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"I like your movies very much, but it's so sad. I feel like there aren't necessarily people like this in life."

Sophie Marceau held his slender legs, his beautiful feet, and his wine glass, swaying brightly. He looked at his boyfriend Andrey, who was chatting with others in a hot conversation. He was neither too slow nor too slow, and had a unique charm, saying, "In the end, Ajing's appearance felt that the efforts of the Shi Shen were wasted."

"Life is inherently sadness and joy. What I photographed is a story, not a scientific logic. You only saw the efforts of the stone god, but never thought whether Ajing would be willing to accept such gifts that life could not bear.

Besides, if life is the same as movies, who will still watch movies? It is really great for humans to invent movies.

The invention of movies has tripled our lives because we have gained at least twice the different life experiences in it.

In different lives, you will find that without a cloud or a tree, it is not beautiful. Movies are the color of dreams..."

Wu Xiaozu was wearing a decent suit and holding champagne. His smile was purely like a child, but his starry eyes were very deep.

"Your dream is blues?" Sophie Marceau smiled.

"You can check it out next to see if it's blue."

Wu Xiaozu adjusted his love slightly ambiguously. Unlike the implicitness of oriental women, Sophie Marceau's swaying mouth was upturned, and he enjoyed the flirting of the oriental man in front of him.

"I'm really looking forward to working with you now. If..."

Sophie Massau paused, his eyelashes were dusted, and his clear and melancholy brown eyes turned electric. "With the right opportunity, I will really want to see your dream..."

As Sophie Marceau watched her walk towards her dad-level boyfriend, Wu Xiaozu smiled faintly.

Sleeping is not the purpose.

He is really optimistic about Sophie Marceau's performance of the aesthetic Woodpecker blockbuster.

Her 'dad's boyfriend is also a weirdo. He is a good cuckold man who is willing to devote his girlfriend's sexy body to male compatriots all over the world...

This incident is very attractive, 22-year-old Sophie Marceau is so beautiful.

If you think about the goddess' classic movie "Fang Fang", it is obviously a story of voyeurism. The French can make it into "Fang Fang", and the Hong Kong film director can only make it into "The Unstoppable Style"...

However, in that movie, Director Wu only remembered that when Sophie was wearing a wedding dress, her breasts were big, round, straight and white, and then she took off her clothes on the beach, which was so slick... Of course, French actresses always felt uncomfortable with Ski, Sophie Marceau, Eva Green... They all lived like Ivy actresses.

Many times, these films in literary cloak are more explicit than those published by Woodpecker Company!

This is also a great thing for the whole world to record their wonderful years... Of course, if you have the chance, you can try it out for men all over the world.

It's so noble.

After the party, Jiang Ershao negotiated a buyout for several low-cost movies from Sweden, Poland and Germany. He took them back to Asia to try the distribution. If the online results are average, he would directly transcribe the video.

Antai Theater was incorporated into Xinbao, but Jiang Ershao intends to establish two "art theaters" to make up for his literary and artistic feelings.

Wu Xiaozu did not object to this.

The two small theaters are remote and have very small seats, with only a few million investments. They are considered as fixed assets of 1024 Locomotive Film Company.

The two theaters share the 1024 locomotive accounted for 30%, and the remaining 70% were occupied by Jiang’s father, Jiang Dashao and Jiang Ershao respectively.

Nowadays, Wu Xiaozu focuses more on content production and distribution.

E7 Culture Co., Ltd., 1024 Locomotive (Hong Kong Island/Seoul/Tokyo/Jakarta/Singapore) Film and Entertainment Company, Universal International Laser Video Cases Company, Jianghu Emergency Film Production Company.

In addition, French Woodpecker Entertainment and Dutch Windmill Movie Distribution Company are also in the process of connecting.

The investment in woodpeckers and windmills will exceed $3.3 million, of which the woodpeckers spent $3.2 million, and the windmills only cost $100,000. Compared with the potential of woodpeckers, windmills are really just a leather bag company.

At the same time, under the operation of Zheng Zhongjian and Su Liyao, these companies are turning the major shareholder holders into offshore companies. In the future, people can easily find out the legal person of the company...

...

On May 23, the Cannes Film Festival closed.

Compared with the shining opening, the closing ceremony is very low-key, but the gorgeous and gorgeous figures still shine on the red carpet. Although it lacks the embellishment of Hollywood actresses, it also gives many small stars from other countries the opportunity to show their charm.

However, when Sophie Marceau appeared in a beige deep V suspender dress, she was still overwhelming. The home court of Cannes made her filmed by countless media people in the world after she was rushing to see her.

"ah!"

"Crack!"

“Sophie Marceau!!

The atmosphere at the scene was completely ignited, and countless movie fans shouted the name of the "goddess".

She was surrounded by the weird "Baba" boyfriend, a man who was willing to devote his girlfriend's sexy body to male compatriots all over the world...

