Chapter 1220 Mr. Zhu’s Living Room

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‘Time is the ideal summer night in the western Mediterranean Sicily, with the sea breeze and the moon and the stars. The location is the private cinema of our Italian friend Mr. Giuseppe Tonadore.

The so-called private cinema is just a rhetoric, it is actually a video hall converted into a living room.

Every August and September, we are used to gather here for a few days. This is probably the "Big Film Festival Gathering" made up by many movie fans in later generations.

Actually, it is not the case,

Most of them are places where like-minded friends sleep together.

Director Wu, who you talk about and like to hear, has indeed written scripts for many people in such a salon, including those excellent works you are familiar with...'

——In later generations, there was such a description in "Zhang Yimou's Homework".

Mr. Wu himself has not published an autobiography, but he is all in the autobiography of people such as Feng Kuzi, Zhang Yimou, Chen Kaige and even the little aunt.

A short villa along the coast of Sicily, with more than half of the bonfire burning on the beach slowly blew and the waves making a rustling sound.

The floor-to-ceiling windows in the living room are open and the sea breeze can blow in.

On the L-shaped sofa, Wu Xiaozu was half lying on his back, resting his legs between Gong Li's thighs and chest, pillowing on the backrest, listening to the discussion on the spot.

Zhang Yimou landed on the chair opposite, bent his body, raised his chin and raised his face, and his eyes were filled with thoughts.

Giuseppe Tonadore sat next to him with a squinted eyes and smiled, helping everyone add coffee from time to time.

Benardo Betoruc, wearing a baseball cap, leaned against the recliner, and kept scrolling away.

Lucbesson lies in a single sofa with a big belly, but he habitually puts his right leg on the armrest of the sofa and keeps this posture.

Only when you reach out to drink Jean Pierre Gene's Coke will you put your legs down, but after drinking, you will still put your elephant legs back.

Jean Pierre Genet was also an atypical French director.

He and Luc Besson bothered French critics because this model of commercial filmmaking, led by them, had begun to deviate French films from the tradition of literary intellectuals.

Just like Zhang Yimou's "Hero" opened the blockbuster era after the millennium, he was also scolded by the critics.

Pierre looked at Lucbesson, the fat man, who drank all his coke in one gulp, but he could do nothing.

Don't reason with men who divorce in love.

Even if he doesn't actually care.

The marriage between Luc Besson and Anne Parisord, the heroine of "Nikita", only maintained the length of the movie "Nikita". Not long after the filming, the two broke up immediately.

This big fat paper is the kind of representative who must fall in love with the heroine every time the director makes a movie - it shouldn't be there when filming "The Killer Leon", after all, the Black Swan was only 12 years old at that time... Of course, it is not ruled out that it is not ruled out. , After all, that black swan is not a fuel-efficient lamp.

How could Green Tea Sister’s ancestor’s milk be so sloppy...

"I have a special liking for the ocean, otherwise I wouldn't have filmed this ocean documentary. Really, the ocean is too mysterious and wonderful."

While picking his feet, the fat man told everyone about his love for the ocean that he had passed on to his parents. Obviously, this love tasted a bit.

"Before I was 17 years old, my dream was to be a dolphinologist. But when I was 17 years old, an accident happened. It was a pity..."

"Don't listen to him, in fact, when I visited his parents, his parents told me that his idea of ​​becoming a dolphinologist lasted only a few months, and then he changed his mind. His dad told me,

He has no interest in that part of the science of dolphin research.”

Let Pierre mercilessly expose this vulgar French fat man, which was faster than raising the white flag. As it turned out, no one could occupy France before Paris surrendered.

“He is more interested in that part of the emotion.”

"Emotion is the foundation of the movie."

LSP Grandmaster Benardo Betoruc agreed and changed his lying position, saying in full agreement: "Those who are extreme in love are extreme in movies, and feelings and desires are shortcuts to philosophy and human nature.

”

I said I was getting deeper and deeper, and I was also a philosopher. While feeling the soft and oppressive with my feet, Wu Xiaozu suddenly realized that he would have to be a European film worker.

One word: transparent!

"Yes, yes." Lucbesson and Giuseppe Tonadore's eyes lit up and nodded quickly.

The honest man Zhang Yi blinked, always feeling out of place with the atmosphere on the scene. Although he also took photos of love, compared to these people, he was really a primary school student... But he could connect the indescribable shots with philosophy.

It feels quite reasonable.

Who can't keep an LSP in mind?

"A investor I know during this period is also preparing to set up a company in Europe to invest in movies and publish copyrights." Wu Xiaozu adopted the statement that 'I have a friend'.

With the accumulation of capital, it also develops in this industry.

I understand the importance of quietly entering the village to shoot. Especially, this group of people in the West... Maybe they will just overturn the table at any time, so it is better to hide it in the water and fish in the troubled waters.

