Other film companies are at best just staring at theaters.

But in fact, hard assets like theaters are not suitable for promotion. This is just a product in the special environment of the Hong Kong Island market.

With the emergence of Xinbao Cinema, this kind of landline has been broken.

Who thinks that theaters are invincible is purely a fool, and people are all the same?

Of course, if the time permits, Wu Xiaozu would not mind taking a theater chain himself, but it is actually not worth much.

This is especially true even though he knows the future development trend of Hong Kong films!

The way out for the locomotive 1024 is in the issuance.

At that time, you can attack and retreat and defend!

"Overseas distribution must be established, and at the same time..." Wu Xiaozu paused. He had not deliberately paid attention to the market behind him.

But Li Lianjie's "Chinese Heroes" reminded him.

Now is the hottest start for co-production between the mainland and Hong Kong Island. At this time, the mainland has not strengthened restrictions, but it is a suitable start. It has also entered the mainland market very quickly.

Since 1994, imported blockbusters have been released in the mainland in the form of overseas accounts. The Hollywood movie "The Desperate World" is the first imported film, which was released in the mainland on November 12, 1994, with a total box office of 25.8 million.

Then in 1995, the restrictions on 10 movies were set, which was only relaxed to 20 movies in 1999.

The box office champion that year was the "True Lies" by veteran driver Cameron and Governor Arnold, with a box office of 110 million yuan. Uncle Long's "Red Fan District" was operated by Jiahe and became the runner-up of that year, winning about 95 million yuan. The third place in that year was Wenwen's hormonal youth film - "Sunny Days".

Look, how quickly our youth films fell, from "Sunny Days" to a bunch of shit, pee, farts.

Co-production films are relatively complex, divided into joint filming, collaborative filming and commissioned filming. However, it is not necessary to understand the last two, because among the three types of co-production films, only co-production films are able to enjoy the treatment of domestic films. There is no quota limit, the proportion of the account is relatively high, and even relevant support policies can be enjoyed.

So, together with the co-production is generally worthy of co-production.

Most importantly, although films in Hong Kong, Macao and Taiwan are imported films in terms of attributes, they do not occupy quotas.

Of course, it depends on whether it can be introduced...

"Follow the mainland co-production films!"

Since the first Sino-Hong Kong co-production film "Shaolin Temple" in 1982, China-Hong Kong co-production films have been increasing in recent years.

Although China-Hong Kong co-production films are also co-production films, they have a great advantage over co-production films in other regions. After application, you can perform post-production on Hong Kong Island or print on Hong Kong Island.

97 is approaching, and all Hong Kong people are confused, but Wu Xiaozu is not confused!

The share of external films is 13%, but the co-production films can enjoy 43% preferential treatment! Even though the mainland market is very bad, why not make money for nothing? Moreover, the money is small, and the main thing is to cultivate the market!

Think about future generations.

I pretended to be poor and hundreds of millions of movie fans who grew up watching my movies were moved when each movie was released, "I owe Director Wu a movie ticket"?

I am so kind and friendly!

At this time, who will know the great speed and achievements of our reform and opening up?

At least in 2000, no one would have confidence in domestic movies!

Originally, Wu Xiaozu was quite worried...

Think about it now-

I first deceived the Hong Kong people, and then after the decline of Hong Kong movies, I made money by issuing them, or went to North America to plating and plating to cheat the American people. Anyway, they had money. Finally, the mainland market was almost the same, and I was a decades-old artist who was back... I thought about it and burst into endless energy, and the sponge body was full of vitality!

Artist Wu, sitting on the chair, was a little confused and difficult to collect.

This made Zhang Jiazhen and Le Yiling and the others inexplicably. They looked at Jiang Ershao and Jiang Jiahua who didn't take it seriously. They were obviously used to this situation.
Chapter completed!