Chapter 505 The more the nation, the more the world(1/2)
PS: Please recommend votes, please votes for monthly votes!
Director Wu was drinking while cheating with Wu Tianming, Chen Kai and others to cooperate.
Several people drank red and their necks were thick.
Maybe I am really grateful to Wu Xiaozu. A few of them slid into glasses of wine, it’s really true!
Wu Xiaozu took a glass of wine and drank a circle of people down.
During this period, he specially asked Gao Lihong to send 10 bottles of Louis XIII.
Wu Tianming has a wide connection.
What Wu Xiaozu himself didn't know was that the countdown had already entered the countdown before the other party served as the Western Film Studio.
At this time, the West Film Studio was in chaos and was the most miserable time. But despite this situation, he resolutely refused to drop the old director's shooting plan and gave the opportunity to young people like Chen Kai and Zhang Yimou, and even used their tight funds to help Xiaomouzi replant the sorghum field in Gaomi... shooting "Jiujiu Qing Killing Mou"
That is "Red Sorghum"!
This time Wu Xiaozu generously helped Wu Tianming get a good impression of him, and he saw Wu Xiaozu's identity as a Hong Kong businessman.
Someone is curious.
How come a state-owned film factory can’t afford to stay in a hotel?
It can only be said that the older generation of filmmakers are really selfless and dedicated. In addition, it is too difficult to exchange domestic "foreign exchange" at this time!
"Azu, I'll make someone put your co-production on the agenda when I go back." Wu Tianming blushed, holding a cigarette in his mouth, and asked tentatively, "How much do you plan to invest in this movie?"
"How much?"
Wu Xiaozu poked the white flour bun with chopsticks to make the pickled vegetables more solid in the buns. Then he bit it down and said vaguely, "I plan to invest tens of millions of Hong Kong dollars in the new drama... Oh, it's just a few million dollars."
"Guru~" Xiao Gu's sip of wine flowed down his nose... He was so scared that he was even more frightened than being photographed in the car studying shock absorption.
"Cough~~Cough cough--"
Wu Tianming choked his drought tobacco and came out of his nose. His eyes were like Jiao Sanye from the film "Hundred Birds Paying to the Phoenix" he later filmed, staring at Wu Xiaozu, "Azu, don't worry! This drama is definitely fine. I will sell this old face and help you make this movie come true!"
In his previous life, Wu Tianming was an old man who simply loved movies and purely loved them.
His love made the fifth generation director and the Chinese film. Without Wu Tianming, there would be no fifth generation director. He was the real "fifth generation Bole" and the godfather of film.
But the old man smiled and said: Bole is nothing? A good movie is the most important thing!
Xi'an Film Studio is a film studio that is self-profit and losses. Wu Xiaozu's tens of millions really knocked the old man out of his mind.
Of course, it is mainly because Wu Xiaozu is good at making a good look. On the one hand, there are Li Hanxiang and Hu Jinquan endorsing him. On the other hand, the old man watched his movies like "The Birth of a Word" and "Suspect".
Otherwise, this may not be the attitude.
In his previous life, Xiao Mouzi once said that the 'head' "looks upon" the films he made in the past 10 years because they were "too commercial".
"Touer" is the fifth generation's name for Wu Tianming, just like Zhang Baiyu, Li Xiaozi, and Cai Shaoyan called Wu Xiaozu "Qiye" and all of them are respected from the heart.
There are indeed some people who pursue their own artistic concepts and persevere.
For example, Wu Tianming.
Later, two years after his death, his film "Hundred Birds Paying to the Phoenix" went to the cinema - but he certainly couldn't imagine how the movie was exchanged for.
Back then, he used kneeling to exchange for the rise of the fifth generation and Chinese films; later, Chinese films, which had gradually "risen", forced those who loved it to kneel down and seek an opportunity.
Very ironic.
Therefore, successful people are often people like Wu Xiaozu who have no bottom line.
It's a sad thing.
Wu Xiaozu bit the northwest white flour bun that looked like the big breast of a ghost girl shaking next to him, and sighed in his heart.
The shaking ghost girl saw Wu Xiaozu staring at her and stood up...
Pooh!
Director Wu raised the 'mid-range' and 13 got a little wet!
Feelings are just cathartic! Do you think you are the new king of comedy?
"I really hope that Azu, "The Suspect", can create new glory! In this way, Chinese-language movies will really reach their peak.
If you don’t have you, it will be like a long night! Today’s filmmakers either blindly flirtatious markets or blindly pursue their own art, which is really a big problem.
I'm not saying that commercial movies are not good. Nowadays, movies are kidnapped by box office, and I myself are exceptions!
We must try all kinds of films, try the waters, and learn to walk on two legs. We must neither be a kitsch market nor be too arrogant!
Therefore, on the one hand, we must have feelings and have good works to become famous internationally, but we also need quality commercial films to occupy this market.
Only by gaining a foothold in the market in business can there be room for art!
Hong Kong films are blindly pursuing box office and filming all kinds of messy things.
What about the mainland? The old man just keeps stiff. It really won’t work if this continues... We will be beaten to death by foreign movies!
Azu, I really hope you can find a way for Chinese-language movies!”
The old man took out cigarette paper and tobacco leaves from Queliang's shirt, rolled up the dry tobacco, pursed it with his lips, spit out the cigarette roll, took the unfinished cigarette roll next to him, and fired it, and sniffed it.
