Chapter 19 The Film Starts (Part 2)
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"Everyone is quiet, we will start the computer immediately, lights, cameras, props, actors enter, and venue preparation. All units will follow my orders."
Uncle Li shouted at the top of his voice with a loud horn. Every time he called for a unit, the relevant person in charge would answer one by one.
"Aikesh--"
As the scene was being played, the camera continued to rotate and the filming was officially started. The crew also watched the filming quietly.
Wu Xiaozu sat behind the pickup, staring at the actor entering the venue.
The first scene was filmed by the police who found a dismembered limb and broken foot in the Chengmen River according to the report from the citizens. The police appeared on the scene to handle the case.
Fei Cheng, Luo Dong and Su Liyao entered the venue, followed by Shao Meiqi, who looked nervous. The four of them played the case handler.
"Sister, pick up the broken hands and feet!"
"Why do you want me?"
"You are the newcomers in the whole group. Would you let us go? Why don't you wait for Team Leader Li to come and ask him to pick it up?" Fei Cheng spread his hands and covered his nose and kept his broken limbs and feet away from the broken legs. These props were rented from TVB, and they looked decent.
Wu Xiaozu sat on the chair and watched the agent played by Luo Dong, Fei Cheng and A Yao scolded the female policeman played by Shao Meiqi, while the girl played by Shao Damei tiptoed and nervously went to pick up the bones.
not bad.
The nervous Shao Damei performed quite well beyond Wu Xiaozu's expectations, but she didn't expect that she performed quite well. Little did she know that this was exactly what Shao Damei was feeling at this moment. It was a true performance.
Immediately afterwards, Wu Xiaozu signaled Qiu Litao to let other actors enter the venue.
“Lee Sir.”
Li Zhaoji was wearing a black suit, fierce and grinning, like a big man in the world, and was more like a bad guy. He hugged a long-haired girl with heavy makeup and hip-covered skirts with a handsome Tathagata walked into the camera like a few seconds.
The evil detective with a fierce and fleshy face is the good guy in the film, while the gentle and handsome Liang Jiahui is a bad guy.
Is there a strange confrontation between evil and good people?
Fierce is good, but gentle but evil. The confusing distinction between good and evil is meaningful. Without mentioning the connotation of human nature, such a setting is very interesting in itself.
Like Zhong Kui, his face is fierce but he is scattered injustice in the world.
On the contrary, most of the traitors and evil are honest and honest. Is there any black humor?
People always like to read the cover with preconceptions, but instead do not read the contents carefully.
As for the sexy and coquettish girl next to her, the wild model she hired for money, it is officially called nightclub public relations. It is commonly known as "paid turret".
Li Zhaoji plays the role of the romantic and vicious team leader. In the film, he belongs to the logic and explanation of the bad guy. Fei Cheng is responsible for making jokes and humor. A Dong wears tight vests, showing off coolness and action. A Yao wears black-framed glasses, timid and obedient, and looks bullied.
Shao Meiqi?
Take responsibility for it.
Shao Damei, who is hard-working, doesn't know that in the director's eyes, she has gone from being a self-confessed vase to a soy sauce position. If she knows, Shao Damei may faint from crying in the bathroom.
This scene is very simple, mainly because they found the corpse and didn't have many scenes.
Liu Weiqiang followed the camera with the camera, and everything was very smooth.
Hollywood movies have more shoulder resistance and handheld, while Chinese movies are used to using slide tracks. The sports lenses of watching Chinese movies are very stable, but lack a sense of movement, and stable. The lenses lack breathing rhythm, which is very rigid and deliberate.
Hollywood lenses are different. Although they are a little shaking, the picture is more angry and more in line with the laws of movement.
The main reason is that Hollywood uses Stenickon to shoot. Before the digital camera appears, photographers who can skillfully operate Stenickon shooting in mainland film circles in Hong Kong, Taiwan and Canada did not have two hands.
Film copy cameras are bulky, huge, complex in operation, and difficult to control the lens sense. Stenikon is also very difficult to operate.
Unlike later generations, Stenikon was lightly used, and you can buy one for a few thousand yuan, and you can play sports shooting by pressing a SLR. Even Lao Touzi played with a SLR.
"stop!"
Wu Xiaozu and Qiu Litao covered their cloth and lay in to look at the monitor. They turned out the camera they just took, looked at it carefully and carefully. After watching it, they pressed Pause and watched it again.
"Go and take a look at the camera and radio"
Qiu Litao nodded and walked towards the metal film camera with Wu Xiaozu.
When filming, the camera lens is very small and the clarity is only one-tenth of the screen. The color accuracy is negligible, and only performances and composition can be vaguely seen. There is a bright white wireframe that is composition.
The image is very unclear, so it is difficult to use a cloth to block the light.
At this time, the director needs to see the camera plug-in.
Liu Weiqiang's handheld machine, Qian Wenqi, his assistant next to him, is responsible for the focus. The focus is the most important part of film shooting technology, and it is easy to be soft.
The camera's picture is clearer and the composition is more complete. After watching, there is no problem with performance, camera, and light comparison. Wu Xiaozu asked the radiographer again, and then he breathed a sigh of relief.
The crew started filming the first shot, and he was not worried about being nervous.
Liu Weiqiang has high skills. Although he is not as good as Stenikon, his lens is very stable and he does not. Liu Weiqiang is more surprised by Wu Xiaozu. After all, he has a famous endorsement in later generations.
The most amazing thing is the lighting maker Zou Lin. He is not old, but he controls the light quantity and light ratio very accurately, which makes Wu Xiaozu feel like he is picking up a treasure.
The importance of a lighting engineer is not inferior to that of a camera. The lighting group is the group that started the earliest and ended the latest. Like a camera, it takes more than an hour to install and arrange it every time.
With the two technical masters, Liu Weiqiang and Zou Lin, the crew cooperated much smoother.
After filming for a while, Qian Wenqi, the assistant and film changer beside Liu Weiqiang, showed everyone the basic skills of a photography assistant - changing films.
First take out the hidden bag, replace the cooked films with the metal sheet box, and seal them with tape. The process leaked a little bit, and everyone was in vain before.
The result is in Qian Wenqi's hands, but it is not messy at all. The whole process does not exceed 20 seconds. Then, the raw film is wrapped in the camera without wasting a foot. Changing the film is like turning into a magic trick.
"Damn, Aqi, you must teach me this trick. You are so handsome that you have no friends."
Fei Cheng, who had learned some common sense in shooting and was very interested in shooting, saw this scene, his eyes shone brightly and he screamed strangely.
Not to mention him, even Director Wu was quite surprised by the camera assistant who followed Liu Weiqiang. He had no weak soldiers under his strong cheeks.
This is a skillful skill, and I will not be so neat if I have never tried hard.
...
Liu Weiqiang held a camera and captured a pair of leather shoes on the camera.
Slowly pulling back to the middle shot from the close-up, a back view appears, and the dim light on the head is constantly shaking.
"Click!"
Wu Xiaozu waved to Qiu Litao, Uncle Li and Liu Weiqiang and others gathered together to point fingers at the pickup.
"The depth of field of the lens is very good, but the shot that is transformed into the middle scene is too abrupt."
“How about shooting separately?”
“Picking a long lens here can create a better atmosphere.”
"Do you want to try it with a crane?"
After a few people discussed for a while, Wu Xiaozu told everyone about his creative intentions and exchanged their own ideas, and then started over. The movie itself is an art of compromise on cooperation, which requires the entire team to work together.
If you take a day's shooting in the future, you may also take several sets of shots.
But what Xiangjiang pays attention to is efficiency.
Chapter completed!