If you think about the goddess' classic movie "Fang Fang", it is obviously a story of voyeurism. The French can make it into "Fang Fang", and the Hong Kong film director can only make it into "The Unstoppable Style"...

However, in that movie, Director Wu only remembered that when Sophie was wearing a wedding dress, her breasts were big, round, straight and white, and then she took off her clothes on the beach, which was so slick... Of course, French actresses always felt uncomfortable with Ski, Sophie Marceau, Eva Green... They all lived like Ivy actresses.

The crew of "Suspect" has also attracted the attention of many media.

As a popular movie at this year's Cannes Film Festival, the magazine score of "Suspect" remains above 3.5 points, and has received praise and reports from many media, which has caused considerable impact in Europe.

More Asian and Chinese newspapers rush to shoot after heeling!

"Red Sorghum" just won the Golden Bear Award in February. Can "Suspect" win the Palme d'Or in May? This has become the expectation of many people!

At the red carpet interview, Wu Xiaozu, Zhang Guoyan, Mei Yanfang and Huang Qiusheng were interviewed by the emcee together.

Most of them are humble and polite words.

In the competition for awards, Cannes is actually a gluttonous dinner of interests.

There are both the interests of major companies, the interests of Cannes and other film festivals, and the interests of the "Masters" in Cannes.

Since the 1980s, the Cannes Film Festival has been working hard to cultivate its own team.

This is why Jacob founded the "Golden Camera" and "a kind of attention" these awards.

Facts have proved that this practice of cultivating direct descendants is quite useful. Ten years later, Venice and Berlin have already found it difficult to fight against Cannes. Whether it is brand, influence or business interest transaction volume, they have lost more than one level!

Fortunately.

Since then, Wu Xiaozu has been public relations with the Cannes Film Festival. Both the public opinion and various publicity have been done well.

You should know that real award is not just an honor, but also a huge benefit behind it!

In fact, the path he took was also the path of the fifth and sixth generation directors.

Nantes Three Continents Film Festival is of great significance to the fifth and sixth generation directors.

In his previous life, Zhang Yuan, the original leader of the sixth generation, was forced to join Nantes and re-take the old path of the fifth generation, and then became famous.

You should know that before, the movie "Mother" only sold 3 copies in the mainland, and one of them was bought by the movie archives.

It's really awesome... King · Losing Money · Jiawei's movies at least have a good aesthetic taste, these sixth generations...

Zhang Yuan's success aroused a group of sixth generations who were in a stalemate, which led to the creative enthusiasm of Wang Xiaoshuai, Lu Xuechang, Lou Ye, Wang Chao and others. At the same time... the war between the Film Bureau and these "rebels" began.

It extended the famous first "Seven Hypocrites Incident". A song "Liangliang" was given to them.

Their suppression by the 'official' has made the Western world more popular... The identity of this group of people in international films has changed from a simple 'underground movie' to becoming "dissidents" in the Chinese film industry, but has begun to become famous internationally...

In this matter, both the "official" and the "sixth generation" gangs are nothing.

The roughly stubborn menopause collides with the mites of the aliens!

Wu Xiaozu is very welcome to the fifth generation. Whether it is Lao Touzi or Kai Ge, although their movies focus on vulnerable groups, they do not blindly cathartic.

The sixth generation...it's fine if you don't mention it.

Now, Wu Xiaozu has taken the road to the sixth generation. He came from the Nantes Three Continental Film Festival with the honor of Best Film and Best Director, and then made his mark in the "Director Biweekly Unit" of Cannes' newcomer, "a kind of attention unit".

To a certain extent, Director Wu is a literary pioneer on the literary front! He can be regarded as a true Cannes direct descendant!

Of course, the direct line is just a foundation. Whether to win an award depends on the judges' preferences.

So later generations say that Cannes is a "human relationship award", which is not without root causes. In this regard, Wu Xiaozu also suffered a lot. Or in other words, Chinese-language movies are suffering a lot.

"Red Sorghum" is great, it's great here!

However, at this time, the movie was controversial in the country due to the "ideology" issue.

Many people think that this movie is a "big poisonous weed" that "slanders the motherland and socialism."

Under the influence of unknown forces, Gaomi farmers at the filming site also petitioned, protesting the "skinning" plot in the movie to vilify the Chinese people...

In fact, it’s all nonsense! Those who think like this are narrow-minded and jealous!

In the next few years, there will be no shortage of such debates in China, which is a story later.

At this time, a plump woman wearing a cheongsam on the red carpet, full of oriental implicit beauty, followed the crew of "Kids" with large cheekbones and flat cheekbones, and her face looked a bit oval. It was not perfect, but it had an oriental charm, very pleasing and very delicate.

"Xiaogong, thank you for coming to promote "King of Children"!"
Chapter completed!