PS: Please recommend votes! Please give me monthly votes!

Sha Tin, the filming scene of "Two Heroes".

"ha--"

Oily head, long windbreaker, short legs, slapped.

The blue smoke curled up, and the mouth was filled with cigars.

Jiang Zhiqiang stood outside the shooting scene and stared at the shooting inside.

He has a completely big shot.

If... he doesn't wear a windbreaker.

This scene is about Tang San and Han Li's last moments, Liang Jiahui and Zhou Runfa are both wearing black leather windbreakers, standing coolly under a beam of lights.

Two huge fans swept the wind and blew their windbreakers.

In order to create a sense of fate, Wu Xiaozu still chose to shoot off-seasonally.

A black leather trench coat is always more ritual than a suspender vest?

Wu Xiaozu needs to create more sense of ritual for this movie. Only with a sense of ritual can he better show that slight sense of fate.

A sense of ritual is often sensational in movies.

Six cameras surround the actors in the middle.

That's right!

[Biquge www.sbiquge.xyz] Wu Xiaozu was defeated and was definitely not inferior to Hou Xiaoxian.

I called two days ago and Director Hou was unscrupulously emitting his artistic talent in Wanwan.

But these talents are a little expensive. But having money is hard to buy Deng’s willingness. He hopes that his enhanced version of "Young and Dangerous" will be released.

I think Director Hou will definitely give him a big surprise.

…

Zou Lin, the lighting director, was commanding the lighting on the scene with Yu Jiaan and Kuang Zhiliang, two art directors, sweating on their foreheads.

The alternation of dark light and superimposed shadows combine the ostentatiousness of European stage plays with Chinese restraint. The design of the entire scene can be said to have burned countless brain cells of the crew members.

Many people think that the crew members are just executors and are just technical positions. However, an excellent movie or a classic movie, you can see behind it, and it must be very powerful.

Many people know that lighting can determine the beauty and ugliness of characters, but they do not know that art can determine the aesthetic tone of the entire movie.

Movies are business, movies are industry, movies are technology, and movies are also art.

Therefore, in addition to professional and solid technology, every job behind this art also requires extraordinary creativity.

Later generations of Chinese-language movies or Hong Kong Island have produced many excellent action guidance, which can be said to have influenced the whole world. In comparison, professional talents in other jobs seem to be lackluster.

Lao Touzi's color science and Bobaxue are well received in the international film industry, but that is his own personal talent, not the sharpness of a professional job.

Wu Xiaozu consciously cultivates professional talents, so his crew configuration is much more professional than other Hong Kong film crews.

Many people know that movies emphasize division of labor, but they don’t know what division of labor is. At most, let’s say: Professional things are called professionals. So, is it too a failure for you as a director?

Why does a director often have a longer success than other industries? It is absolutely pride to call himself a young director at the age of 40.

Of course, the directors who crossed the border or made money in later generations were not listed here. They were at most famous directors.

Directors need talent and accumulation. Directors may not be proficient in professional work, but they must not misunderstand. Why is it difficult for later Chinese-language films to make excellent special effects movies?

Not to mention the equipment gap!

The equipment of special effects companies under China Film Group is more advanced than that of some special effects companies in Hollywood! The professional and technical team is poor? Of course, this is one aspect.

But the most important thing is that those directors with special effects movies actually don’t understand special effects themselves. In the previous life, Wu Xiaozu worked as a producer and editor at the Internet major. Can you imagine that some directors don’t even understand TM editing?

Wu Xiaozu even saw a director who didn’t even understand the camera... Of course, that director was Men Qing. This is the real thing.

Sometimes, Wu Xiaozu still admires Lao Touzi quite a bit. At least Lao Touzi can be regarded as a filmmaker.

In order to shoot movies, he did learn these things himself.

I won’t mention the good or bad of learning... This kind of stupid bird’s attitude of flying first is still worthy of praise.

When Wu Xiaozu filmed "The Two Heroes", he would definitely not be able to film Wu Yusen's white dove feelings, but he gave this movie a rare tone of fateful duel.

Wu Xiaozu's violent aesthetics is destined to be different from Wu Yusen. After all, his teacher is not called Zhang Si.

However, Wu Xiaozu has a new aesthetic perspective in the lens of Eastern style. Violence under poetry is a completely new field.

