PS: Please give me recommendation votes and monthly votes!

"I was wrong, Brother Zu." Louis Koo apologized quickly.

"What's wrong with you? It's not your fault, it's your stupidity!"

Wu Xiaozu hated the iron and cursed, "Pull the banner of me, a has-been boss, and set up a stick. Do you really think that I am your boss and I am the Governor of Hong Kong? Youde, and everyone wants to give me face? They are just playing tricks on you!"

You can't see this at all, why are you waving the flag? You go out to do things, just create a bullshit 'Tin Hau MTR Station Lege' for me. I know you are a standing stick, but I don't know that you are a vote-getter at the MRT station! Learn from me. When someone pretends to be a boss, do you know how to kill someone with a knife? Do you know how to wipe the butt of a junior guy?"

The more Wu Xiaozu talked about it, the angrier he became. He wasn't angry at Louis Koo for pretending to be a big boss, he just hated the fact that iron cannot be transformed into steel.

"Boss, Gu Zai is okay..."

Feicheng joked, "At least he can cover the horse stables around here. We can get a 20% discount when we go to find Sister Feng!"

Louis Koo looked sadly at Feicheng, who had a serious look on his face, and almost cried. Are you trying to excuse me or add fuel to the fire?

"20% off? I'll break your bones."

Wu Xiaozu threw a pack of cigarettes at him angrily, "Back then, when Mak Dangxiong was filming "Provincial and Hong Kong Flag Soldiers" in the street without saying hello, it almost caused a riot. So we have a rule to follow. Since you, Director Li, love to show off your strength so much, you Go and squat in a kiln for half a month!"

Feicheng chuckled.

Wu Xiaozu naturally understood Feicheng's little thoughts. When he took away the director's position, he had already made up his mind to take the blame for Wu Xiaozu.

"Is it really a show?"

Qiu Litao looked surprised.

Liu Weiyi and Luo Liran also looked at Wu Xiaozu in surprise.

"The drama must begin. Goo Jai's matter cannot be left to the police. Today we used the excuse of filming to catch them off guard. But when they react, they will not let it go."

Speaking of this, Wu Xiaozu glanced at Fei Cheng, raised his eyebrows and asked curiously, "A Cheng, how did you stimulate that policeman to recommend you?"

Although Wu Xiaozu originally told Feicheng that he should stimulate the police to take action, under those circumstances, he was not sure whether he could implement it perfectly. He did not expect Feicheng's execution to be so complete.

"Yes, why did that policeman suddenly take action?"

Liu Wei'er pursed his cheeks and asked in surprise, "That fat policeman seems to be quite restrained..."

"Yes!"

Everyone also reacted and looked at Feicheng curiously.

"this and that……"

Feicheng coughed dryly, and seeing that he couldn't escape the topic, he forced himself to laugh and said, "I just kissed him with my mouth open... Who knew he would react so radically!"

"..."

Everyone looked at the fat face that was full of oil and had stubble, and they had nothing to say. Only Brother Cheng could do this kind of coquettish operation.

"What if he really accepts it?" Luo Liran looked at Feicheng in confusion.

"Accept? My tongue is already ready!"

Feicheng answered matter-of-factly, "I have thought about it. If he doesn't resist, I will hug him and kiss him, then slap him in the face and tell him that he invaded me..."

Boom bulge bulge bulge!

Wu Xiaozu nodded and smiled. This was the mentality of his brothers, who were short mules back then, and they did everything they could.

If Feicheng were in Louis Koo's position, he would not be so passive.

The underworld is not only ruthless. The word "black" is very expressive. They were once in the abyss. If they didn't have this kind of all-out means, they would have died countless times.

"But now we don't have a script." Qiu Litao frowned, "Brother Zu, time is a bit tight."

"Tight? Tight, you have to work harder!"

Wu Xiaozu took a puff of cigarette and said without any doubt, "Within three days, the crew must be set up to start filming. Don't worry about the funds. I will find a way tonight. We must do this quickly. Only if we are fast enough can we cover it up." many problems……"

"What is this movie about?" Liu Weiwei scratched his head.

Wu Xiaozu turned to look at Louis Koo and pointed, "Brother Le has already arranged the role of Young and Dangerous. Naturally, our drama will be called "Young and Dangerous"!"

He didn't even expect that after going full circle, he would actually start filming "Young and Dangerous" because of Louis Koo's incident.

I think after this drama appeared, my new wave title would have come to an end, right?

After looking around at everyone, Wu Xiaozu rolled his eyes.

As soon as I started to become a film master, I was knocked back by this group of people.

"Is this how I become a director?"

Feicheng touched his fat face and smiled foolishly, which made Liu Weihao beside him resentful.

If I had known, he would have snatched it away... But now, his "apprentice" has become a director before he did.

Although he is only a director in name, he is still a director!

Does this mean that bitches are blessed?

Thinking of this, Liu Weihao rolled his eyes and walked towards his cheap apprentice with a smile on his face...

actual.

