Chapter 1455 Men's Tough Tenderness and Extreme Romance Are Always on the Road
Chapter 1455 The man's tenderness and ultimate romance are always on the road (Part 2)
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The whole drama of "The Summer of That Man" is actually a story about a big boy walking on the road with a little boy.
The overall style of this movie has a two-dimensional comic style that is separated from reality.
Many stories are also composed of fragments and fragments, and are not the correct narrative relationship.
For example—
When the man who had bought the skewers with the remaining money and complained, walked out of the izakaya and found that Masanan was missing, and after asking, he found out that the other party was taken to see goldfish by a strange man. He hurried to the park to search.
I was seeing the slutty man played by Mecca being about to commit a crime.
As the picture changed, he pulled Zhengnan out.
Then he was so angry that he returned, and the picture connected together was not a process but a result.
The bald man who played the guest role in Mecca fell into the corner with a bruised nose and a swollen face, constantly twitching and kicking his legs
The story was not named, but the result was told to the audience.
This method of ignoring story details is definitely a rare method of handling Chinese and even Asian movies.
Many young people have a ‘documentary style’ feeling.
Yes, this is actually a documentary-style road film in a comedy guise.
Although there is no fancy narrative and expression techniques, and no ups and downs, through Director Wu's easy shots and scene switching, the whole movie presents a special atmosphere.
In fact, there are some elements of Mancai. However, when Wu Xiaozu took pictures, the elements of Mancai were reduced but the comic-style narrative method was added, which was more tactful and vivid overall.
"In fact, this movie reflects many problems with the original family, social problems, etc.
But Wu Xiaozu is very clever and does not face this pain with violent aesthetics as before."
In the audience, the famous film critic Lu Yanhua said to Paul Fang next to him in a low voice in sighing.
The latter nodded and added: "Yes, he used a more tender and humorous approach than before to reflect the understanding and mutual assistance between people.
It is hard to believe that this is a work created by a long-lasting director for students.
It’s not so much a work, but rather a lesson in life.”
"Do you think it's strange that the man played by Wu Xiaozu in the film has no name?" Chen Baisheng sat next to him and suddenly asked.
"That man? Didn't it mean it? It's normal. Many movies use this method of not giving characters a name." Paul Fang answered naturally.
"I don't think so."
Lu Yanhua agreed with Chen Baisheng's statement, "From Director Wu's style, he would not explain it in such a sloppy way. Look, maybe you will know after seeing it. However, his use of sports lenses is indeed perfect, which is really great."
In fact, the way the whole movie is handled is divergent.
This way of handling it will make some people feel puzzled, but it will hit the young people's jumping thinking.
The omission of the process gives the audience more room to think about, and at the same time, this movie will inevitably form a certain "movie-watching thinking". This kind of thinking may not appear on the big screen to watch movies, or in other words, such a type of movie needs to be tasted twice or three times.
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On the way home, they met the people on the road before.
In order not to leave a summer memory like him, the audience suddenly realized it.
That man did not refer to Wu Xiaozu in the play, but his father who was humble to the Japanese and puppets in the summer of Wanwan during the summer he took him to the beach to play.
After going around here for a long time, many viewers felt a sudden enlightenment.
Considerations of original family, social issues, interpersonal relationships and historical issues!
At this time, many students and scholars with keen minds suddenly felt that the whole movie had a bit more heavy feeling behind the warmth.
This is not the average fresh road movie they imagined.
This is clearly a road movie with a very humanistic color and even enough to be called an excellent one!
In fact, when many people see the middle part, they have some doubts about the scene of the boy carrying a winged schoolbag at the beginning.
Because in the play, this schoolbag is a gift given to him by the enthusiastic young man and woman played by Zhang Zhilin and Zhu Yin.
In the second half of the movie, I saw it like this-
The narrative structure of the entire movie has changed a lot!
It turns out that the beginning is the end of the film.
Chapter completed!