According to legend, when Qin Shihuang went on a tour on the evening, he once saw an immortal mountain appearing in the sea with the sea. There were three immortals holding immortal dans in the mountains. Therefore, he believed in the saying that immortality was immortal and spent his whole life looking for the elixir of immortality on the Three Divine Mountains.

I think this thing is mostly real in history. I grew up on the coast of Fujian since I was a child. I heard from the old fishermen on the beach that there are three wonders on the sea, called Haizi, Haishi, and Advection Fog.

Among them, "Haishi", also known as "mirage", is the most fantastic and mysterious. Over the vast sea, wonders such as cities, mountains, and figures emerge out of thin air. However, no one can find these places corresponding to the wonders of "Haishi". At that time, Emperor Shi probably saw the "Haishi" of the Three Gods Mountains. Otherwise, with his knowledge, how could he easily believe the words of several sorcerers?

In addition, there are also a mysterious secret activity in Tibet. Whenever the living Buddha passes away, the leaders of the lama will go to the holy lake in the sacred mountain to "see the lake view". The "lake view" is also a wonder similar to the "sea sting", which will gain inspiration from it and find the "reincarnated spiritual child" of the living Buddha.

The picture of the divination of King Xian at this moment is almost a scene of Tantric "viewing the lake view", but the location has become a deep pool at the end of the insect valley, with neon lights shrouding on the pool, and endless strange phenomena appearing.

However, what King Xian saw was not a fairy mountain, but a castle built on the top of a high mountain, surrounded by white clouds at the foot of the mountain. In the palace in the middle, a huge eye-shaped totem was tributed, and some strangely decorated figures were served around.

This is probably the "fairyland" in King Xian's eyes. He hopes that he can go to this real "Heavenly Palace" after his death. Shirley Yang said to himself: "This city... is not a Jingjue Kingdom, but where is this?"

I said to Shirley Yang: "This may be somewhere in Tibet. Although I have never seen this temple, I have seen this ancient corpse wearing such strange clothes in Kangba Qingpu. Since I saw those bronze men and bronze beasts in Lingyun Palace, I feel that I have seen them somewhere. At that time, I felt that they were not like each other, so I didn't think much about that, because there is a big difference between ancient corpse and bronze men. Now, looking at this mural is definitely in Tibet. However, this matter is long. Let's find the Duchen Bead first and go through it in detail. I will tell you after I go back."

Perhaps it was because King Xian saw this huge eye totem in a vision similar to "viewing the lake view", that he believed that the "phoenix gall" shaped like an eyeball was a necessary sacrifice for the way to become an immortal.

But at this point, I was already in a state of confusion. I still didn’t know if I could find the “Dragon Monster Bead” in the tomb of King Xian. I felt that it was not good. Maybe I would go to Tibet again soon.

The three of them walked forward a few more steps, changing the scenery, and the "tan scenery" scene was still depicted on the wall, but this was similar to the mural in the main hall of Lingyun Palace. It showed that King Xian took a dragon to ascend to heaven, but the composition was much simpler. There were three more guided boys in the picture. I immediately broke out in cold sweat when I saw this. The three boys or messengers in the picture were kneeling for a long time and lay on the ground. There was an eyeball mark on the neck exposed behind them.

This is by no means a coincidence. We reached out to touch the back of our necks almost at the same time, and thought to ourselves that something was wrong. It was probably because of the fat crow's mouth. The three "Eternal Life Candles" of the boy represent the three "Golden Touching Captains".

The fat man pointed to the painting and said, "It's so fucking that he's so uglier. He's lying down like three dogs. **** his ancestors wanted to leave a complete body for the old thief after touching the gold. Now it seems that since he's unkind, don't blame us for being unrighteous."

Shirley Yang said: "This confirms one thing. The prophet of Zagrama can accurately predict what will happen thousands of years later near the ghost cave, but after leaving the ghost cave in the sacred mountain, this ability is lost. It is said that the Dust Dowel Bead was taken out from the bottomless ghost cave, and may also show some special predictions in a special environment. Perhaps because of this, King Xian can see some strange phenomena through the view of the lake. I think the Dust Dowel Bead must be in this tomb."

I looked around and said to Shirley Yang and Fatty, "Do you think there is anything abnormal here? We are like plowing the fields and have been walking around the tomb for a whole circle, why didn't we see the coffin of King Xian?"

In the tomb system, this natural cave of white quartzite is similar to the tomb chamber that maintains the original appearance of the cave, which is called the "Colute Room Tomb". This "Colute Room Tomb" is already the last tomb chamber of the tomb of King Xian. According to the burial scriptures and the earth vein structure, there is no additional secret room, but there is no coffin of King Xian. The only things are nothing more than two ancient swords, several scrolls of bamboo slips scattered. In the huge tomb of the king, there are not even a decent bright weapon in this last tomb chamber.

