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Chapter 1550 Civilization and Order, Barbarism and Chaos, Total(1/2)

Chapter 1481 Civilization and order, barbarity and chaos, together weave into the tragic song of mankind! (Part 1)

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A black screen and a white subtitle on a red background appear.

Film Administration Bureau of the Ministry of Radio, Film and Television of the People's Republic of China.

Announcement license.

Telephone number 091 of Guiyou.

These days, it is not the famous dragon bid, and it will take until 2000 to officially change the dress.

Immediately afterwards, a throne silhouette appeared, and the shadow of a man with a broken sword was sitting on the throne. There were countless swords inserted behind the throne, and a scepter was standing in front of him.

The company name of "Game of Thrones Film Dist Daily Budget pany" appears with the flashing characters below. This is a powerful vest after the company integrates Hollywood resources.

Immediately afterwards, the words "Gold-Digger" (Nuggets Film Production Company) appeared, as well as the company icon of Harvey's Miramax, and the icon of the West Film Studio appeared.

In essence, "No Man's Land" is a co-production film that collaborates between Hollywood and the Mainland!

It does not fall into the category of Hong Kong films.

And it is a Sino-US co-production film!

The behind-the-scenes personnel and actors appeared first on the screen, and the soundtrack also slowly rang.

The piano and clarinet are mixed with the sound of a train driving on the rails.

The sound gradually becomes messy.

Footsteps, phone calls, talking, sleep sound, hawking of peanut drinks and mineral water

From leisure to clear.

"I've told you all the time. I'll talk to you about the divorce when I go back from the mainland! I will never give up my daughter!"

Wenming (played by Zhou Runfa) who was combed with a middle part, wearing gold-rimmed glasses, holding a briefcase in his arms (played by Zhou Runfa) hung up the phone, took out a handkerchief and covered his mouth and nose, and looked at the mixed environment around him in disgust.

The camera swept over and the dirty guy next to the seat, with a shabby urea bag on his feet. When he saw the "famous" clean suit, he moved his butt carefully to the side.

A woman in a yellow turban with shit held the child and fed half open.

The old man carrying a shoulder pole next to him was smoking a cigarette pot with his teeth, while a few chickens were tied together on the other side, screaming in a gurgling manner.

"Comrades, do you want to eat steamed buns?"

The fellow villager with a dark skin and a gully wrapped Aries's belly scarf on his head grinned, grinning and handing the steamed buns wrapped in a towel to Wenming (played by Zhou Runfa).

"No, thank you."

Wenming glanced vigilantly, covered his nose with his handkerchief and quickly stood up with his bag, "Exce me, please give it." As soon as he raised his foot, his leather shoes raised and touched the urea bag at his feet.

This made him frown and his expression was secretly annoyed.

"Do you know this is a public location, and the bags are in the way of everyone?"

"I...I..."

The honest guy (played by Zhang Jiayi) was stuttering and embarrassed, his ears turned red, and he hurriedly stuffed the urea bag under the seat, and was so anxious that he was sweating profusely.

"Blood……?"

Zhou Runfa was obviously stunned when he saw the blood stains on the upper, and stepped back vigilantly. At the same time, he was nervous and pretended to take out his elder brother, "Don't move, I want to call the police..."

"No, no, this is the beef that my old man brought for me..." The young man hurriedly explained nervously.

After hearing the news, I felt relieved first, then a little embarrassed, and then trickyly began to 'belief' the guy in front of me with my profession.

The lens passes through the windows, and in the depth of field, the low buildings gradually decrease and turn into villages and markets, gradually beginning to fall.

The picture also gradually cools down from the warm tones.

It seems that it is starting from civilization and heading towards the wasteland.

The lens is pushed out along the window

A goshawk soars, the camera chases the goshawk, flying to the mountains, with its name sorrow that it seems that some of its kind were hunted.

There are vague gunshots and birds wailing in the background music, but they are hidden in the sound of train whistles, as if the tragic truth will always be blatantly covered up by some people in the name of civilization.

Our proud civilization is engulfing the homes of wilderness elves, and the order of civilization begins to deform in the barbaric wasteland.

Trains represent the process of civilization, and the rolling smoke is the burns brought to the wilderness by civilization.

The fierce goshawk with claws hovered over the black smoke, and the goshawk with claws often represents predation.

With the flapping of the wings.

It was as if a snowflake in the world was flapping out of the crack of the sky, and it waved its wings and brought about a snow disaster that annihilated the world.

It is very small, compared to civilization.

It is also special because it 'flapped' its wings.

The camera overlooks the vast snowy land and changes the world.

The vast white land allows the audience to come from the city and countryside to the snow-covered desert, and the snow-covered feeling is coming to the camera.

The pale, black-edged steel and crossed sleepers gathered together a rail, penetrated straight into the distance.

The wilderness in the snow and ice, the railway winds.

In the audience, many filmmakers looked at the camera with shock, which was almost "involuntary" dispatch.

Many people have made ‘contributions’ to global warming and gasped.

"He is showing the soaring sky with the camera?" Some film critics couldn't help but whisper to praise.

You know, there are no drones at this time.

The human and material resources represented by these bird's eye view lens switching are often daunting.

But in Wu Xiaozu's hands, every frame of the camera changes seemed to show off, but it seemed very calm, as if this was just right.

The sky is white, and the ice and snow are rising and falling along the mountains.

The coldness of the ice field seemed to make the audience feel the bone-broken coldness.

The poplar tree stood pale in the snow, and the vulture with slightly yellow eyes turned its wings restrained, stared at the eyes of the vulture, and stepped on the dead wood covered with a thick layer of loose ice and snow.

The hare ran away in the snow with a desperate whistle. It woke up the eagle howl and the goshawk dived down.

A muffled flute sounded and a smoke rushed by quickly.

By the window, the famous stare at Hupok (played by Zhou Runfa) looked bored and greedy.

The car body rushed past, leaving a pool of blood and a few feathers in the snow.

The railway sleepers were stumbled, and the sound of the train braked suddenly came, and the whole carriage was tilted.

"ah"

Wenming (played by Zhou Runfa) directly bumped out and knocked his head on the table.

"Is it okay?"

"Comrade..."

"Everyone is careful."

"Are anyone injured?"

The conductor wearing a big-brimmed hat blew his whistle and hurriedly passed through the carriage, shouting something.

Wenming, who covered his forehead, only saw panic.

A swear words in English.

"Azu told me that trains are civilizations, and their damage actually represents the cessation of human steam civilization." Wu Tianming explained the design here to the leaders around him.

At the same time, he whispered: "Azu said that the main reason why this movie was controversial in North America is that many white people believe that this movie maps their progress in North America development, and they massacred Indians..."

In the movie, a herd of sheep passes by the train.

The primitive animal power gradually surpassed the train representing civilization.

The children immediately came to help them with kindness.

At this time, in order to catch up with time.

The "lawyer" who is famous in this civilized world used moral kidnapping and inciting everyone to "force" the herdsmen to pay six white horses.

Here, there is a stubborn figure of a herder's child, who does not seem to be trapped by this kind of "forced".

However, he was scolded by the adults.

His kindness was famously deceived and used, and at the same time he also lost his family's livestock and property.

All I received was a famous voice of light and non-thrilling thanks.

He hugged the horse's neck reluctantly, and tears rolled in his eyes.

At this time, the camera turns
To be continued...
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