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Chapter Five Hundred and Three High Scores, Golden Alarm Clock Award(1/2)

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Outside the screening hall of the "Suspect" movie palace, many people lined up in the sun, sweating profusely. Most of them were Asians, including some Japanese, Goryeo, Hong Kong Island, Wanwan media, and some other film critics from other countries.

, reporters and film producers from all over the world.

Cannes is an award ceremony in the eyes of outsiders, and in the industry it is the world's largest film dealer trade show.

In May, film dealers all over the world gathered here to find those eye-catching movies.

Wu Xiaozu was not an unknown person, and he was even famous in France.

Although Zhang Guoyan and Mei Yanfang are limited in fame abroad, they still have a certain influence. Especially the success of this movie in Asia has also allowed many film manufacturers in other regions to see profits.

"John Woo is an emerging filmmaker worthy of attention in the East. His film "Dying is as natural as living" released in Cannes last year was eye-catching!" A film critic with a pink media certificate looked at the next to him.

My companion said, "I'm very interested in his "The Suspect"!"

"That's right, this director's style has a dark side. He is used to exploring the relationship between fate and choice. After watching these movies, you can rarely see such refreshing works! I hope this John Woo doesn't let you go

I was disappointed!" My companion also showed his little pink to the staff.

The two of them walked into the screening hall with countless queuing, amid the envious and jealous eyes of the movie viewers.

"Fake!"

An American reporter wiped his sweat, looked at his blue certificate in disgust, and couldn't help but spat, "This damn media certificate rating system! I really want to kick out the butts of these French guys! Without our reports, who would have

Can you know Cannes?”

"Hey man, you're right, I support you!"

A fellow man from the country next to him laughed and took the opportunity to jump into the line. "However, without us queuing outside, it showed a lot of popularity. How can we maintain the golden signboard of the highest hall of the world movies in Cannes? What do you know if these screening halls are free!"

Cannes's "hunger marketing" definitely makes most media and movie fans hate it. Sometimes, even though it is already full, it still doesn't explain, making hundreds of people outside still wait silly.

Otherwise, how could I take a picture of the front-page headline photos that are so popular that even if the movie is bad, the entrance to the movie palace is full of anxious people, making Cannes very popular?

"Sheit! Line up!"

An American reporter stopped his British cousin and said viciously, "The rules must be followed here!"

"All right!"

The British reporter looked at the sturdy American red neck, shrugged and lined up honestly.

The reason for queuing is mainly because of the "notorious" media document rating system.

The certificates are divided into white-pink-blue-yellow from high to low.

White and pink can easily enter the cinema, while blue and yellow have to queue up like tourists.

A huge poster was hung on the venue.

Gray tones, side silhouette of brother walking hunched, street lights of Shanghai gull standing.

The Suspect is huge, and at the same time it is John Woo's name.

This is the advantage of being a Cannes direct descendant.

With more than 20 shortlisted movies, "The Suspect" has great resources to display to judges, critics, media and fans.

In later generations, although the Oscar "lobbying" system was easily guided by some people, such as the fat man Harvey Weinstein, the Oscar, which has thousands of judges, is more "conservative" than Cannes.

This also makes it easy for Cannes to have a "decisive" event due to the judges' preferences. If there are people among the judges who appreciate you, they can help you can vote, which will easily allow you to get more points.

For example, if the Gong Huang had not lobbyed the judges of the sunglasses and resisted Ajiani and a group of foreigners, "The Spring Light" might not have had such glory. There is also Li Mi's "Wedding Banquet" and "Lust·Check"

All of them are the result of Lao Touzi's efforts.

Therefore, in the 55th Golden Horse Awards, when there were brainless people on the stage making brainless remarks, Li Mi felt embarrassed to eat Xiang! He was invited back to reshape the Golden Horse by a group of brainless people, but found that he was used by these brainless people.

Slag!!

He really invited Emperor Gong with his old face. Big names like Lao Taozi were used to support the situation, but he was fooled by his brainstorming as a spoiler. I guess Li Mi really felt like she wanted to curse at that time...

So, when it comes to Cannes' authority... that's it.

Of course, the influence is indeed world-class!

Fortunately, Director Wu is Cannes's own son!

At the beginning of the movie, Cannes Chairman Jacob came to support him personally, which shows how it was!

