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Shooting scene.

Artificial warm color filters and warm light sources are shot on the bright and bright carousel in front of them, creating a very warm picture.

Unlike Hong Kong filmmakers who love natural light, or many of them don’t understand the impact of light on the film at all. Wu Xiaozu prefers manual lighting. He likes to use the warmth and coldness of light and dark changes to highlight the sense of the picture and the relationship between people, thereby promoting the development of the story.

In his previous life, Feng Dapao filmed "Youth" in the movie commune in Haikou. The whole movie was artificially lit, and the light was very sunny and the rhyme was very sunny. The scene of the art soldiers dancing in the dance studio, and the large glass windows cast a warm light, which was 100% completed manually, which was both beautiful and had a sense of the times.

Unless many movies that require realistic films, they will choose to use manual lighting for more film shooting.

In this drama, Wu Xiaozu's requirements for light are more complicated. He needs to use the changes in light to illustrate the progress of the story.

In the first scene, in the casino, there are bright and lively carousels, laughter and joy. Through the artificial light source, it will appear extremely tender and warm, which can exaggerate the cause of the extreme hatred between the two heroes behind and deepen the persuasion.

"Brother Tai, Uncle Biao, the camera here mainly captures the warm scenes of 'Han Li' and the child, so I need you to use a slow shot. Carousel, the child's laughter, and the warm sunshine hit the child's innocent smiling face..."

Wu Xiaozu patted the carousel beside him and asked Huang Yuetai, Huang Zhongbiao and the other two to describe the picture requirements they needed, and told them in a casual manner.

"Uncle Biao, remember to give these two arms a close-up during the slow shooting, and it will be frozen at least 3/4 seconds."

In front of you, two metal arms hanging on the Trojan horse are hung with different carousels. If the "X" pattern appears on the picture, it will not only make the film full of uncertainty, but also make the warm picture cut, giving the audience a psychological hint of visual sensation.

In Wu Xiaozu's first scene, he chose the first act of the script "strangely".

The movie itself is a reorganization and splicing after shooting a multi-linear picture. Few directors will arrange such a scene specifically for shooting.

Thinking of this, Wu Xiaozu glanced at the two people who were in a state and in a state and temperament, and smiled slightly.

On the set, Zhou Runfa stood there with a big back, smiling at the corner of his mouth, blurred eyes, and wearing a large cloak-like windbreaker with a red background and black surface that was very textured and designed.

I think Fa Ge is one of the few male actors in the world who can control the back head. The previous one is the god of back head - Ma Long Brando.

Not far away, Liang Jiahui was squatting on the ground, holding a little actor with a friendly expression on his face, cultivating feelings, and the character was quiet and restrained.

The two characters, Tang San and Han Li, have an extravagant personality and the other are introverted.

...

Lin Qingxia stood outside the camera with her jade arm in her arms, her eyes moving between the actors performing on the scene and the off-site pickup from time to time.

The camera advances, and the metal boom hanging on the Trojan horse suddenly freezes in the picture for 3/4 seconds. The two connected booms appear a "X" cross that is not to be ignored and full of uncertainty.

This "X" pattern is used by Wu Xiaozu to imply the sense of fate of the two protagonists entangled each other.

At the same time, in the later stage, this "X" lens will gradually change from objective to subjective lens. X means aiming at the center of the rifle, pushing and pulling the lens along the sight, and Zhou Runfa, who is lying with a gun in the sight.

“Huh?”

"?"

Lin Qingxia unexpectedly glanced at the young man beside her with beautiful eyebrows. She knew that the young man in front of her was from Xinyi City, but Wu Xiaozu generously promoted him and arranged for the position of office work.

"Axin, is there anything strange?" Lin Qingxia asked with a friendly smile.

"Ah? Sister Qingxia... I just think Director Wu's camera is handled with a very sophisticated approach. He uses the way the scenery sets off the characters' situation..."

When the young man named Ashin saw Lin Qingxia listening carefully, he couldn't help but point to the carousel that was being re-placed in the venue, "When the lights were bright, the whole picture was bright and vivid, and the carousel was bright and new.

But look, the child was just shot and the other side of the carousel shot in the B camera position..."

Following his fingers, Lin Qingxia looked at the pickup.

The mottled and worn carousel came into view, and the whole horse was lonely, filled with loneliness and depression.

"Also, has the 'X' formed by the staggered arms just now indicated that something wrong will happen?"

The young man added, "If you look closely, you will find that the two men, Fa Ge and Hui, are in the downward shot, with X-balanced composition. Now... there are fishing lines on the branches behind Fa Ge. I guess when he shoots, with a blower, these two branches will naturally form a roughly 'X' pattern, which also symbolizes that his shooting has caused bad things because of the wind speed..."

Lin Qingxia listened to the "instructions" of the young man beside her and savored it carefully, as if she had first met her, staring at the man not far away who was playing with Liang Jiahui and Zhou Runfa, and her serious posture made her laugh seriously.

