But as a math teacher, the male protagonist worked hard in Zhang Guoyan's room in order to reflect the character's personality.

According to the requirements of Wu Xiaozu's storyboard and script, Zou Lin led the set group to choose a suppressed and dark tone to express the protagonist's character. He completed the arrangement that suited the character in a cramped space.

I can't do my homework on the sense of the camera, and I no longer show off my skills in post-editing editing. This requires that this movie requires more effort in small details.

The environment sets off the characters and shows them to the audience through small details.

Wu Xiaozu is not sure whether Hong Kong audiences accept this method, but he hopes that he can try and experiment with film and television technology without paying his own money.

Wu Xiaozu likes a Japanese movie from the 1970s very much!

A serious movie.

"The Yellow Handkerchief of Happiness" directed by Yoji Yamada is Wu Xiaozu's favorite movies by Yoji Yamada and Ken Takakura.

This movie is very trivial, and the movie also chooses to promote it in a straightforward manner.

However, the details and the display of props inside made Wu Xiaozu very rewarding.

The moment when the yellow handkerchief floated, people couldn't help but smile knowingly as Ken Takakura.

This kind of description will test the director's grasp of details and has already grasped the development of the character's plot by changing a small prop or small environment.

The forced sensational tear points are just as tasteless as the comedy that makes you laugh.

In the movie "Suspect", Wu Xiaozu is preparing to shrink his mind and take back the camera a little. He no longer uses the camera to describe those big stories, but also describes a very small story, a very small heart.

Many directors, you find that they are very skillful in shooting large-scale movies and the film is exciting enough. But they always feel that the power and taste are not enough to make this movie a classic.

This is a director's acumen and grasp of details.

Of course, this drama also tests the actor's acting skills on the other hand.

Walk upstairs.

"The blackboard is placed here, and the borrowed signs are cut out. Don't be too neat. You must know that the owner often turns it after seeing it.

Yes, there is a desk lamp on the desk over there...scattered straw paper on it... move a little bit to the side. Who, your photo cannot be used, use medicine to make it old." Yujiamin was very serious instructing the on-site staff to adjust the placement of props.

Looking at the decorations of the room, Wu Xiaozu nodded, basically arranged them according to the requirements of his storyboard.

Wu Xiaozu's storyboard has a relatively three-dimensional room description. Of course, there must be a gap between film shooting and painting. Many places need to compromise for shooting.
Chapter completed!