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“Swishy…”

Wu Xiaozu held the drawing board and "carved" the characters on the white paper word by word.

Investing tens of millions of dollars is a new challenge for Wu Xiaozu.

He rose to the end. Since "The Butcher on the Rainy Night", "The Birth of a Word", and "The Young and Dangerous", every movie has witnessed his growth. As his understanding of the film improves, there will be staged self-improvement every time.

From taking a different approach to taking a sword, to slowly getting better, and then to rebirth of enlightenment.

Step by step, Wu Xiaozu was used to using his own understanding to interpret the characters and stories under his camera. Each camera condensed his sweat and dedication.

He wrote scripts, determined the film manuscript, drew storyboards, surveyed the venue, and personally established the lenses, lighting and even post-production editing. How could outsiders pay attention to the efforts and efforts he put in?

Wu Xiaozu's starting point in the entertainment industry is already low, and his reputation for "unity" with his peers makes him a notorious messenger and mad dog in the entertainment industry. His reputation is no better than Mai Dang Xiong in the previous two years. At least Mai Dang Xiong's foundation is better than behind him, and his relationship with Jiahe is better than that of him.

Copying?

Cheating?

Copy?

In fact, since the first "The Butcher on the Rainy Night", Wu Xiaozu mixed a lot of his own ideas and styles while commercially scented. Through the three movies, he found an opportunity to take the lead in the big cast and make big productions.

Director is a profession that particularly requires a sense of the times and life experience.

We often find that some amazing directors will always become mediocre over time. This is itself a lack of accuracy in the sense of the times and the limitations of their life experience.

A film director is a very simple job, so simple that as long as you can shout "Action", it is enough to play this role.

At the same time, the director is an extremely strict job that requires awe. This profession requires you to have strong coordination ability, rational judgment, sufficient life experience, meticulous observation and unreplicable artistic creation.

If a director wants to avoid being abandoned by the times, he must calmly experience, explore, and observe the times coldly.

Wu Xiaozu's biggest cheating is not the vague memories in his mind. His biggest golden finger is that his sense of the times is not limited to the 1980s and 1990s. He has a broader grasp of the pulse of the times than others... and has a deeper accumulation.

On the drawing board, the white dove spread its wings, the choir is singing, and the man in black simple painting dances flamboyantly, and the whole painting is full of exaggeration and paradox.

Next to this dressing, the pencil outlines endless shadows. A man with simple drawing walked out of the darkness, staring at him with a pair of abrupt eyes behind him, indicating that he was responsible and responsible.

A huge "X" separates the two paintings, giving a unique balance.

Below, the exaggerated man, who was like a vampire, held a gorgeous pistol and a gun in his hand, confronted the heavily-faced man with a gun. One looked unscrupulous and the other was deeply saddened.

Wu Xiaozu painted this simple painting for six hours. At his feet, countless pieces of paper covered the ground, and half a piece of pencil was scattered all over the ground.

“…”

Liang Jiahui walked into the room, and the manuscript paper was full of trouble, so he picked up a ball of paper with pride. In the wrinkled white paper, two men sat there and the other stood there, looking at each other.

The man sitting there had empty eyes and was wearing handcuffs and shackles.

The standing man holding a bouquet of flowers, his mouth raised, and his legs twisted there.

One back is covered with pencil shadows, and the other back is an iron fence, and a beam of light is shot in hard.

This painting tightened Liang Jiahui's heart, and the strong contrast between the two people in the painting formed a strange balance. If you lose any of them, the painting would appear unbalanced and abrupt.

"Ha, what's the point?"

Liang Jiahui smiled in his ears, and the drawing paper in his hand was suddenly withdrawn, and then he came to his senses.

"Is this the story of the showdown between the two heroes you told?" Liang Jiahui scattered a cigarette and handed it to Wu Xiaozu, but when he saw Wu Xiaozu handing him a few pages of dense information, he couldn't help but be stunned.

"You can use the character background information to improve it." Wu Xiaozu said.

"So good to me? Are you prepared for the character's biography?" Liang Jiahui smiled and took over the information.

"Your scene should be Zhou Runfa."

Wu Xiaozu passed by and patted his friend on the shoulder.

Liang Jiahui turned his head over, looked at Wu Xiaozu's eyes, smiled faintly, and raised the information in his hand, "How much time do I have to prepare?"

"One month..." Wu Xiaozu added, "I need to determine the shooting location and communicate with the crew and the actors."

Liang Jiahui tightened the information tightly and nodded with a bright smile.

An excellent actor must have strong confidence and pride.

Recently, the media have all praised Xiao Ma Ge, who is one-sided and single-sided, is the best candidate for the sixth best actor. Little Jiahui has also contributed a "Lin Guoyun" far beyond "Xianfeng".

If we talk about the excitement of the character, Lin Guoyun is not inferior to Brother Ma!

"By the way, I'll trouble you in the room." Wu Xiaozu, who walked out of the door, suddenly turned around and pointed to the messy room all over the room and said to himself, "I wonder if Sister Jiahua comes back and sees you tossing the room like this..." Speaking of this, she gave Liang Jiahui a self-seeking look and encouraged her.

“??”

