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As the speech was completed, the lights in the theater gradually dimmed and the sounds in the theater gradually disappeared.

The screen lit up slightly.

The pure title sequence of 1024 Locomotive Film Company appears again and again, full of a sense of literature and art.

A graphic display of postmodernism and expressionism!

Compared with the poor quality the first time, the company LOGO at this time is much more refined. When used again, it looks particularly powerful!

Through the accumulation of several movies, 1024 Locomotive has also accumulated a bit of fame. Many people feel familiar when they see the title of the film, and their emotions slowly settle down.

The drama has officially begun!

The screen went dark, and an extremely strange and melodious whistle gradually sounded inaudibly.

"Tweet-tweet-tweet-tweet-tweet-"

The whistle is sharp, ringing in the ears and constantly corroding, and the BGM has a creepy and weird taste.

At the beginning of the movie, many people were attracted by the movie. The whistle was full of evil intentions, like a black mamba spitting snake messages at you and staring at you with cold eyes.

The soundtrack for this whistle was inspired by the 1968 British horror crime film "The Devil's Angels". Of course, what really made it famous was a big bastard with a chin that could hoe the ground - Yuan Zhang Quentin Dao.

Force Tarantino.

If you have seen the portrait of Zhu Yuanzhang in the textbook, you will clearly think that Quentin Tarantino must have the blood of the old Zhu family.

This classic whistle soundtrack "Twisted Nerve" became famous in the world of film and fan circles after "Kill Bill".

in movies,

A pair of black pointed-toe patent leather shoes stepped sideways on the wooden floor, and the camera followed the footsteps in close-up.

The actor's subtitles flashed, and the scene changed from a horizontal shot to a follow-up shot, and the entire depth of field was very far.

Many viewers saw a colorful corridor, and the camera zoomed up to reveal a man dressed as a hippie, holding a piano case in his hand and walking forward with his legs to the beat.

The corridor is quiet and eerie, but from time to time there is a colored dome-style glass window often found in churches. The window is small and the window sill is very narrow. The colors of the glass are colorful. The light comes in and is full of visual colors.

The use of light here makes the viewer feel like they are looking at a precious oil painting with thick ink and heavy colors.

Each beam of light penetrates the window and changes into blurred colors, including green, orange, yellow, green, blue, indigo and purple. The colorful light cannot hide the gloominess of the corridor. However, it divides the corridor into unique small spaces, giving people a visual

display.

This sequence of shots was shot with a long lens. In order to keep the shots from being monotonous, when Wu Xiaozu was filming this scene in a Sha Tin studio, he specifically found the kind of colorful glass used for the domes of Christian churches to increase the dimension and light sensitivity of the picture.

The glass of the church is holy and dignified, but now it looks more confusing and weird. Paired with the music, the entire long shot that was originally boring instantly becomes particularly attractive.

Countless film critics and filmmakers looked at this opening scene in disbelief.

"A long shot to the end?" Zhang Jiazhen, the person in charge of Debao Publishing, asked his friend Wu Baige next to him with a shocked look on his face.

Wu Baige stared at the screen attentively and told Zhang Jiazhen with his actions: Your friend’s IQ is below the line and he can’t answer the question!

"It's a fake shot to the end, but the editing is very clever. The use of color to interpret the space makes the whole picture stunning in an instant.

He filled the entire scene with an incredible Western church fresco-like approach... This shot has surpassed 95% of directors in Hong Kong, and is enough to become the most stunning opening shot in Hong Kong movies!" Tsui Hark said. Interpret with your mouth.

He secretly ran back, originally to raise an army to investigate the crime, but he didn't expect that from the beginning of the movie, he would be addicted to it and couldn't extricate himself.

“The soundtrack is even better!”

Hobbit Teddy Robin swallowed, "This whistle is simply amazing! Paired with the electronic music rendering, it's really wonderful!"

Under the theater, countless filmmakers and film critics who came in disguise were immersed in it.

The whistling continues——

A montage appears, with scenes of children playing, a joyful atmosphere, and a cute little girl wearing a princess dress running on the grass with a silvery laugh.

The sun was shining brightly, and the little girl giggled. The light was very bright, full of childlike interest and warmth. It swept away the haze of the whistle just now and made people smile involuntarily.

"Dad, Fengfeng! Come and catch me——"

The little princess showed an eccentric smile, like a cute elf, spinning and dodging.