"Kaier, I know you feel depressed. Some things are inconvenient for me to say, but fortunately Azu said what I want to say.
Did you see that you won the award? This time you didn’t win the award, and you have some psychological gap?”
Chen Kaige's thick face turned red, his nostrils shrank three points, and his nose hair was particularly sexy.
In February this year, Xiao Mouzi's "Red Sorghum" won the Golden Bear Award at the Berlin Film Festival, which also made the film the first Chinese-language work to win the highest award in the world's three international film festivals, marking the fifth generation of directors officially entering the peak of their creation.
Lao Chen’s reaction is so great, this reason is very important!
Xiao Mouzi used to be with him, and he was his first horse... Now that his mate has won the first three majors, he himself likes to mention the "Golden Alarm Clock". What's the point?
Old Chen is different from Wu Xiaozu, he is a shameless person.
Speaking of which, Xiao Mouzi is also a winner in life. In addition to being the first director to win three major film festivals, he is also a mainland actor who won the A-class film festival champion... and then he slept with the muse of the fifth generation of directors... Decades later, he also got a wife who was 31 years younger than him and became the "Gourdwa Grandpa" mentioned by netizens.
In contrast, Director Wu needs to work hard, and his youngest girl is only 16 years younger than him...who will not fall in love with a few post-80s, 90s, and 00s in this life!
"Director Tianming, this is also a natural person." Wu Xiaozu took back his gaze from the 'white flour bun', took a bite of the white flour bun, and did not pay attention to the 'white flour bun' and wandered in front of him. He also handed Wu Tianming a piece of white flour bun.
"Chinese films are now in the development stage. It is precisely because of these and other disadvantages that we need to work hard to make Chinese films better and better. You just mentioned Hong Kong films, but in fact, I don't like to divide me into Hong Kong films. I prefer you to call me a Chinese film director."
Wu Xiaozu was compassionate and smiled shyly, shook his head and sighed: "Maybe it is because I don't want to let go of my sincerity that I have become an alien in the Hong Kong film industry."
Brother Chen Kai, Gu Changwei, Xie Yuan, and his long legs and big breasts were shaking next to him, and his instantly respected Wu Xiaozu.
“In my opinion, the things of the nation are the world.
The essence of the nation will never die. What we need to do is to carry forward the things of our ancestors and constantly innovate!
Nowadays, the film industry is in a period of rising, and some filmmakers in Wanwan have been working hard for Chinese-language films.
The entire Chinese-language movie is climbing up vigorously!
Art and entertainment are all on the right track, and things that are both beautiful and spiritual will definitely appear.
Of course, although there are many bad problems at present, we cannot despair about the industry. I believe the future is bright.
We can fall to tomorrow, but we won’t be scared to today! Even if we are crushed to pieces, we have to set a path for our younger generations.
Falling red is not a heartless thing—”
"It turns into spring mud to protect the flowers!" Chen Kaige roared in a low voice.
"Okay! These words are enough to make a comeback!"
Wu Tianming raised his glass with a smile and poured a glass on his own. Gu Changwei and Chen Kai also accompanied him with a glass on his side. Wu · Shameless Xiaozu solemnly poured wine to several people.
He was afraid that he would talk drunk and miss it, so he was beaten to death by several people!
Look, Director Wu is a very rigorous person in life.
"Director Tianming, can you please help me contact the mainland to release "Suspect"?"
Wu Xiaozu took advantage of the fact that he was good at it and said, "You have also watched this movie. I am determined to strengthen the connection between filmmakers from both sides of the Taiwan Strait and the Three Kingdoms. I asked you to help me find domestic actors, but it was not a temporary idea.
I have talked about this argument with Uncle Xiang and Uncle Quan before. I think increasing communication and understanding between filmmakers from both sides of the Taiwan Strait and the Three Lands is not only a cultural matter, but also a lot of things."
His words were obscure, but Wu Tianming understood it as soon as he heard it. In terms of political sensitivity, there are definitely more people living under the mainland bureaucratic system than many Hong Kong citizens.
Since the film "Shaolin Temple" was released in the mainland in 1982, theoretically, the Inner Hong Kong co-production film was released in the mainland without having to wait until 1994 and 1995. Even Li Hanxiang's movies over the years have been considered co-production. His films have been released in the mainland without exception, and the box office results are pretty good.
Moreover, before the arrival of 97, the "cultural connection" that Wu Xiaozu mentioned actually was always considering. Otherwise, why would Inner Hong Kong co-production films have such a great discount?
At this time, in many Hong Kong movies, the image of mainland young men is a bandit, while women are prostitutes. In addition, the pornography or violent attributes of the movie itself, a large number of movies appear in Hong Kong with "bandits" and "Bei Gu" as the main characters.
Wu Xiaozu's movies will never play the edge in this regard, and there is nothing at all... No one can compare to him in this regard!
He especially hopes to serve as the bridge between the mainland and Hong Kong Island... (serious face!), cough, and then make some money by the way... Artists also need to be fed!
He had talked about these things with Zhang Jiazhen and Le Yiling before, and they also specially organized and inspected the environment for the co-production film.
In recent years, Hong Kong Island Film has been released in the mainland through Yindu Organization, and is then hung with the Zhujiang Factory logo or other film factory logos.
The establishment of Yindu Institution was also a promotion of co-production films to a certain extent. At the beginning, the popularity of "Shaolin Temple" accelerated the merger of several companies into Yindu Institution.
To be continued...