The fat man said to me cleverly again: "I think the coffin may be hidden in the wall of the tomb chamber. Isn't that the female corpse full of moths?"

I said to the fat man: "The entrance of the cave was artificially blocked later. White quartzite like this will take at least ten thousand years to form, and there are no traces of chiseling, so it is impossible to hide in the rock. Let's look for it first. If we really can't find it, we have to chisel the stone according to the location of the shadow bone."

Shirley Yang pulled my arm and asked me to look at the corner of the tomb. I raised my "wolf eyes" to shine the light beam. There was a big-bellied bronze elixir furnace half a person tall in the corner. Because it was in the corner and was relatively low, I didn't notice it just now that this might not be a elixir furnace, maybe it was some kind of special coffin, so the three of them walked forward side by side to check.

However, when I got closer, I realized that this should not be a coffin. There were three legs under the elixir furnace, with a large belly and a wide mouth. There was no problem with holding two adults, but they were all purple and white soil. It was probably because of the decay of elixir. The fat man gradually became anxious, and he used his brute force, raised his leg and kicked the elixir over. The decaying golden elixirs were all scattered on the ground.

It seems that we have to make the worst plan. There is no bone of King Xian in the tomb of King Xian, only a shadow bone, and no dust bead. Looking back on the way we came, we were busy all in vain. Apart from a masterless phoenix coffin and this alchemy furnace, there are only the artifacts of King Xian, all of which are the spoils of King Xian, and there are no extra things to find.

There are also some colorful tomb paintings on the white quartz in this corner. We just ignored it, so we had to look at the traces in these paintings. However, the styles here are obviously different. Shirley Yang judged that this should be painted by the high priest. The content is that the priests planted the corpse moths into the body of the buried princess who were buried with corpse moths to protect the body, and sealed the humanoid gap in the "cave room tomb". This is because there are no burialists outside the royal family in the main tomb chamber. It seems that in order to maintain the natural state of the "cave room" terrain, there is only an empty phoenix coffin inside. The princess is in the door, waiting for the marquis to offer the corpse of the king to become an immortal.

The more I looked, the more strange it became. These contents seemed to have deep meaning. First of all, the female corpse was sealed in the door for thousands of years without the protection of the coffin. Why did she not rot in it? Even if she had antiseptic beads in her mouth, she looked for the peacock jade-ling box and put it in the sealed coffin. After two thousand years, the air should turn black and become dead tree bark when she saw the air. However, before she saw her body swelling, it looked exactly like a living person. And since she was dead, how could she use corpse moths to protect herself? What do you rely on for the moth eggs in the corpse for living?

Shirley Yang's words interrupted my thoughts: "The tomb of King Xian is the joint tomb of the king and the queen. Lao Hu's judgment has now been confirmed. Before we come in, the tomb chamber was completely closed, which means that King Xian's body should still be here, but even if the corpse is untied, some traces should be left. As the lord of a country, at least there should be a coffin."

I said to Shirley Yang, "There is something we've overlooked. Do you remember the ten immortal candles in the middle-level tomb?"

The three "Eternal Candles" in the form of a guide boy may be used to scare us. There are seven "Eternal Candles" and six are black-scale mermaids. They represent the remains of King Xian's previous three lives, the shadow bones of King Xian's three prisons, and his wife. Although we have not found the real body of King Xian, we have a corresponding number in this way.

Only the largest copper bull lamp with a vigorous and simple shape is left. According to the two types of "Eternal Candles" in the previous two types of "Eternal Candles", this bull head "Eternal Candles" must represent something special. It is the tenth corpse in this tomb. I think maybe you have to find the tenth corpse first to find the true bones of King Xian.

The fat man said, "Commander Hu, I have to give you some advice. Who made me so honest? I think your statement is too illogical. If you say there are ten corpses in this tomb, wouldn't it be that even the three of us have forgotten..."

I quickly stopped the fat man's words, otherwise he would be over, but this is not a big deal. I said to the fat man and Shirley Yang: "If you want to give your opinions and leave them to the meeting, even if I use the wording improperly, then let's call this mysterious tenth corpse as a code name. I think this corpse corresponding to the ox head and the immortal candle must be unusual. Maybe it is an existence above our common sense. It is precisely because of its existence that we seem to be blindfolded and blind to the true bones of King Xian..."

I was about to continue talking, but suddenly I was hit on the helmet, as if I had been hit with a small stone, but the sound was very dull. Shirley Yang seemed to be attacked, and he lowered his head suddenly. In the shaking light, I saw more than ten corpse moths flying over and hit the lamp port on the helmet. I hurriedly slapped it with gloves and asked Shirley Yang in a hurry: "Is the entrance not blocked, leaving any gaps."

Shirley Yang Qi said: "Impossible, haven't we all checked?" As he said that, he drove away a few corpse moths, and casually broke a green fluorescent tube, and threw it into the humanoid gap blocked by the phoenix coffin.
Chapter completed!