Without this incident, Wu Xiaozu might not have chosen a subject like "Young and Dangerous" to film.

Just as Mecca feared, with the emergence of these two stylized works "The Butcher on a Rainy Night" and "The Birth of a Prefix", Wu Xiaozu gradually found a style of his own. This is also a sign of a mature director.

It just so happens that his style is actually not suitable for filming a hot-blooded movie like "Young and Dangerous".

Many people will say that you, Wu Xiaozu, come from a young and Dangerous background and have such a deep understanding of this profession, how could you not be suitable for filming?

There is a word called medical lack of autonomy.

Sometimes being too familiar with a thing and seeing it too clearly can lead to failure to capture the "reality" that the audience wants to see.

Is "Young and Dangerous" real?

Of course it's not true.

If Chen Haonan really existed in reality, he would have died in the wilderness long ago. Perhaps the "Young and Dangerous" comics are much more real than the movies.

"Young and Dangerous" is a fantasy created by some half-informed people about this industry. It can be said to be a juvenile chicken-blooded movie.

As for the bad influence on young people, Wu Xiaozu didn't care. He was not a holy mother, so he wouldn't think about it that much.

His only worry is that his style is too realistic and too sharp, and he will not be able to produce this kind of young and Dangerous fairy tale drama.

Few directors or artists are truly omnipotent.

Style is something you explore after working on multiple works.

Lao Mouzi's "Three Guns to Surprise" is actually his exploration of himself, coupled with the "supervision" of his "partner" Zhang Weiping.

"Three Guns" completely abandons Lao Mouzi's advantages. In fact, if you watch Lao Mouzi's movies, you will find that his use of color, especially when shooting steamed buns, is really world-class.

Wu Xiaozu also doesn’t think he can control all styles of movies. For example, he keeps secrets about comedies.

"Young and Dangerous" is completely a product of unwanted pregnancy.

This is equivalent to a "table flip" for his newly formed film style!

He must abandon everything he is familiar with and pull himself away from that road, only then can he shoot a truly passionate and exciting "Young and Dangerous". Otherwise, what he shoots can only be so sharp.

"Dwarf Mule".

Every director has his or her own areas of expertise, but it was difficult for Wu Xiaozu to master this kind of passionate, exciting and exaggerated style.

Survival is reasonable!

Therefore, Guo Xiaoming is also very effective! The Chinese-speaking world needs such a pig-like hyena to show the bad movie style of the Chinese-speaking film industry.

If you ask Wang Jiawei to show a bad movie, he can only make one "The Ferryman", which is so bad that it doesn't make people worry about it. How can Guo Xiaoming have an accent? Ahem...

Wu Xiaozu didn't want to make a bad movie, so he needed to make himself bad.

In fact, Wu Xiaozu himself didn't even know that his mentality had become a little expanded after "The Birth of a Prefix" received rave reviews. If this movie wins an award in Europe, it's hard to say whether Director Wu's film concept will be the same.

There will be substantial changes.

No one can say this.

Don’t Brother Kai want to film well? Regardless of who directed “Farewell My Concubine”, this drama has already put him in that high position.

After that, when he made other films, he kept thinking about being in a lofty position, but forgot that the craft of film requires not only being a fairy from the sky, but also being down-to-earth. Only the down-to-earth fairy from the sky can produce good works.

People will definitely change with the environment.

Wu Xiaozu is a real person, and it’s hard to say whether he will change because of the huge honor or word-of-mouth kidnapping.

Even if you don't change, I'm afraid there will be a very difficult "shedding" period.

Unless he learns from truck drivers, Nolan and others, they sharpen their swords over a few years, polish themselves, and produce good works. It's a pity that Wu Xiaozu doesn't have that level yet!

This "Young and Dangerous" actually made him overturn his seat. It allowed him to use his original mentality to shoot movies. It was a good training for him.

If you ask Guy Ritchie to shoot it, he won't make "Two Smoking Barrels" for this reason.

Sometimes the director does not exhaust his talents, but puts himself too high.

Wu Xiaozu himself did not think of this.

"The Butcher on a Rainy Night" Wu Xiaozu found the key to directing.

"The Birth of a Prefix" He found his own style.

"Young and Dangerous" is not just his exploration of his own potential and various possibilities!

A director and a filmmaker are always growing during the creative process. Wu Xiaozu is very lucky. If he can really break the framework of what he already knows, then it will be a huge growth for him.

In the profession of director, the most important thing in film creation is to be unable to relax your figure. Being able to stretch and retract is not just about JJ, the director should be like this too!

Wu Datou's filming of "The Wheel" was simply terrible.

On the other hand, look at Li Yin, a great Oscar-level director. He still has "Lust, Caution" and "Life of Pi". Let's not talk about the reasons. I will only talk about letting go of the constraints of fame and fortune. Wu Yusen is not as good as Li Yin.

The shackles of fame are very subtle. For the rest of his life, Brother Kai has been talking about letting go of himself to make movies that the audience loves. Unfortunately, what the audience sees is still the work of a great director who puts on airs.
Chapter completed!