PS: Please vote for recommendation! Please vote for monthly ticket!

"Young and Dangerous" was shot very quickly, and Liu Weiwei's filming of the showy plot was very shocking, basically meeting the requirements of Wu Xiaozu's romantic style of film.

In this movie, Wu Xiaozu deliberately gave Liu Weiyi a lot of freedom and allowed him to express himself. On the contrary, besides coming up with the overall movie style, Wu Xiaozu did not stick to too many details of the movie.

This was something unimaginable in the first two movies.

Wu Xiaozu pays great attention to details when filming, even when Huang Yuetai collaborated with him to shoot "The Birth of a Prefix". The two would discuss every scene many times.

But "Young and Dangerous" is not like this.

Wu Xiaozu added Liu Wei, Qiu Litao and even Luo Lili to the play.

For example, a Chen Haonan circus show.

Wu Xiaozu felt that he could create a sense of space in the film, but after listening to the opinions of Liu Weiyi, Qiu Litao and others, Wu Xiaozu was surprised to find that the sense of space he was pursuing would actually hinder the overall atmosphere of the movie "Young and Dangerous".

Hot blooded!

Do brothers still need to consider positioning?

Directors need to keep improving, not learning. As I said before, "Young and Dangerous" was a very good directing experience for Wu Xiaozu. It eliminated many of his fixed thinking, allowing him to view a movie from a higher level.

.

There is a special similarity between Chinese-language movies and Chinese-language music.

What our music focuses on is not the rhythm, but the lyrics and charm. So if you look at the timeless classics, they all have great lyrics and unique charm.

On the contrary, European and American countries pay more attention to rhythm, such as jazz?

For Wu Xiaozu, "The Birth of a Prefix" allowed him to see the mirage of movies from a distance. He had his own preliminary understanding of movies in his mind.

But suddenly, the extremely vulgar and extremely commercial "Young and Dangerous" suddenly shattered the dream scene that Wu Xiaozu had seen.

Point to your nose and tell him: Although what you see is the appearance of a movie, it may not be all real!

This is very interesting.

It's like when you look at a beautiful woman and realize, holy shit, she's so beautiful! This is simply the goddess in my heart.

But what about the reality? This Internet celebrity face was obtained through PS editing...

The scariest thing is that maybe what you see is actually a cross-dressing guy!

Eliminate all techniques and tell stories with a pure newcomer's perspective. This may be the virginity that a filmmaker should maintain... Really.

…

On set.

"come on--"

"effort!"

"you can."

"Condolences..."

The entire cast and crew walked up to Director Li Licheng, patted his shoulder solemnly, and spoke earnestly but hesitated, and finally sighed...

Feicheng angrily made the 1024 universal gesture at several bad friends.

Convex!

As Director Li Licheng's scenes come to an end, Director Li's bail period also ends. He took the blame back then, and now he has to take it on his knees.

It's all very strange.

Wu Xiaozu took the initiative to go to jail. The Xiang family "took the initiative" to enter the register. Feicheng took the initiative to go to jail.

Maybe if you want to harvest many things, you must "go" and pay a price, right? Only by paying the price can future troubles be avoided forever.

…

Hou Xiaoran held a plastic cup and sipped her chrysanthemum tea comfortably, with a touch of admiration in her eyes.

In order to make a movie, he is willing to offend the powerful, take the blame for the big boss, and test the law by himself.

In Hou Xiaolan's eyes, the fatness in front of her has faded away from her foreskin's weakness, incompetence, lust and timidity. The whole figure is bulging forward and backward, making her look particularly majestic.

What a lovely, pure group of filmmakers! The artistic director’s eyes come with a 20 million beauty filter function!

Hou Xiaoran believes that all life is actually a reflection of art.

He felt that the scene of Fei Cheng was particularly in line with the style of brotherhood in "Young and Dangerous". He felt that this movie had the same youthful and confused emotions as "The Man from Fenggui" he shot two years ago.

That movie was about the confusion of youth, this movie is about the confusion and passion of youth.

Exactly the same!

I glanced at Wu Xiaozu, who was lecturing Zhou Hui-min, and rubbed his fat face. I felt that the difference between him and Wu Xiaozu was that he could only narrate dramas to male actors, but not to actresses.

