no big change. How else would it change? A legendary strong man was hit by a prisoner of war. If he could not resist the ability effect, he would be directly lowered from level 21 to level 14. At that time, he encountered a faceless level 18, and was not ravaged at will.

But faceless brings not only surprises, but also fear. Faceless is too powerful, so powerful that Richard can't think of a way to control her. She is also extremely mysterious. Richard still can't figure out what she needs, what is the purpose and meaning of survival.

A powerful existence that is completely uncontrollable and unpredictable is actually a potential huge crisis in the eyes of Richard, who is used to being prepared for everything and being perfect.

But now at least the Dragon Valley is safe. After seeing the faceless ability, Richard knew that except for the Star Sage Span and the Queen Wuding, the other legendary strong men who have been interested in hunting may not be faceless opponents.

The sacrifice was over, and the mortal part of the war with Sinai had come to an end. Now Richard only needs to wait for the outcome of the Kingdom of Gods. He got some rare free time and immediately devoted himself to the study of the King of Angels Midaron.

In the magic laboratory set up in the Dragon Valley, three design drawings lined up in front of Richard.

One is the incomplete original design of Midarren, and the other is the design that Richard redesigned based on the original and fragments. The third is the Midarren battle version exchanged from Eternity and the Dragon of Time.

The three design drawings are in line with each other, but their abilities are different. Looking at them alone, each design drawing is a unique and ingenious design. However, the three drawings are put together to outline a clear route. The end of this road does not stop at the Midalen battle version, but points to the full version.

This is why Richard spent a lot of money to exchange for the design of Midarren's combat version. This is the only construction that surpasses the fifth level that Richard has found so far. Compared with the full version, these three designs seem to be weakened versions of varying degrees. However, if you go up the road, you may have a glimpse into the world of the sixth level construction.

Richard has made preliminary research on Midarren's combat version. To be precise, this is a work completed by designing the sixth-order construction idea and combining some fifth-order construction drawing methods.

With the Dark Blue Aria as a comparison, plus the Midalun battle version as a reference, Richard has understood the idea of ​​the sixth-level construction. The sixth-level construction is all designed in one piece, embodying a certain ability, and there is a shadow of the power of rules behind the ability.

If several forces appear in a certain sixth-level construction, it is mostly the embodiment of a certain core force in different aspects. The real sixth-level construction is one, that is, one piece, but because their power is too huge, it will not only occupy all the assembly positions, but also have extremely strict requirements on bearing capacity.

An ordinary strong man would give him a sixth-level structure, which would drain all his vitality by just starting it up.

The Midalen Battle Edition does not have the power of a truly sixth-level construction, but it is also above ordinary fifth-level construction, so it adopts a mixed design scheme of fifth- and sixth-level design.

It is divided into six main components, three secondary components, and twelve connecting balance components. These components are not directly loaded on the assembly position, but are drawn on the basic components similar to armor plates, and then loaded on the assembly position through the main components and then formed into a whole. This is the Midalen battle version,

As a construction that exceeds the fifth level, the Midalen battle version has three major difficulties: one is the drawing itself, one is splicing, and the other is the super high requirements for bearing capacity. In order to reduce the difficulty of drawing and the requirements for bearing capacity, a large amount of extremely rare materials are needed. Otherwise, Richard really doubts that besides the super strong, who can wear this battle version construction?

Even if the version in your hand uses extremely rare materials such as the adult star beast soul crystal, the requirements for carrying capacity are ridiculously high. The best choice is legend. If it really doesn't work, it can barely be used. As for the sacred domain, unless there are extremely powerful top-level bloodlines, such as the Wuding Majesty, Mex's Golden Moon River, it will be a quest for death if you wear it.

Even ordinary Midaren has a requirement for carrying capacity far above the average level, especially because there is no large number of legendary materials used, so the requirements for carrying capacity are actually not much lower than those of the combat version. The way St. Peter solved the problem at the beginning was to reduce the requirements for carrying capacity in disguise by limiting the use of bloodlines.

The royal bloodline of the Holy Tree Dynasty contains rich light and sacred power, so it is particularly suitable for Midarren and other heavenly armed forces. After seeing the fragments of the design drawings of St. Peter, Richard understood that not only the royal family can use heavenly armed forces, but other bloodlines can also be used, but the children of the royal family can basically reach the holy realm or above. The requirements for some bloodlines are of higher power can be lower, while others must be close to legends to use them. If they want to exert all the power of the heavenly armed forces, they need legendary power to be able to do so.

The Heavenly Armed Forces Series is completely different from the traditional constructions that Richard mastered in the past, mainly because of the differences in design ideas. This is also the first time Richard has come into contact with the fifth-level construction designed by others. Many of the ideas in it make Richard feel a sudden enlightenment. For example, St. Peters reduces the requirements for the construction by locking a specific bloodline, which Richard never thought of before.

Putting the three design drawings together, for Richard, they are three endless treasures. He ordered that no one should disturb him and that he would be completely immersed in the world of construction.

This time, Richard wanted to crack Midaren in the most orthodox and solid way, that is, to break the design drawings into the most basic magic circles, and then recombine them and restore them to the original design drawings.

This is a vast task. The fragments of St. Peter's design drawings alone contain thousands of magic circles. Richard's initial version has reached more than 3,000 magic circles, and the first functional magic circles decomposed by the combat version design drawings have exceeded 10,000.

No matter how many magic circles are chewed one by one, they can still be gnawed. A piece of structure is actually the embodiment of magic, power and world rules. From the first level to the sixth level, it is all like this.

In the world of construction, time is meaningless.

In a blink of an eye, a month passed quietly. There were piles of thick design drawings on the originally empty shelves on the four walls of the Magic Laboratory. These design drawings were all basic magic circles restored by Richard. He was cracking Midarren in the clumsy way. He not only wanted to draw and manufacture, but also design and improve, and even designed a new Heavenly Armed Series.

Only in this way can the ten top-level offerings spent will be worth the money.

It’s okay for other things. With the accumulation of time and the analysis of the rules, Richard’s control over construction has unknowingly surpassed many designers.

Most designers can only draw the configuration according to the design drawings, and there are only a few improvements and innovations. Perhaps throughout their lives, they will only make some substantial improvements to one or two configurations, and none of them can design the configuration themselves.

To design a non-standard structure of level 3 or above, you need to reach the master level in the main dozen related magic fields.

And if Richard is thinking of thoroughly understanding a famous fifth-level structure and improving it, once he speaks it out, even with his current status, he will probably be considered crazy.

For this field, Noland's consensus is that holy constituents have souls, and the soul is unpredictable, especially those famous holy constituents that can be circulated in the world. Even if they are copied, it is extremely difficult. Often, the original creator will be out of print. Richard plans to improve the armed forces of the heavens, and not target the ordinary version, but for the combat version.
Chapter completed!