"Don't run away, the big devil is here to catch you - ow ow ow -"

In the picture, a man with a bright and sunny smile appeared on the screen, carrying a dancing little boy on his back.

"Dad, hurry up and catch Tingting——"

The little boy is very handsome, and the actor who plays the role is none other than the famous King Xie Bi in later generations.

When filming "Two Heroes", the fat uncle Feicheng personally recommended 6-year-old Nicholas Tse to play the role of the little boy, and the little girl in the princess dress was Xie Tingting.

Liang Gaohui hugged Xie Tingfeng and chased Xie Tingting with all his teeth and claws. You chased after me, it was so lively.

The laughter of Nicholas Tse and Xie Tingting made the audience laugh. The two beautiful little Lolita and Xiao Zhengtai undoubtedly made the audience happy. Especially the adult men and women with children made them smile knowingly.

The little boy is holding a thin string in his hand, tied with a red Mickey Mouse balloon.

Suddenly, a montage flashed by, the screen dimmed, and we returned to the corridor——

"Tweet-tweet-tweet-tweet-tweet-tweet-tweet-tweet-"

The whistling speeded up, and was accompanied by a soundtrack of piano and electronic music. The entire soundtrack resounded throughout the theater.

The audience stared at the screen intently, sensing that something was about to happen.

"Gada——"

The sound of black patent leather shoes breaking when stepping on something.

The heel of the leather shoe does not move, and the sole of the foot is lifted and rotated with the heel as the center.

A most ordinary children's car was trampled to pieces. The bright car toy was very inconsistent with the entire gloomy atmosphere, but it had an inexplicable ominous hint.

The camera slowly moves up.

"Wow, Brother Ma?"

"Zhou Runfa!"

Some audience members in the theater couldn't help but read out Zhou Runfa's name when they saw his face.

Zhou Runfa looked at the trampled car with innocent eyes, squatted down, and carefully picked it up with his palms.

“Tweet-tweet-tweet-tweet-tweet-tweet-tweet-”

The music is getting faster and faster, and the long shot depicts Zhou Runfa walking step by step towards the darkness at the end of the corridor. The camera pulls up, and at the window behind him, a small flower is leaning against the car, and the light is refracted on the toys and small wild flowers. Above, a blooming light and shadow effect is formed.

Under the panoramic view, Zhou Runfa carried the piano case and walked up a spiral staircase, and the large Christian dome was instantly revealed.

This is a completely renovated church!

Circling up the stairs, the whistling continues.

The camera zoomed in longer and longer, and Zhou Runfa was completely submerged in the darkness at the top of the deepest part.

Click——

An iron door was pushed open, direct sunlight came in, and the audience's eyes suddenly lit up.

Zhou Runfa stood in the sun, and the camera revolved around him.

When the piano case was opened, the camera stopped, indicating that the originally swaying mind had made some kind of decision.

It is not a difficult skill to use the lens to show psychological activities, but this technique definitely puts many Hong Kong filmmakers to shame.

More than 99% of the filmmakers in the Hong Kong film industry are from wild backgrounds, and some of them even don’t know what a camera is.

In later generations, even Liu Zhenwei, who was known as a genius, was a complete amateur at the beginning. When he was filming for the first time, he didn't even understand the focal length of the lens.

Ng Hsiao-chu beats Hong Kong filmmakers in various ways.

"I can't stop watching this movie -" Liu Zhenwei, who was slightly chubby, touched his good friend next to him.

“The use of color is beautiful.”

It was a rare first time for Wang Jiawei to keep up with Liu Zhenwei's rhythm. Looking at the screen, his heart was throbbing.

Liang Gaohui smiled and played with his son and daughter on the grass, laughing and playing, which was very warm.

In the picture, a lens with a scale looks at everything not far away from a subjective lens.

Zhou Runfa was lying on the ground, with a huge cross behind him and countless white doves on the prismatic spire staying around.

The sun shone on the cross and cast a shadow on Zhou Runfa.

Smiling slightly, Zhou Runfa gently touched the mustache stuck to his lips and looked at the sniper rifle in his hand.

…

"Dad, dad... hurry up!"

Nicholas Tse held the balloon in Liang Gaohui's arms, smiled and handed the Mickey Mouse balloon in his hand to his sister on the other side, "Sister, give me -"

Bang!!!

Before handing the balloon to my sister, I let go of my fingers and the bright red balloon slowly floated up. In slow motion, the balloon slowly rose.
To be continued...