During this period, Wu Xiaozu's attitude towards work inspired him a lot. Thinking of this, he took the notebook next to him:

"When you don't understand something, you seem to know the answer in your heart, but it's not clear. This requires you to find it.

At this moment, your inner energy is the greatest, and it will burst out unconsciously. There is only a thin line between movies and life..." After writing this, I paused my pen tip and started another line.

"Before filming "Young and Dangerous", I watched his "The Birth of a Prefix". I thought he was Akira Kurosawa.

But through contact, we can feel director Wu Xiaozu's love for movies. This love permeates every small detail.

The sound of an actor's lines, a subtle twisting movement.

In order to be perfect, he would keep pressing the other person's lower abdomen to let the actor understand how to pronounce it. He would hold the other person's waist and tell the other person that if they twist...

Director Wu is a director who is very serious and responsible for his actors. I have to learn from this..."

During this period, Hou Xiaoran used an artist's eye to refine many of Wu Xiaozu's actions.

This is a director who loves to explore!

If Wu Xiaozu had read Hou Xiaoran's notes, he would definitely agree with Hou Xiaoran's evaluation.

He is indeed a director who likes to explore.

I like to break through obstacles, try different positions, always stay in the most excited state, and keep my original intention! The short name is: Pochu!

A director should always have the intention to break new ground.

…

Zhou Hui [New Biquge www.biqule.vip] has long hair curled into a bun, and her appearance is pure and charming, yet full of the charm of a young lady.

The facial features are exquisite and the face shape is slightly flawed, but combined with the shading, the whole person is pure and charming.

White short one-shoulder T-shirt with navel exposed, black tight leather pants with large buttons on the lower body.

Different from Lao Wang's bright eyes that are as bright as diamonds and as deep as lakes. They are captivating and otherworldly. They are radiant, charming and passionate.

The young lady is lying on silkworms and combined with her high myopia, she is blurry and full of smiles, cute and numb, pure and abstinent yet makes people hate her...

Every time I see Zhou Hui-min, Oh Hyo-jo has the feeling of carrying a briefcase to a colleague's house, and the colleague's wife is squatting on the ground in OL clothes to change his slippers... full of Japanese style of a good wife and loving mother.

On the contrary, Lao Wang is the type of big girl who comes in and throws her shoes, with her little feet hanging on Wu Xiaozu's body.

Woman——

"Director Wu——"

Watching Zhou Huimin, who had put on makeup, being taken to the red MR2, the female assistant took the initiative to come over with a rope and casually handed the rope to Wu Xiaozu.

"Don't be afraid, I will take protective measures. The car will drive slowly and you just need to lie down. It will definitely not hurt or be dangerous..."

Wu Xiaozu smiled as usual, took the rope, and comforted the young lady.

This scene is a scene where Zhou Hui-min, who plays a little stutterer, is tied up in a car by Chen Haonan, Pheasant and others and patrolled the streets to intimidate her.

For the sake of safety, Wu Xiaozu still chose a rope. If you are not careful with this thing, you can easily strangle your wrist.

The ropes tied by many people in the crew were either too ugly or unsafe. Director Wu thought about it and showed off his unknown rope skills.

So, how important is it to be tired every day?

Young people, mastering one more skill will be useful at all times. How can you do it if you only know a few postures?

Director Wu, master the core technology!

"If you tie me up, I won't be afraid."

Zhou Huimin gave a pure and warm smile, and the beautiful eyes on the lying silkworm seemed to reflect an infinite warm light, "In case of danger, I will rely on you..." She said with a sweet smile.

Zhou Huimin has a kind of warmth. His eyes and smile can make people feel pure.

"No problem..." Director Wu, who masters core technology, raised the little sister's arm...

While talking, he cooperated with the female assistant to tie Zhou Huimin to the car body using a simple tortoise-shell rope binding method. The bright red MR2 Zhou Huimin was restrained on it, which itself looked very graphic.

This kind of rope is very safe when tied up. The first priority at this time is to ensure the safety of the actress and avoid any accidents.

"Is it okay here?"

"here?"
To be continued...