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In the movie.

Fei Cheng was killed by his own car in a panic. Several novices hurriedly set off on the road and instantly turned over. This scene was similar to the chaos of storing watches in the mahjong hall. At the beginning, Louis Koo did not learn to swim with his brother Li Zhaoji because he saw Wu Zhenyu beat someone, and then he suddenly fell into the sea and drowned.

The audience who watched the cinema was stunned for a moment, and looked at the five people who were still standing on the boat with no response, and burst into laughter in an instant.

No one expected that the handsome guy would actually drowned because he had just watched the fun and didn't learn to swim.

"The underworld, can't drive?"

When this line sounded, the audience burst into a sparse smile.

Liu Qingyun's crappy appearance made the audience laugh endlessly.

The comparative comedy effect was played very well by Wu Xiaozu. In the 1980s, the rapid development of Hong Kong's economy made this self-deprecating element quite popular. The four most popular talents in Hong Kong at this time were all joke experts.

Even in later generations, a mainland star still became popular all over the sky with such self-deprecating jokes. Then one day, his character collapsed...

Seeing this, the critics held their breath and concentrated. They suddenly felt that the movie might break through their brain capacity! Although, no one thought how big their brain capacity was.

The movie first opens with a multi-line narrative structure, and highlights the sense of space and character characteristics. Is it just so easy to "dead" one by one?

One thing to admit is that the creatures like film critics have their own brain-supplement function. They can read out extensions that are different from those presented by the film.

Sometimes, the creators themselves are confused. This kind of commercial mutual bragging is most obvious on the literary and artistic front.

No matter what the audience cares about, the absurd and interesting film is what really attracts their attention.

The plot of "The Legend of the Condor Heroes" is very old-fashioned and has heavy imitation traces. However, the "Seven-player Group" earned the box office with its absurd comedy effect, and also won the trophy for the 18th Golden Horse Awards for the Best Director.

Absurdity and comedy are popular elements that Hong Kong people like.

Why is "The True Color of Heroes" epoch-making?

Because he did not use this absurdity to please the audience. It shocked the trend of "Best Partner" and "The Five Blessings Stars".

Wu Xiaozu told a gangster story in an absurd way without any moral integrity.

The Black Star Gang seized the Mercedes-Benz car they smuggled and released "Fei Cheng" wife.

Liu Qingyun, Wu Zhenyu, Luo Dong, Li Zhaoji and Su Liyao accepted this reality with a smile, and seemed very calm-

If you also have five 54 pistols on your head! So do you.

As soon as Gao Lihong appeared, she instantly improved the appearance of the film again.

Liu Qingyun was turned over by the "big sister" and took him to the room to defeat the fire!

"hey-hey……"

Wu Zhenyu stared at her friend Nunu, "Bed scene..."

They were all "cleared" when they were filmed! I was not sure about the scene at that time.

"Fake!"

Liu Qingyun had a dark face, turned her thick lips and exhaled a breath of turbid air. In this bed scene, he only showed his face.

When Gao Lihong was filming a bed scene, she rode a pillow and twisted her waist and buttocks by herself, but she couldn't do it well, and kept shooting. In desperation, Director Wu personally talked about the show with her hands and waist.

Finally, he just lay there and let Gao Lihong sit on his prostate with a pillow and sway back and forth.

In this drama, Wu Xiaozu's prostate affection cameo.

...

The sunlight shines on the lake surface, and thousands of lights are illuminated by halos. The water waves rise slightly, and the reeds swing with the wind. The sunlight is refracted on the stained glass window, making it colorful and colorful, and the whole picture is beautiful into an oil painting.

In the sunset, bullets flew around, and Liu Qingyun and Wu Zhenyu were directly beaten into sieves. The violence was exaggerated and the violent aesthetics of this scene exceeded the distance between the three pigeons in "The True Color of Heroes".

Many people say that Wu Datou's "The True Color of Heroes" is a classic of violent aesthetics. Maybe they really didn't watch "The True Color of Heroes" and "The True Color of Heroes". In fact, in "The True Color of Heroes", the scene in Wu Yusen Fenglin Pavilion is slightly rough in terms of violent aesthetics compared to the latter two.

The violent aesthetic scene on Wu Xiaozu's bridge instantly tells Hong Kong Island audience: This is what is called violent aesthetics.

Blood atomization treatment!

A colorful scene!

Flying birds!

Beyond's "Goodbye Ideal" sounded.

A long shot of a horizontally-moving scroll appears, from left to right, as if a modern version of "Along the River During the Qingming Festival" is pulled apart.

All living beings have different expressions. The entire picture is full of oil painting under the filter and later color adjustment. It is rich in ink and colorful, and it is bright and bright.

Wu Xiaozu took this group portrait with reference to Rembrandt's "Night Inspection". The painting was entangled in the day and night due to light and later periods. It became a classic group portrait in the history of oil painting.

Like the militia who paid to order paintings back then, they didn't know that the painting was famous hundreds of years later. When Wu Xiaozu took this set of shots, he did not expect the effect presented would be so unique.