"Thank you, I didn't expect you to know so much." Lin Qingxia thanked the young man next to her with a kind face.

"No, no, no... In fact, I also read Director Wu's 'Director's Note', and only then did I notice it after listening to his conversation with the crew." The young man waved his hands in a panic and smiled foolishly.

"Axin, the director calls you!"

Just when he was still trying to talk to Lin Qingxia for a few more words, Luo Lixian, an assistant director not far away, waved to him and shouted.

...

Under the shade of the trees.

Luo Lixian was carrying a "imitation" gun delivered after signing the props. When he saw Ye Weixin running over, he ordered in a deep voice, "When you are shooting in a while, you are responsible for counting the shells. Let's prepare to test the sound of the shells falling to the ground, the camera." As he said that, Luo Lixian handed over a yellow-orange metal shell.

"There are 20 pieces in total, and you must check them clearly and keep them well."

"Don't worry, Director Luo." Ye Weixin took the brass bullet with a smile on his lips, and counted it out carefully one by one in his hands. Real guns and live ammunition cannot tolerate any carelessness.

Nowadays, there are imitation guns and prop guns in the Hong Kong film industry. There are many prop guns, but they will appear distorted relatively. Therefore, the Hong Kong film industry, including Jackie Chan and Wu Yusen, will choose imitation guns in the shooting of gunfight movies.

Even later generations they would apply for real guns with the police station. Du Dapao applied for real guns when filming "Gun Fire".

Except for the subtle differences, this "imitation" real gun has a complete structure that fully conforms to the principle of the real gun. It is just that the rifle is not guaranteed, and it is estimated that it will fly 10 meters away.

In real life, where can I kill someone with a gun? I often watch people chasing bandits on TV. They can pick up equipment, but they turn a blind eye to it. There is actually a scientific reason to chase with a big knife.

If a gun has not been proofread and debugged, it is not much better for a normal person to pick it up than a fire stick! Even if a sharpshooter gets a new gun, if he is not debugged, he may still be off the target. The only possibility of turning into a gun god after taking a strange gun is that the director himself has never touched a real gun.

Real guns are like this, let alone these "scrapped" guns. In terms of safety, these guns must be registered in the police station, and the bullet ballistic trajectory is also registered. Unless you are a weapon expert... By the way, why bother with weapons experts?

The shooting scene, close-ups and mid-scenes of "The Deadly Two Heroes" were all shot in simulated guns. Wu Xiaozu asked the bullet shell to jump out of the way.

Wu Xiaozu could not learn from Wu Baige. He could use a pistol as Gatlin, and then inexplicably remember his opponent's bullets...

When filming, the visual quality of heavy brass bullets can stimulate the audience's adrenal glands even more.

Luo Lixian personally demonstrated these "close-up" shots.

Luo Lixian is good at gunfire, speeding, blasting, and fireworks. This time, Luo Lixian is worth the money.

1024 Locomotive, as several dramas came out, it gradually developed a so-called "verification gesture" team.

Qiu Litao, Liu Weiqiang, Luo Lixian, Qian Wenqi, Zou Lin... and others, including Fei Cheng, Luo Dong and Su Liyao, this lineup may not be as bright as Hong Jinfei's Hong family class, and it is bright and beautiful. But in terms of behind-the-scenes strength, it is not inferior to any professional "prostitute" gang.

The joke "Wu Family Ban" came true.

Compared with the Hong family class, Cheng family class, Yuan family class, and Liu family class, Wu family class seems to pay more attention to technology.

Judging from the development prospects, they are at most hair salons, and Wu Xiaozu can develop into an Eastern Management Office.

The previous one, Qiu Litao's hair salon failed to open, but don't worry, Liu Weiqiang's foot massage shop will be opened soon, and Wu Xiaozu and Luo Lixian's daily rent house...

In addition, Wu Xiaozu dug up another young director.

Ye Weixin.

Later generations Ye Weixin was considered the best in the generation of "Young Directors" in Hong Kong. He could shoot such good reputation films as "Juliet and Liang Shanbo" and "The Blast Policeman", and he could also sell the pure commercial film "Shapo Wolf" and "The Fuse".

So, when this handsome boy who had been working as a messenger in Xinyi City, a handyman and a farm worker for two years was sent to help, Wu Xiaozu had no intention of returning it.

At least this is a foot massage bath...

Ye Weixin, who has beautiful eyebrows and smart eyes, just thinks that Director Wu is very supportive of him. Little do he know that in other people's eyes, he is already showing off his carriage and horse.

1024 If you want to develop, you cannot do without young talents.

Wu Xiaozu saw Wu Zhenyu, who had signed five dramas for thousands of dollars, enter the crew, and more agreed with this view.

Although Wu Zhenyu's commercial value is not as terrifying as Roykin, it is still much more popular.

When dealing with these potential calves, Wu Xiaozu's attitude is to fulfill his responsibilities and then give him a platform. Just like Liu Weiqiang, no one is a fool, and loyalty is the least worth pondering and testing.
Chapter completed!