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Warm room with warm lights.

The moonlight shines through the glass and falls on the small wild flowers by the window. The halo makes the wild flowers a little inexplicably... bright red!

The moonlight is cold and the flowers are warm.

The overflowing light drowns the flowers, as if suggesting an upcoming change in the character world.

Under the camera, in the mirror of the fitting mirror hanging on the door, Ajing, played by Yanfang, is wearing a home outfit and cooking with her back to the camera.

Even though he did not take a positive expression, his light behavior still made the audience feel A Jing's relaxed mood.

Limb conduction is a basic acting skill that actors need to master.

In this regard, because of her singer, Mei Yanfang herself has insufficient experience and is often too exaggerated when doing movements. Therefore, when filming this cooking scene, Director Wu personally came to demonstrate.

In addition, during the shooting, in order to let Mei Gu understand it as soon as possible.

Director Wu had to hug Mei Yanfang from behind and guided her hand in hand, from her back, arms, slender waist to her buttocks, and finally to her legs, all of which were carefully explored and corrected. This made the screen allow the audience to feel the character's mood without meeting him.

It was also because Wu Xiaozu was serious and tirelessly correcting that Mei Yanfang was successful in portraying the role of Ruhua when she starred in Guan Jinpeng's "Rouge Button", thus winning the Golden Horse Award for Best Actress Award.

There was a noise outside the door.

Ajing smiled and turned her head, smiling at the corner of her mouth, "Xiaomei?"

It is easy to hear the needle falling on the screen, and the camera only meets A Jing.

This lens is very interesting.

Ajing stood in front of the stove, with a dark brown background, which set off Mei Yanfang's thin face. The back window was frosted glass, which faintly revealed the distance, presenting a dark background space. The window frame was very narrow and divided into a "field" shape by wooden strips, with frames in the frame.

The windows often represent hope and freedom in movie intentions and novel metaphors. Wu Xiaozu divided this only source with horizontal and vertical lines. The dark brown background that sets off the characters is "blocked". The background density under the camera weakens half the aperture, which immediately appears depressing.

"Is Xiaomei you?"

Under the lens.

A Jing, played by Yanfang Mei, smiled slightly, her eyes were confused, and finally she showed a hint of doting, but she blamed her, "How many times have you told you, and you always forgot to bring your key?"

Hang the apron next to it at the hook, and next to it was an artistic picture frame - Parma Vechio's "Woman in the Window"!

This painting has actually been covered up.

Due to the limitations of the age, the surface pattern of this painting is just to hide its true appearance. According to the restoration results, the National Gallery of the United Kingdom implies that the heroine's identity may be a prostitute.

The heroine played by Yanfang Mei is "The Woman in the Window"!

The camera was frozen for two or three seconds.

The audience and the filmmakers did not react, but Lin Yanni, Yishu, and Shi Nansheng, the literary and artistic women who had experience in traveling to England, discovered this "secret" immediately.

"A Jing used to be a prostitute?" Lin Yanni looked at Shi Nansheng, but her tone was very firm.

"Some time ago, the National Gallery of the United Kingdom inferred that the "Woman in the Window" should be a prostitute based on the restoration results." Shi Nansheng kept his eyes off the screen and spoke on his own.

Looking at it again, A Jing went to open the door, which seemed to have already suggested that her secret would be exposed!

There is a wooden frame between the kitchen and the living room. Mei Yanfang stood in the frame, and there was a frame behind her. Here, Wu Xiaozu used a composition similar to that of the paintings in color paintings.

The ground is also a square tiles with clear warmth and coldness. In close-up, her feet are walking staggered.

Extend your hand to the door handle - pull a gap to open the door.

The dark corridor is empty.

"Small--"

While speaking, suddenly, a pot of small wild flowers was holding one hand and suddenly blocked the crack in the door.

When the audience thought it was really Xiaomei, a vulgar words suddenly came, which instantly changed Ajing's face.

"What are you doing with such force and clamping so tight? This is not the first time I have entered the door...hehe..."

Li Zhaoji suddenly pushed open the door, grinned and mocked a pot of small flowers, "I saw that the pot of flowers outside your door is good, so I will regard it as a gift I gave you - hey, why, you are not welcome to your husband?"

"What do you want to do? We are already divorced! I don't want to see you-" Mei Yanfang stepped back in panic and angrily.