This set of shots presents a Baroque style, but the colors, light and characters also have some feeling of customs and historical paintings. If it were later generations, in the 1020P era, the visual sense of exquisite blockbusters in minutes.

The paradox of the camera made the weirdness of the entire plot hit the eye.

In the theater, the needles can be heard.

The audience was stunned!

The critics were also stunned!

Suddenly, the entire screen kept backing quickly, and a huge dial appeared on the screen again.

"Choose! What's the situation?"

"There is a problem with the movie screening! Fuck your mother--"

"Refund! Refund!"

"Pu Ni[567 Chinese www.567zw.top] Ehm!"

For a time, life in the field was full of people, and many sugarcane parties threw sugarcane directly.

When you are so happy that someone suddenly pinchs you. This is what the audience feels like!

Before they could continue to cheer, a sound suddenly appeared on the screen, attracting everyone back to the screen again, feeling like they were being teased by friends.

"Twenty-two years old is the node of your life. If you choose the right thing, you will be rich. If you choose the wrong thing, you will be rich!" Qiu Litao's fortune teller solemnly told Huang Agou played by Liu Qingyun.

"Blades, knifes, knifes - what kind of knife is that?

One knife, one knife, one killer…”

A slightly paradoxical interlude sounded. The combination of electronic bass and guitar made the entire BGM unique to the Gothic style.

Huang Agou reappeared again.

Many figures gathered together and became Huang Agou.

The changes on the screen surprised many viewers, as if they were the same plot, but after watching it for more than ten seconds, they found that it seemed similar, but there was a surprise difference.

The biggest problem with narratives is how to attract the audience's attention.

To this end, Director Wu added many detailed shots that were not available in the first pass in the second pass.

After seeing this, the audience understood that this was repetition, but it was different. It had a unique sense of freshness of "finding faults".

"I'll take your lungs!"

Director Li Hanxiang stood up in amazement, and then was scolded by an audience behind him, and sat down quickly. Director Li never had to swear, but the first time he was swearing, but he had no way to whine back.

At this moment, he felt like refreshing his views!

When "Pulp Novel" and "Two Big Blows" appeared, the audience only thought it was very fresh and very good, and there was not much he thought about the others.

But filmmakers are different. The more you know this industry, the more you become awe of him. They are people locked in rules and regulations, so when someone told him that there was another world outside, their shock was imaginable?

When the two-section structure of "Song of Opportunity" appeared in 1987, it shocked the film industry. What about mature works like Wu Xiaozu?

Director Wu’s small step is a light step, and a big step is a big step in his reputation.

In one sentence, the false spread of thousands of scriptures is passed on. When the membrane is not pierced, you will never imagine that the yin is small and wet is large.

Wu Xiaozu gently shook half of his black hair, dipped in saliva, and gently poked the film of all the movie theater filmmakers-

The plot below allows them to see a new world, it turns out...

Wu Zhenyu was not quarreling, Shao Meiqi did not hang up Su Liyao's phone number, and Su Liyao's elder brother did not smash the car in the mahjong hall. Luo Dong in the hall was scolded a few times and walked out alone, Fei Cheng's watch was not broken. Liu Qingyun successfully took the real Rolex, so he naturally would not throw it down the bridge. Wu Zhenyu's BB machine was successfully preserved, and he saw the news on the BB machine, and received a job of "killing" to Wanwan. By the river, Li Zhaoji also successfully taught Gu Tianle to learn swimming...

When Liu Qingyun had a watch, he had a Rolex to pay the bill at a massage parlor.

"No matter how poor you and I are, you and I are still from the Hongmen. We can't ignore our face!" Liu Qingyun said this cool thing. Then his body shook and convinced the little cat played by the bone field girl Wang Zuxian and Wu Zhenyu.

The second paragraph of the movie begins.

After Amao, played by Wu Zhenyu, lost his address, the two of them begged Hei Ge in an "urgent" manner. Then, one daughter married the two families in a confused manner, and took over the "windows" of both parties.

The second half is very absurd and humorous, and it makes the audience laugh from time to time. Especially when "Brother Hei" and "Brother Bai" both discovered that Liu Qingyun and Wu Zhenyu met each other and came to kill him, the scene was three-legged and another group drama description.

Group dramas can be regarded as one of the most recognized mirror images in the film industry that is difficult to shoot. There are only a handful of directors who are truly good at shooting group dramas. In the 1970s and 1980s, Ultraman, a recognized group drama master, can be said to be a textbook-like group drama teaching.

In comparison, Kurosawa's Akira-style group drama rendering has a greater influence. He is also a typical example of flowers blooming inside and outside the wall. His reputation in Japan is not as impressive as internationally. He can't even get investment even if he makes a movie. This is unimaginable for the Chinese film industry.

Compared with the narrative innovations in "Rashomon" and the metaphor of "Shadow Samurai", "Seven Samurai" should be regarded as the movie with the strongest commercial atmosphere. It was originally a story about the seven samurai leading villagers to resist the robbers. Such a small thing is similar to the scene of "Country Love" for Chinese-language filmmakers. But Kurosawa Akira can make such a small story vivid and produce a very powerful aura.
To be continued...