In fact, this poetry exists in the bones of Chinese people.

From "Water Margin", "Three Heroes and Five Righteousness" to various martial arts, it is poetic violence. The introverted violent presentation methods of Eastern style, the lenses and symbolic techniques contained in the books of our ancestors.

Even the barbaric war dance in the pre-Qin period was a violent aesthetic.

The West treats violence with a sense of straightforward attack, while the East gives violence with more graceful sharpness.

This is also why Chinese action movies shocked Hollywood. Young people always say that Hollywood's commercial action movies are wonderful. Look at the action philosophy of our 1970s and 1980s action movies, one Cheng Long can despise half of Hollywood.

However, Hollywood really takes movies as business to develop, and with the support of strong economy and industry, it has completed the impact of cultural commerce.

Hong Kong Island movies regard movies as business, and they are the way to fish out of the water. Even in later generations, movies in Bangzi Country even had Hong Kong flavors more than Hong Kong movies.

The staff on the scene kept moving countless mirrors. In order to shoot the scene well, Wu Xiaozu used more than 300 mirrors.

This is still a play!

If NG, then it is understandable whether it is five hundred mirrors or one thousand mirrors.

The investment in the entire drama, aircraft, factory and set of "Two Heroes" is absolutely crazy.

Even Mecca in New Art City feels like he is being pulled onto a pirate ship by Wu Xiaozu. He comes to the crew to report every day.

An investment of more than 13 million in a movie was definitely a big production in 1987! However, this big production will become more and more intense after 1987.

Celebrities' pay will go all the way to heifers and lightning will go all the way to bulls.

Within two or three years, the production cost of Hong Kong film production will even reach more than 40 to 50 million.

Is it scary?

But, just think about it, Xingchi helped the black-hearted boss earn 300 million yuan in 7 years, and you will know how legal it is.

You know, that boss only earned money from the production company. How much money does the distribution and then make? How much did the others make?

If a big-month film returns for hundreds of millions of dollars, you will understand why Hong Kong movies are so crazy.

This scene was filmed intermittently from 3 pm to 11 pm.

When Wu Xiaozu shouted "finished", the crew was so tired that they had no strength to cheer.

The finale of "Two Heroes" was cancelled by Wu Xiaozu and was held as a "celebration banquet" together. The staff seized the time to rest, because they got up during the day, some of them had to go to the next crew again.

In the 1980s and 1990s, the Hong Kong film industry not only had the box office crazy, but the film staff were also crazy. In order to make money, many people kept making rounds.

The best way to rest may be to go to the casino with a paycheck, go crazy all night in the bone field, and then go to the set the next day without washing your face.

Causeway Bay, food stalls.

Wu Xiaozu held the wine glass and smiled at Jiang Ershao blowing water.

Jiang Ershao looked up at his three long legs, snorted in dissatisfaction, and stood on the steps next to him.

Well……

Going to the next level again.

"Azu, Brother Fa, Brother Hui, you guys have a very sharp movie market."

Jiang Zhiqiang learned the posture of a great man in the air, "The Western film market is so popular. No wonder Boss Zou has always been obsessed with Hollywood life.

I have been selecting films in the UK during this period and happened to visit the ghost's Songlin Studio...

I don’t know how sharp their studios and Shaw Brothers Cinema are.

By the way, have you seen that "Alien"?

I happened to have the opportunity to watch them filming in the studio!

You can't even imagine that someone can build a space base in a studio... It's shocking.

If you have the chance, you must go to Heli Life to have a look! Heli Life is really ahead of us in filming. Compared with others, we are really a turtle team!"

"There will be a chance. It's not surprising that our own straw team will win the attention of those giants in the future!"

Wu Xiaozu said something lyrically, and everyone just thought he was joking.

"Hehe..." Zhou Runfa smiled and squeezed the beer bottle and took a bite.

Living in Hollywood?

It's too far away.

This is the first time Wu Xiaozu heard someone talk about the movie "Holi Live", in 1987.

His eyes looked at Liang Jiahui and Zhou Runfa.

"It's really hard for me to believe that I'll live with you for half a month!" Liang Jiahui glanced at Wu Xiaozu and secretly glanced at the street girl who was full of spring on the street.

I stared at it greedily for a few times, and I always felt that everyone was handsome and handsome.
Chapter completed!