"If you say you don't want it, don't want it?" Li Zhaoji looked around the room with invasion and smiled scoundrels, "The house is good, my wife!" He sniffed his nose, "There is still stewed in the pot? I haven't eaten the dishes you cooked for a long time-"

"I'll ask you to leave! Don't bother me anymore! We're already divorced! If you do something randomly, I'll call the police!"

"Call the police?"

Li Zhaoji pinched the dishes in the pot and put them in his mouth to smack it. He was very scoundrel, "I can't care about me looking for my wife and children, right? What about Xiaomei? She should be beautiful, right? Xiaomei-Xiaomei-Xiaomei Where are you? Dad is here..." He stretched out his neck and ran around the room. He opened Ajing's bag, took out the money in his wallet, threw the wallet aside, and continued to search.

"I have all my money here, please leave--" Seeing the other party flip through his money, Mei Yanfang stepped back and looked at Li Zhaoji and yelled in a low voice, "Don't affect my life, we have nothing to do!"

"Mom, I'm back."

Zhang Baiyu, wearing a pair of ponytails and a sailor's school uniform, walked into the house with her schoolbag on her back.

"Oh? Xiaomei is back? Come on, dad, hug—" Li Zhaoji greeted her with a disgusting face, "Now a child can get along with friends at the age of twelve or thirteen, and Xiaomei can get along with friends in two years..."

"Xiaomei, come in!"

Mei Yanfang was like a hen blocking Xiaomei behind her. Xiaomei was like a panicked chicken and hurriedly fled into the bedroom. Li Zhaoji grabbed Xiaomei's yellow schoolbag.

"It's not appropriate for you to not let my father look at his daughter?"

"Get out!"

"Haha, it's okay if my daughter is gone? It's just so convenient for us to be intimate!" Li Zhaoji carried his schoolbag in his hand and rushed towards Mei Yanfang with a lewd smile!"

"Let me go!" Mei Yanfang struggled randomly and punched the other party.

"Stir, don't be shameless-"

The two of them started to tear up, and their schoolbags were shaking, smashing the yellow light above their heads, leaving only another incandescent lamp.

The camera turns, and the sound and picture montage.

The Shi God sat in the room and held the compass he used to cut his wrists in his hand.

He suddenly looked up at the wall clock. At this time, he should be practicing flute, right?

Flanked over the ear.

The body remains motionless.

The camera caught A Jing and Li Zhaoji again. Li Zhaoji, the ex-husband, smiled lewdly and wanted to force violence. In the chaos, A Jing was directly smashed into the mirror of the door by the other party, and the mirror was shattered!

While the two of them were tearing each other, A Jing was pressed under her.

"Bang!"

Xiaomei held up the small trophy and smashed it on Li Zhaoji's head.

"Little bitch!! You're looking for death!!"

Suddenly, the voice sounded again, and Li Zhaoji rushed towards Xiaomei viciously, "I'll kill you, a little bastard today!"

In the movie, the two women kept struggling with Li Zhaoji.

"Bang!"

Xiaomei kept waving the flower pot in her hand...the flower pot containing small wild flowers.

Suddenly, all the nervous music in the movie stopped and the sound disappeared.

On the screen, Li Zhaoji, the "ex-husband Ki-Brother" who had just been violent and cruel, had wires wrapped around his neck, his eyes wide open, and his head was bleeding and fell among the fragments of flower pots scattered all over the floor.

The flower pot was slag, damp soil, dark red blood, and the camera was shot with a body and a body slowly rotating around two mothers and daughters.

The little wild flowers are broken.

hope?

Still here?

In the play, Xiao Yehua and Xiaomei played by Zhang Baiyu are both rare warmth in the cool-toned film.

Ajing hugged Xiaomei tightly in her arms, her face pale.

In the close-up, the joints of the fingers are tightly tight.

Some viewers couldn't help but stand up and stared at the murderer and victim in the movie in a daze.

"What to do?" This is the voice of many viewers.

Ding Dong - The rotating lens suddenly freezes on the door.

The rotation of the camera represents the panic of Ajing and Xiaomei, and it is finally frozen on the door, which also indicates that the solution appears outside the door!

This is a visual psychological hint.

"Who?" Mei Yanfang endured her fear and pretended to be stable.

"I am the stone god next door. I heard a little sound from you... Need help?"

"No need! Thank you!" Mei Yanfang answered hurriedly.

It was quiet outside the door.
To be continued...