Liang Jiahui looked at the messy room and thought about how quiet he wanted to take in the other party to work at home. He ate him and slept on the street, and even framed him before leaving...

Liang Xiaokuo wished he could hold a knife and kill this flop.

In the past few days, in order to "storage energy" and improve the new drama, Wu Xiaozu deliberately ran to Liang Jiahui to hide from the quiet.

Jiang Jiahua led Su Liyao to look for office buildings around for a while.

1024 Locomotive Movie Studio was originally set up in a tea restaurant, but it was naturally not suitable now.

It’s also good for a film company or other type of company. As it grows, the company framework needs to be truly built.

A 1024 Locomotive Film Studio, a grass-roots team, naturally cannot be considered a formal enterprise.

Taking the accounting of box offices in the local and foreign countries as an example, this work requires specialized financial personnel to be responsible for. Propaganda, finance, and production are the most basic departments, but before that, the company nature of the 1024 Locomotive Studio will not be much more advanced than the street food stalls!

In addition, now there are two new popular stars, Roy Kin and Zhou Huimin. If the 1024 Locomotive continues to stay in the tea restaurant, Wu Xiaozu himself will find it inconvenient.

Wang Xianxian, who is determined to come up with an album, practices her voice in bed at night, and she is particularly loud.

You can't rent a clock hotel every day, right?

Therefore, Wu Xiaozu selflessly waved his hand and approved the 1024 locomotive to move out of the Longcheng Ice Room.

Wu Xiaozu confirmed that the theme of the new drama is the "two heroes" type.

The movie setting of the confrontation between the two heroes is an immortal monument in the history of Hong Kong films! This setting has made great contributions to many mainstream commercial films in later generations.

Every film director will have his own unique film style and philosophy.

Wu Xiaozu's personal style of space, position, camera and violent aesthetics is fully displayed in the three movies. Even if he transformed into "Young and Dangerous", this shadow can be vaguely seen.

So, Wu Xiaozu simply returns to this kind of black humorous movie that he is good at dealing with, playing a violent confrontation with a big cast.

Any director will have his own fields of expertise and lack of expertise.

A person like Wu Xiaozu who is so rational that he is cold-blooded cannot truly export that kind of nonsensical comedy.

The accuracy of self-awareness is also something that Wu Xiaozu surpasses others.

...

Darong Film Company.

The worker removed the signboard of "Darong" and reinstalled a plaque called "Shadow Jie Film Company". The company's signboard of Jin Cancan is particularly dazzling.

The front desk is still the front desk, and the boss is still the boss.

Boss Deng failed to frame Wu Xiaozu and calmed down for a while. This month, Aomen ran back and forth in Wanwan. "Young and Dangerous" was out of the box, and then she returned to Hong Kong.

The first thing he did when he came back was to cancel the "Darong Film Company" and re-register and establish a film company called "Shadow Jie".

The sign of "Darong" has stinked the streets. When everyone mentions Darong Film Company, they can't help but think of "The No. 1 Xianshi".

Luo Liang and Shengbao have really attracted a lot of "fan fans" with the gimmick of "Xianshi Fanren".

In order to avoid trouble and eliminate the impact, Boss Deng also changed his vest and reopened the "Shadow Jie Film Company".

With his past connections in the entertainment industry, he has attracted a lot of investment in Wanwan and Aomen. Now he is like a lonely young woman who has invested heavily in her child...

In the office, Hou Xiaoxian, who was thinning, stood on the sofa, holding a storyboard in his hand, flipping speech page by page—

"Under the rapid changes in urban waves, family, friendship, and love all confuse moral judgments, and the crazy pursuit of material things constantly subverts ethical standards.

The grievances of the family, the underworld, and the school collided with each other, resulting in confusing entanglements. These are all youth and memories of young people."

Hou Xiaoxian talked endlessly about his creative intentions. When he stated that he was the main creator of "Young and Dangerous" and was also filming a film about the youth of urban youth and the filming involved gangster elements in the play, Deng Guangrong waved his hand and invested without even thinking about it.

Nowadays, no one knows that "Young and Dangerous" is a gold mine that is about to be developed. As he knows, many independent film companies have now established more than a dozen films about "Young and Dangerous" themes.

This trend is as surging as the zombie tide, gun battle tide, and strange cases!

He has heard from someone in Wanwan that he is one of the new generation of directors in Wanwan. At the same time, this guy is also the producer of "Young and Dangerous". With this qualification, it is worthy of Deng Guangrong's investment.

"My movie is like "Young and Dangerous", and there are also comics..." Hou Xiaoxian remembered Wu Xiaozu's instructions to him to speak frankly, and hurriedly said, "My story was derived from the Japanese comic "The Daughter of the Nile"..."

"Director Hou, investment is absolutely fine. You can open a count--" Deng Guangrong was overjoyed. Seeing Hou Xiaoxian seemed to have seen a peerless treasure. This is clearly his treasure pot and money tree!

Hou Xiaoxian sighed in his heart.

really!

Hong Kong filmmakers are the true love for movies!

Wu Xiaozu was honest and honest and never deceived me.

Deng Guangrong has a vision, but maybe he has been an actor for too long. He has observed a film and is habitually starting from the perspective of a filmmaker.
Chapter completed!