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“The Wanwan Film Declaration????”

Wu Xiaozu looked at Yang Dechang taking out a draft and wanted to say to him: "Excuse me, Sir!" to interrupt the other party.

However, when he saw the familiar names on the draft, Wu Xiaozu raised his eyebrows and calmed down.

The "Wanwan Movie Declaration" in front of me is like an excellent opportunity.

An opportunity that he had tried hard to find but could not find - enter the Wanwan market with great confidence and no resistance!!!

This declaration in front of you is a self-requirement by Wanwan filmmakers for "author movies".

In 1954, Truffaut clarified the concept of "author movie".

France's "Movie Manual" was held at the hall Bazan. In 1957, he waved his hand and made a direct remark: The so-called author theory is nothing more than applying a theory that is widely recognized in other arts to films. It directly established a group of "author movies" and directly expanded its team.

The left guardian Truffaut and the right guardian Godard shook the flag and shouted, and immediately attracted a group of "ancient and confusing filmmakers". They all started the road of free creation with great enthusiasm. Each of them looked like a fighter, setting off a "new wave" movement in the history of film.

It can be said that the "author theory" view had a significant impact on French "New Wave" films and modern films from various countries. The theory and division of art films were also officially fooled by them.

Since then, "Author Film Theory" has become the criterion for art film directors.

They believe that a director should possess as much weight as a writer possesses for his novel.

This is the most important point that the author and director look for.

So... Yang Dechang feels that Wu Xiaozu is the author's betrayal outside the movie, and there is actually nothing wrong with it!

At least the personal style of "Butterfighter on the Rainy Night" and "Birth of a Character" and the rhythm of the entire movie prove the authorization of Wu Xiaozu's movie.

In the previous life, Wu Yusen was recognized, let alone Wu Xiaozu at this moment.

In later generations, many film critics liked to plan Jiang Wen within the scope of author films. Of course, Jiang Wen himself did not agree with it very much. But it is undeniable that his films do have their own unique authorship philosophy.

Wu Xiaozu must have scoffed at the so-called deepness of the author's movie, but the two things in front of him were obviously surrounded by typical author's movie words.

The "Wanwan Film Declaration" is also known as the "Wanwan Film Declaration".

For Chinese-language films, to be precise, they have a huge driving force for the development of Hong Kong and Taiwan literary and artistic films. If we compare this Wanwan Film Declaration, it is very similar to the "Seven Gentlemen's Letter" in the later mainland film industry, in 2003.

Of course, the situations we face are different, and the requirements of the plan are also different, but in the sense they are the same!

But, what Wu Xiaozu saw was not this!

He didn't care about art, what he really cared about was: when this declaration appeared, the Hong Kong film with strong commercial nature really began to occupy the Wanwan market.

This is clearly an opportunity to reasonably get involved in the Wanwan box office market!

Looking at Yang Dechang, Hou Xiaoxian and Wu Xiaozu were confident in their minds.

Wanwan Market?

Wrong, together for art!

Looking at the local film related people in Wanwan, such as Yang Dechang, Lai Shengchuan, Wu Nianzhen, Jin Shijie, Jiao Xiongping, and Hou Xiaoxian, Wu Xiaozu knew that he could indeed act as a "author movie" to surround him.

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Although I could know some of Wu Xiaozu's little thoughts in my heart, the problem was reversed. Can I prevent the other party from entering the Wanwan market?

Since that's the case, why not give a favor?

No matter what, Wu Xiaozu is also considered a "personal person"!

No one is fool, the only problem is that Wu Xiaozu is not the "author film director" they think.

Wu Xiaozu felt that this trip to Cannes was worth it...

If he doesn't come to Cannes, will Yang Dechang take the initiative to sign with him?

Probably not!

1980s.

France! Cannes!

For these filmmakers who have aspirations, they themselves represent a lot of meanings.

Wu Xiaozu is very glad that he can wear this layer of skin!

In fact, something Wu Xiaozu didn't know is that his own movies have the author's movie side. Otherwise, Yang Dechang wouldn't have found him.

Sometimes, you feel that you have used the other party, but you don’t know that the other party has also used you. At least Yang Dechang is optimistic about the influence Wu Xiaozu showed in the future.

When... the huge influence brought by a director's continuous success may not be able to feed back to the filmmakers in the same echelon.
Chapter completed!