Chapter 1300 In this age of entertaining yourself to death, who insists on entertaining themselves?

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Under the dim light, a man with a beard, oily hair, and glasses walked into the screening room from the back door.

Leonard Modin pushed up his glasses and sat down in a seat in the back row where he would not be noticed. At the same time, he put a notepad on his lap, unscrewed the pen cap and placed it in the middle of the hinge, with great interest.

Look in front of you.

There were many people sitting in the screening room, about 3/5 full.

It seems that the Chinese director's films have indeed attracted a lot of attention.

Of course, this is no problem.

After all, two movies in a row were box office hits.

Leonard Modin heard two people in the front row discussing "John Woo" in a low voice. He knew the two people. They were the head of Universal's distribution department in New York and a producer under Columbia (Sony).

From their conversations, it can be heard that they have conducted relevant research and understanding of "John Woo".

Thinking of this, the corners of Leonard Modin's lips twitched.

A director who can make money and express something in his work is obviously very popular in Hollywood today...

However, I heard that this movie is a "localized" work. I wonder if this Chinese boy will prove his magic again?

The lights gradually dimmed and the screen lit up.

Ta da da, da da da, da da da...

The sound of a typewriter was heard on a black screen, and a paragraph explaining the concept of 'Pulp Fiction' appeared on the screen.

"Forget it, it's too dangerous, I won't do it."

The picture is dark, and the sound of a lighter is included in the sound montage.

"You give the same excuse every time." Another different female voice appeared, "It's too dangerous~ I won't do it anymore~ It's the same every time."

The screen gradually became brighter.

A car, driven by a bald man, quickly passed in front of the camera. The camera gradually zoomed in, and a man and a woman could be vaguely seen inside the sunshade, sitting by the window of a fast food restaurant.

"Although I say this every time, I never say it wrong." Suddenly, a waitress opened the sunshade, and the camera changed to a medium shot, framing the scene from the inside of the fast food restaurant like a mirror image.

Seeing this, Leonard Modin nodded slightly.

It should be a very clever scene transition.

On the right side of the picture, Zhou Runfa, wearing a floral shirt and jeans, is sitting casually on a bench, with one leg lazily leaning on the seat, one hand on the dining table, and the other across the back of the chair.

On the left, Uma Thurman, wearing a red wig and a nose ring on her nose, grinned at the other person.

"You will forget in two days." - "My days of forgetfulness are a thing of the past."

The two chattered like the most ordinary couple, having an argument over a trivial matter. There was a faint noisy background sound in the background. They were like the two most ordinary couples doing daily trivial matters.

The conversation is the same.

Every man who has a family has experienced this kind of thing.

Just when the audience was a little confused...

Only some people reacted.

The two were actually seriously discussing robbing a bank.

"It would be easy to rob a bank. It's even easier to rob a federal bank. You can wear a trench coat and hold two pistols. They have insurance and are not afraid of robbery. Just like the white doves in the church."

"Then why not release some doves while robbing the bank?"

"For the white dove of the church will not kiss the black."

Many people feel the "paradoxical" quality of this movie. This style is very similar to the tavern scenes in popular western movies in the 1960s, but it has a bit more absurdity.

Especially when the two of them discussed robbing a bank in public, and even discussed how to make it easier. What was even more absurd was that the two of them were just as relaxed as discussing the neighbor's newly mowed lawn.

"Brother, coffee!" The carefree Fa Ge raised his hand to wave to the waiter.

"I'm a little girl." The waiter emphasized while pouring coffee.

The two people looked at the waiter leaving with squinted faces. Uma Thurman leaned over and said, "You want to rob the coffee shop?"

"No one has robbed the coffee shop, but why not? There are security guards in other places, but not here. You haven't seen bodyguards in coffee shops, have you?" Zhou Runfa explained seriously.

"No one here will try to be a hero." Uma Thurman, who had been persuaded, had an emotional smile on her face.

Many viewers in the cinema looked at the screen in astonishment and anticipation, and couldn't help but want to laugh.

Watching a pair of mandarin duck thieves discussing robbing the coffee restaurant in front of them.

The robber man played by Zhou Runfa has a very vivid and exaggerated expression, and his body language is also very exaggerated, which attracts the audience's attention.

The two of them are indeed action men.

Zhou Runfa also took out a revolver.

The audience watched the two people talking more and more ridiculously, and some people even got goosebumps.

Wow!

This is so fucking cool!

Uma Thurman and Zhou Runfa shared a deep kiss.

"I love you little pumpkin.", "I love you little rabbit."

The outpouring of intense love between you and me is indeed so absurd that the robbery is about to take place. This neurotic plot extension makes many people feel excited and expectant.

This kind of talkative temperament mixed with paradox is so unique!

Then--

Change of style!

The two people stood up nervously and really started to 'control' the robbery!!!

As the two men pulled out their pistols with exaggerated roars, the movie also rang with rhythmic and dynamic music... "Pumpkin And Honey Bunny".

The electric guitar and drums make the whole movie come alive.

The official 'ending' subtitles begin.

at the same time--

A very shoddy and rough-edged title came out after repeated requests - Pulp Fiction.

The movie was ‘over’ as soon as it started, and what was left was an ‘Easter egg’. The exposed end credits made them smile knowingly.

Swish.

Leonard Modine took a pen and simply jotted down a few lines of words - a brilliant soundtrack!

This kind of beginning coupled with this kind of music made him want to watch further.

The film's soundtrack was all studied and decided by Wu Xiaozu and Quentin. It has to be said that although it was a few years in advance, Quentin's sense of smell and aesthetics for the soundtrack are still top-notch.

It is indeed one of his magic weapons for future generations.

The end credits faded away, and the sound of the radio's current was heard, and then the picture suddenly changed——

Big Helm, close shot.

Wearing something like a preacher's black suit with a white collar, and a tie with a triangular Eldredge knot, Nicolas Cage, who has a complicated and very different temperament, has a slicked back and long hair, and is driving a car seriously and with an afro.

of Samuel L. Jackson telling boring stories.

Many viewers listened to this lengthy chatterbox.

Some people frowned slightly.

Some people are very interested.

Not everyone likes such lengthy chats.

However, the next shot made many people who know movies sit upright——

Wu Xiaozu's bolder one-shot design here than in his previous life was directly presented to the eyes of film critics.

Light, color, scheduling, and rhythm were all displayed before their eyes like a textbook. This skill was staggering and aroused a different kind of interest.

This series of one-shot long shots directly opened up the film's intensity.

Of course, there are still people who don’t understand what Wu Xiaozu is trying to say…………
Chapter completed!