"This is good news." Luc Besson agreed with a smile, "If you have a chance, I can help."

The French film industry has been greatly affected by Hollywood in the past two years. Unlike the old-school literary and artistic workers, he is more incestuous about the commercialization of films.

"In the French film industry, there are many problems now. We do not recognize that film is always an industry and an entertainment method. Now many emerging directors have a hard time getting the chance...

Recently I can see many Chinese-faced directors appearing at European Film Festivals, and many people are deeply influenced by Wu. Wu, what you are doing is what I have always been looking forward to and want to do in the future…”

Lao Lu, a treacherous and furious fat man in later generations, is now just a junior who is short of Wu Xiaozu.

The age difference is not big. He was in 1959 and was only 4 or 5 years older than Wu Xiaozu. However, if he takes advantage of his current status and influence in the international film industry, Wu Xiaozu is far superior to him.

When you are in the international community, you have to look at the great honor.

Wu Xiaozu's A-Class Film Festival plus Oscars definitely beat Luc Besson.

Although you are the leader of the new generation of French commercial films, you, Luc Besson, really has no honor to show off.

Even if it compares data...bah, compared with commercial value, then Wu Xiaozu's box office is many times higher than you.

So you, Luke Besson, cannot compete with Wu Xiaozu. Judging from your personal data, personal influence, regional influence and status, overall honor and international status, it is all crushing~~~

"I was deeply inspired by Andrew's "Suit Thug" a few days ago. This kind of rapid special effects movie is actually very marketable." Lucbesson occasionally felt inspired.

"I will introduce Andrew to you tomorrow." Wu Xiaozu said with a smile.

"Okay, I just happened to introduce Jeha to him. I think everyone must have a lot of topics." Lucbesson took a sip of the fat house happy water, and was very happy.

Jeha Biles is a professional in French speed movement. He was famous as France at the age of 24 and was even highly anticipated in Europa. Unfortunately, in 1980, he rode a motorcycle in a high-speed rural landscape survey and was directly caught between two trees.

The neck was cut by the wire, and from then on, a tube had to be connected to the trachea, and the body became worse. Later, I changed to a TV commercial.

Now it is also the most famous advertising director in France.

Later, he came out again at the invitation of Lucbesson. "Taxi Express" was the answer he handed over.

Hearing Luke Besson's words, Wu Xiaozu wondered if he would take the opportunity to create this series.

This is a work that is not very invested.

This movie is also known as a French box office miracle, with a global box office of over 100 million US dollars, and the return rate is worthy of being a money printing.

In racing movies, this is a work that must be mentioned.

Just so happens that Liu Weiliang actually likes racing action themes. Although "Initial D" has various problems, this drama is one of the few car movies that can be used in Chinese.

Liu Weiliang's camera skills in this drama are fully demonstrated.

If it weren't for regional restrictions, Wu Xiaozu actually believed that his disciple would have a good future in business development.

"Wu, your two works in Hollywood have strong personal characteristics, especially "Chinatown", which I like very much. This is a work that suits American aesthetics. Its style reminds me of "Scarface"

Star …but it has more personal characteristics than him.”

LSP Grandmaster Benardo Betorucci praised Wu Xiaozu very much. After speaking, he smiled and said, "I hope I can shoot another work about Chinese religion. I wonder if you are interested? I hope there is

Opportunity you can give some advice."

When Wu Xiaozu heard the other party's words, he looked stern.

"Sorry, I may not have time." Wu Xiaozu declined the other party's proposal.

The movie was mixed with praise and criticism, but it was not actually considered a religious film in China, but a religious theology film in the eyes of Americans. It was like "Crouching Tiger, Hidden Dragon"...

Wu Xiaozu refused to comment on this.

But he also understood what to stay away from him.

"I have mainly three plots in the second half of this year, one is "Pulp Novel", one movie about the West, and the other is also being prepared. So, the time may not be so sufficient..."

Wu Xiaozu smiled with apologetic.

Zhang Yixiu and Gong Lize looked at Wu Xiaozu in confusion.

They didn't know about this "three" plan, and were quite surprised by Wu Xiaozu's statement.

But Benardo Betoruc said nothing.

When they reach their point, in fact, other people's suggestions often cannot control their decisions.

"Wu, your dedication makes me feel. I decided to take a break. I accepted the job of Italian TV..." Giuseppe Tonadore laughed, "But since you are so crazy, I think I can go

Join in the fun.”

"Welcome." Wu Xiaozuba was not allowed to have free labor.

In the living room, people chatted with each other, not limited to movies and literature, but also included a lot of gossip news.

It's hard to believe that a group of big directors can gossip too.

"You go back, Gong and I are going to take a yacht to the sea to watch the sunrise..." Wu Xiaozu nodded to Zhang Yimou with a smile, and then handed his room card to the other party.

"Then I'll go back with Zhang." Lucbesson said with a smile.

The group then dispersed.
Chapter completed!