Wu Xiaozu thought for a while and denied, "He is not crazy, he is paranoid, lonely but unable to see the direction."

He is actually disappointed with this society. His courage is based on existence, not to produce strong spiritual and psychological qualities with self-strongness. Therefore, he is actually simply brave or cowardly.

When we act, we always like to label the characters. But in real life, everyone is two-sided. A young and dandy who shouts and kills may adopt a kitten and a puppy. A highly educated university teacher may play with women.

But this young and dandy turned around and went to chop people. This university teacher may be compassionate.

Private morality and public morality are calculated separately.

I don’t like us saying it openly that this person is a bad person and a good person. That is the criterion for children to judge.

A caring person will destroy your family. A beast in a garbha lends a helping hand at a critical moment.

So, I don't want you to imitate some kind of person who is final in your mind. I just need you to do it naturally.

In performance, you must follow the performance logic.

The logic of performance is the correct way to open it.

First of all, you need to understand why you are a teacher? Why haven’t you chosen another career?”

Without waiting for Zhang Guoyan to answer, Wu Xiaozu affirmed, "You must have a simple side in your thoughts.

Otherwise, a math genius would not choose to be an ordinary middle school teacher.

At the same time, he should also have a self-solent side, a spirit that is incompatible with this society, but his body is in accordance with the rules, which is a contradiction.

He is not good at socializing and expressing…”

“Maybe I have social phobia?

I am not good at speaking, so I cannot share my heart with others. So, am I lonely? No, not just physical loneliness, but more psychological and spiritual loneliness?"

Zhang Guozhen learned from one example and spread his own associations along Wu Xiaozu's idea, "I am both lonely and helpless outside. I have to admit reality and insist on my pursuit. I am willing to be unknown, but I am not willing to continue incompetence..."

Seeing Zhang Guoyan constantly improving the character, Wu Xiaozu couldn't help but smile.

This is the creativity and imagination of a genius actor. Zhang Guozhen has top acting talent.

He originally believed that Zhang Guozhen could interpret the "Stone God" he wanted.

This edition is different from anyone else.

In a sense, actors have very similarities with artists engaged in various other forms of artistic creation.

At the same time, there is a possibility for anyone to become an actor.

But to become a real actor, you need strong professional qualities.

It can be said that a person who does not have the creative qualities that an actor should have cannot engage in the creation of performing arts.

The first thing that is important for an actor is naturally his innate talent, and the second is his extremely powerful learning ability.

The growth process of an actor must be accompanied by his continuous learning, planning and summary.

Zhang Guozhen has no shortage of talent for acting, but he has not yet been polished yet, but he lacks the ability to learn and learn.

In the final analysis, this is closely related to his wild background.

In later generations, in his performance creation, he was able to touch the sky in the performance field and achieve classic characters with his unparalleled talent.

But after the performance, he often finds it difficult to get out of the role as soon as possible, and often falls into the role's emotions and is unable to extricate himself.

This will cause his mental and emotional troubles to him over time. Coupled with the pressure in life, this will lead to the final tragedy.

On the one hand, it is related to his delicate and sensitive emotions, rich emotions, random thoughts, and fragile psychological endurance.

But on the other hand, it is also related to his lack of ways to disengage and release his own emotions and stress.

In other words: his talent is enough to allow him to swim in the sky, but he cannot find a way to return to himself.

The actors themselves are emotionally rich, and if they cannot leave the role as soon as possible, it will often cause huge psychological barriers.

Depression is just one of the symptoms.

A person's artistic talent is to be rewarded with food by his ancestors, and no one can envy him or change him.

But the more talented a person is, the more likely he is to become confused. Because he is more sensitive, he always sees more things in that performance hall than ordinary actors. Once he gets confused, it is often too late to make up for it at this time.

In the field of art, countless masters have also developed this kind of confusion. The deep in art and the pressure of life can easily cause them to collapse instantly.

Madness and suicide seem to have become their last and most helpless choices. Many masters even focused on mysticism and theology in their later years.

The upper limit of performance is talent, but a safe landing requires a solid foundation to act as a beacon.

Marlon Brando had encountered this kind of confusion, but the old gangster used an iron rod to vent his animal desires.

Robert De Niro and Daniel Day Lewis have also had this experience, and each has its own solutions.

Including teachers Li Xuejian, Chen Daoming, and Feng Yuanzheng in China, they will more or less experience this kind of confusion in their performance careers.

This is the only way for an excellent actor.

The contradiction between Zhang Guozhen's human dramas, coupled with the huge pressure from the outside world, caused him to deny himself and doubt himself.

This itself is a manifestation of lack of self-awareness.

Commonly known as: small-minded. Coupled with his view of love, his sad consequences are in addition to external factors, but also his own reasons.

In performance, basic theory is precisely one of the ways for actors to understand themselves.

In the performance, we talked about "Seven Powers and Four Senses".

A real actor must also have the ability to observe life.

In the final analysis, acting is derived from life and higher than life.

For example, Liang Jiahui has enough life experience to provide nourishment and performance basis for his performance.

Then, you also need to have stable performance attention, rich imagination, keen sense, accurate judgment and thinking ability, super delicate adaptability, and clear expression of mouth and body. These are the seven powers of performance.

In addition, there is a sense of reality, image, humor and rhythm. The artistic extension of performance cannot be separated from the category of these seven powers and four senses.

Performance theory is not a panacea, but it can allow actors to fundamentally understand the essence of performance.

Zhang Guozhen was in the stage of rapid learning at this time, and Wu Xiaozu hoped that he could fundamentally change Zhang Guozhen's life trajectory from his performance.

Maybe it's difficult, but Wu Xiaozu is willing to do it.

Looking at Zhang Guoyan who was recovering from his condition, Wu Xiaozu smiled indifferently.

At that time, I will hold two powerful tools Liang Jiahui and Zhang Guozhen...
Chapter completed!