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In the mottled and dirty simple bathroom, seven or eight staff members were holding paint, sandpaper and animal mixed blood agent in their hands and began to arrange the bathroom around them.

When shooting movies, blood bags are usually eaten with hemin and honey. If you like Thai sweet spicy sauce flavor or tomato sauce flavor, you can choose appropriately. Of course, the cost of the movie is really that abundant.

The blood used for filming in the walls is generally chosen for real animal blood. It is more realistic and easier to preserve, which is conducive to filming.

The crew of "Fear Room" has more than 20 scenes involved in the script and story draft, all of which are fully prepared in the factory.

Therefore, it is not at all that Wu Xiaozu called this drama a "house movie".

For film shooting, whether it is indoor or real scene shooting, the industrial process of the film is actually indispensable. Scenery survey is also very important. Of course, indoor scene shooting is undoubtedly more convenient for film shooting, and the most important point is reflected in the lighting.

Later generations, Xiaogangpao filmed "Youth" in Haikou's own film commune, which reflected this convenience.

Wu Xiaozu really hopes that he can build a professional film studio that is convenient for more filmmakers to shoot. At a time when a series of film and television bases such as Hengdian have not yet become popular all over the country, this kind of studio has a market.

In later generations, abandoned film and television bases could be seen everywhere in the mainland. On Hong Kong Island, only one Shaw Cinema and Songcheng could have such functions.

At first glance, more than a dozen "scenes" are exposed in front of you, and it feels like entering the wedding photography bases of many studios in later generations.

Zhou Runfa adjusted the flat glasses on the bridge of his nose, and the stylist behind him was tidying up his clothes.

"Is there a Jiahui show today?"

Zhou Runfa looked at the makeup chair beside him. This temporary dressing room was the dressing room of the previous movie "Two Heroes".

"Listen to others, Brother Jiahui seems to have something to delay, so he will come to try his makeup later."

While holding Zhou Runfa's head, he looked back and forth with scissors in his hand, he asked curiously, "Brother Fa, you are playing against Brother Jiahui again this time? Last time I watched the last scene, it was so exciting.

The staff on the scene couldn't help but applaud. You two were so cool. Many people said that Director Wu made a movie that was so cool that you two could play such a role.

Seeing you two acting, you can't help but have chicken-skin-goose-bumps all over your body. It's so satisfying-"

The stylist's slender fingers gently slid across Zhou Runfa's cheek. With his blurred eyes, Fa Ge, who was sitting on the chair, could only force himself to smile.

In the 1980s, GAYs in the entertainment industry were serious GAYs. They said that they like drought and flood and suffer from drought and flood, and they will never be adulterated. For handsome guys, they are all warm-hearted.

Not like later generations.

It’s GAY on the lips, but it’s definitely not a serious GAY!

"Teacher Tony——"

The worker next to him shouted in time. This made the stylist who was trapped in his little addiction put down Zhou Runfa and turned around and left.

“…”

Zhou Runfa took a deep breath and took out the script and read it carefully.

After filming the drama for more than ten years, Wu Xiaozu's drama put the most pressure on him. It was even more stressful than "The True Character of Heroes" which made him turn from "poison".

When filming "The True Color of Heroes", there were not so many scenes of "Xiao Ma" at the beginning. The most direct reason was that Zhang Guozhen was unable to do anything at that time, so under this circumstance, Zhou Runfa became more and more aware of the role, and as the story deepened, he continued to improve the role of "Xiao Ma", which created the most classic tragic hero in the history of the Chinese film industry.

His touched by Xiaoma promoted Wu Yusen's script changes.

Wu Xiaozu is different from their slutty and slutty!

His story has a unique worldview and lines. The actors allow space to play themselves, but they cannot affect the progress of the entire movie. At the same time, you also have to complete his challenges to the character setting.

What makes him different from other directors is that—

He knows acting!

He will tell you "YES" or "NO".

Then I will pull you to tell you the drama again, and then act again! NG again, and then talk about the drama again...

Moreover, as you step into the role, he will constantly adjust the height of the role.

Maybe ordinary actors don’t feel deeply, but it’s very obvious to Fa Ge who is reaching the peak.

Later generations, Song Dandan said that actors should have a self-awareness of the role, which Wu Xiaozu agreed with. But as a director, he still needs to be responsible for the rhythm of the entire movie and take into account the entire movie.

If an actor is really excited and too abrupt because of his role, then do you think he is a good actor or a bad actor?

Of course, this is a topic that says that the mother has a reason.

This is why many directors dare not use it. Lu Xiaochuan filmed "Looking for Guns", but in the end he was almost madly abused by a bastard named Jiang. He cried at most six times a day...

A good actor, if you can't meet a big director who can make you feel at ease, you may only be able to play the most deceptive expression in the entertainment industry - "The sky is your limit". This kind of interpretation will easily let yourself go, causing the whole drama to be unbalanced.

...

"No script?"

Xu Wei sat on the chair, holding a lighter in his hand, burning the thick cigar in his mouth one after another, and glaring at Wu Xiaozu incredibly, "The clues of the whole drama are very clear, and your script and storyboard are also very perfect. It is more conducive to filming the movie when the script is put for the actors."

"But in this way, the actors lack creativity and urgency. I hope their performances can bring fear and panic. We give them scripts before the performance every day, so that they can better reflect the emotions of the characters.

and,

I think the actors in this drama need a sense of freshness. Only when they are fresh enough can they express the feeling of the characters in the drama." Wu Xiaozu said in a leisurely manner.

“…”

Xu Jie frowned and nodded reluctantly, "Then let's try the show first."

Wu Xiaozu and Xu Wei both have their own different film concepts. While sparks are created, they can easily cause grudges.

Both of them have their own set of shooting guidelines, which are a habit that comes from the bones. Suddenly, two completely different styles and formal methods collide together, and it is easy to have different ideas.

Both of them were also mentally prepared for this.

As the two directors temporarily seek common ground while reserving differences, the crew of "Fear Room" is also officially completed.

In terms of actors, Liang Jiahui plays paparazzi, Zhou Runfa plays doctor, Liu Qingyunlai, and Wu Zhenyu plays police

Xu Ying plays the role of "Jigsaw". For this role, Xu Ying needs to put on three hours of makeup. She wears a fake head cover and paste it with a special cream film to dress up.
Chapter completed!