The judges did not show up. They were relatively closed during this period until the results were selected. Only the chairman of the judges would accept media interviews from time to time.

"I watched my brother's concert in the United States. I heard that his movie was selected for Cannes. This time I came to France for a trip, so I came here to see it!"

"Yes! The movie that my brother and Mei Gu collaborated on is very touching!"

“Have you seen it?”

"Super tearjer!"

In the screening room, many movie fans chatted.

The movie begins.

In this movie, Wu Xiaozu did not show off his skills as in the previous movie "The Birth of a Character".

Instead, it starts from the perspective of ‘human nature’.

This has hit many critics' G-spots. Ken Rocky, a British director who won four awards in Cannes, once said: "Playing human nature is more reliable than anything else, no matter it is a commercial movie,

It’s still a video with a strong political meaning, the key point is that you have to always shoot around human nature.”

As soon as Zhang Guozhen appeared, he attracted the attention of many film critics and media.

Some of them do not know Zhang Guoshan, but it does not prevent them from seeing Zhang Guoshan's acting skills.

His eyes look dirty and martyr's firmness, but his hunched body has idealistic straightforwardness.

The character of Shi Shen is an amplification of human nature.

The theme of poetic realism originated in France. Seeing this from an oriental film at this time has made many filmmakers more interested.

Flower pots, stray cats, seagulls, bicycles, swings, mirrors, and every scene hides the details of the movie.

The pace is very slow, but it makes people unable to help but be attracted.

When the blue lens refracted through the mirror appeared, many film critics on the scene were amazed by goosebumps.

This use of color transcends their understanding of movies.

"Blue is a modern person's torture and questioning human nature and freedom. The light in the mirror refracts express the divided and broken life choices. Light and shadow redefine space: cage intention! In the dark despair,

The flower pot is like a beam of light, opening a man’s heart!

The light here is really wonderful. It not only represents reality, but also the desire for emotion deep in the soul of the stone god! The male lead is so good!”

In the audience, Krishtov Kieslowsky opened his eyes wide, murmured and trembled, which surprised Andre Zulavesky, his friend and fellow villager next to him.

He knew how genius his friend was in understanding and controlling light. He was the first time he saw the other person so excited.

"The use of filters is really a genius idea. You know Andre, I feel that John Woo is a genius. He photographed the withered and dilapidated city with thoughts and jumps about life. You see

——These people are like numb walking zombies under industrial ruins, but they are so vivid.

This movie is not violent, but it shows the violence deep in the characters' hearts everywhere! The structure of every part of this movie is impeccable. The male protagonist's room must be irregular when filming! You

Have you noticed it? The male protagonist actually shows his true humanity under the mirror reflection..."

Andrei Zulaveski nodded as he listened to his friend's nagging, "Krishtov, you're right. This movie is really done in terms of colors and details. From the structural form

Analysis: This seems to be a design for a policeman and a murderer, but it must be the most extreme outbreak of human nature... Oh!!!”

At this moment, when Shi Shen used a series of operations to make himself a murderer in the movie, the entire theater was shocked!

This kind of "paying" is widely used in Western literary works, and many people have seen the shocking feeling of Shakespeare's drama from here.

A very small story reflects an emotional design that really shocks and resonates with many people.

The whole movie does not have much trouble, but it is still exciting.

"This drama is the best work I have ever seen in Cannes this year! None of them!" French film critic Jean-Michel Fudong couldn't help but write a passage in his notebook:

"The greatness and ultimateness of human nature are contained in sorrow and silence?

The treatment of classical oil painting combines the presentation of postmodern tones, and paints a shocking but natural picture influence.

Stupid? Or a martyr?

The helplessness of poetic ideals wrapped in reality! The best relationship between love and ideals is to destroy oneself.

I make you forget me, and you will always remember me!

Among all living beings, I exercise my mission, but I forgot that this also puts shackles on your life!”

The movie ended, and there were crying sounds on the spot. Zhang Guoyan used his crazy performance to make many movie fans, critics and media remember this Oriental actor Leslie Cheung.

Brother Kai sat in the audience, staring at Zhang Guozhen on the screen, and did not move away for a long time.

He was filled with excitement at this moment. This actor is so good!!!

At the same time, he was also shocked by Wu Xiaozu's directorial talent. For the first time, he saw a Hong Kong filmmaker being able to shoot a romance film that was separated from love and love.
To be continued...
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