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In "No Man's Land".

The consequence of the degeneration of civilization and the dissipation of order is that no life is the "goodness" defined by civilization.

He is obsessed with interests (played by Zhou Runfa) and is profit-oriented, and abandons his conscience for his reputation and money.

The three of them needless to say, illegal hunting, murdering, and silenced, and scattering across countries.

In the story line, the three of them also have different thoughts.

The killer (played by Liang Jiahui) seems to be hired by the hunter L, played by Dobujie, but in fact he was arranged by the latter two.

The owner of the inn gas station (played by Yang Xinming) and two stupid brothers (played by Du Xudong and Baliangjin) make money, force good people to become prostitutes, and buy and sell people. They are also not good people. Ning Li and Feng Yuan, the actors of truck drivers 1 and 0, resell oil, smuggle goods, and kill people and rob people.

The dancer played by Wan Qiwen in the show is also lies - in the story, she participated in the transaction of people but was sold by the population.

Since it is a "no man's land", then the "people" who perform in this part of the show will naturally "no man survive".

In this drama, Wu Xiaozu used a lot of arguments about the "Law of Dark Forest". In the no-man's land, the kindness and malice between animals are actually inaccurate...it depends on their belly.

Wu Xiaozu used two extensions of the "Law of Dark Forest" here: those who have lost the constraints of civilization and protection of order cannot judge whether another person is good or evil in unknown and out of law.

A creature in this environment cannot judge whether another creature thinks it is good or evil.

Wu Xiaozu used it briefly, but did not plagiarize it.

This rule can only be truly shocking if you have read such stories, and it also needs to be deduced.

This is not very suitable for a realistic work.

Of course, it is not ruled out that Wu Xiaozu will be used in science fiction works in the future.

Guided by this premise, as the plot develops, the audience is also infected by the atmosphere.

Because the audience discovered that everyone was not "companion" between them.

Benefits and survival have become the ‘general equivalents’ of the no-man’s land.

In the story, for these two choices, they are in conflict with each other, join forces, cooperate, and never ending betrayal and betrayal.

This high-energy approach undoubtedly makes the audience feel creepy and terrifying to think about it carefully.

During this period,

Many people saw Wan Qiwen wearing a mink coat and suddenly opened to the camera, revealing a sudden enlightened white breast and black hip-covered leather skirt, with mesh black stockings on her legs, and her body was charming and charming and wild temperament. She could hear a lot of saliva in her ears.

Wan Qiwen was filled with tears, her eyes were filled with grievance and fear, but her movements were constantly tempting - it was amazing!

"I have to say that Director Wu really has a way of training actresses. It is said that Wan Qiwen's performance in "No Man's Land" was directed by Director Wu frame by frame.

Look at her recent performance on ATV, it’s really far from that... I can’t accept it." The film critic from Hong Kong Island sighed.

"However, Director Wu has always been strict. Every time he interviews Wan Qiwen, whenever he asks about the details of filming "No Man's Land", she cries so much that she is grateful."

"Don't say, I did get Wan Qiwen's temptation." The person next to me also nodded.

"Not to mention anything else, this state of fear that it seems to explode at any time is really unbearable for men."

I have to say that Wan Qiwen's beautiful legs really interprets the word "vase" particularly well.

"This actor is called Wan Qiwen. His legs are so beautiful. He is long and straight... This show is really very...helpful, is it like this?helpful."

Sitting in the seat, wearing a fisherman's hat, a white shirt with ripped jeans, and a pair of Martin boots on her feet, the Queen Fairy couldn't help but praise her.

Duan Jiabao, the little assistant beside him, pouted and put away his little carrot legs.

Dancer cheated on famous.

This is also a tragedy of the story.

...

Was--

Above the boundless snow ridge, the vast white snow covered the entire large dot.

The killer (Liang Jiahui) held a hunting rifle and forced Wenming (Zhou Runfa) to run forward in a mess in the snow, and let him take off his thick warm clothing one by one, running naked in the snow.

This is a real shot.

Seeing Zhou Runfa's naked ass and the short and concise covered by his hands flashed by... many people exclaimed in a low voice.

They were all shocked.

Unexpectedly, there was no use of a substitute - this is basically difficult to present in later generations. If Love hadn't been unintentionally revealed during an interview with Lao Touzi, the fact that she would have done the substitute for Gong Huang would have become Schrödinger as her age.

This scene shows the film's "all-member evil" situation.

In order to survive, wildness is released.

On multiple story lines, each person has his own story. Some of Wu Xiaozu portrayed relatively more, and some were just mentioned in one stroke, but a few strokes also showed the darkness behind human nature.

However, Wu Xiaozu did not show real place names in the movie, and did not make this sinister nationalized or racialized, but used descriptions beyond this category.

It is not about peeling off the wounds of one's own nation to please the West.

This is also the main reason why this movie did not win the Oscars and Golden Globes.

Too objective!

This does not conform to their views on Chinese people in this era.

They think that Wu Xiaozu's description is too "broad", because it seems to have become a common problem for all mankind, not a national problem. This is not very "publicly known". So many people think that he is "not profound enough".

Many dark paragraphs are not suitable to explain them one by one, but you must understand that Hollywood is the Hollywood of the United States. If a Chinese wants to succeed, the cost is often more...

But the recognition of other film festivals also shows the depth of "No Man's Land".

At least, the filmmakers, critics, media practitioners and ordinary movie fans who come to participate in this movie venue are all feeling the shock from their hearts.

The kind of human evil that Wu Xiaozu wanted to show was a kind of thing that made them feel creepy but felt real and visible... Maybe this is the most terrifying!

The end of the movie is approaching

Wang Jiawei took a deep look at Wu Xiaozu who was sitting not far away, and finally stood up silently and left.

He understood the movie.

Although I don't want to say it, I have to admit it.

The content expressed and conveyed by this movie is a universal view. Master Wu used Western shooting methods to shoot the stories of the East. This human nature analysis mixed with Eastern philosophy also shows a cognition that conforms to the universal view.

Too difficult!

Master-level handling!

From scenes, shooting, lighting, scheduling... all of them are top-notch!

Of course, Jiawei thinks that "East Evil and West Poison" and "No Man's Land" are not the same genre...

Besides, the other party does not seem to have the idea of ​​fighting in the Christmas season.

This made him feel a little relieved.

As for "Jurassic Park", Yan Zi said that "Oranges grow in the south of Huai are oranges, and those grow in the north of Huai are tangerines." Facts have proved over the years that Hollywood movies may not necessarily be possible in Hong Kong.

Everyone is a blockbuster~~~

As it turns out, Wang Jiawei really understood this movie. The reverse understanding version of the Dark Forest Law of Hollywood and Hong Kong films!
Chapter completed!