PS: Please subscribe, please recommend, please vote for monthly tickets!

Yilinger-Elter Locomotive (Shatin) studio.

Hanging lights illuminate.

Create a lonely moon with a lonely and lonely silence. In the inn, the swords and guns are cold, making people's hearts even colder.

Zou Lin’s lighting set team demonstrated the strength of his current first lighting team in Hong Kong. As the direct line among Director Wu’s direct line, this scene before him is enough for many lighting teams to learn.

The figure is very heavy, and the partial lighting adds three-dimensionality to the roles of the live actors.

In this drama, Wu Xiaozu carefully used the front side light illumination technique. This kind of lighting, also called oblique side light, belongs to the basic technique of the character's light source. The light source is 90° with the photographed person, and the projection remains on one side.

That is, the "yin and yang face radiant" commonly used in movies in Qidian Entertainment's article in later generations. When it comes to it, it is so high-end... In fact, it is like Your Highness Qiao Biluo~...

In terms of lighting, Wu Xiaozu, Zou Lin and the photography team considered it for a long time and finally chose the back side light. This way the layers will be clearer, the lines will be clear, and the background will be difficult to overlap with people, and the shooting will feel very deep.

Drawing is a very time-consuming job. When filming, most of the time, the entire crew is waiting for them.

The main light sets the tone of the scene, and fill light modifies the main light. The metering allows the protagonist to separate from the background, providing additional effects. The slight differences between different light sources will cause different effects.

This is not only very important to the overall depth of field of the picture, but also shows the characters, emotional value and other clues with plot proportions.

The characters in the picture are more realistic and have a clear touch. As for the world, the smell of blood that comes straight to the world is the world!

Wu Xiaozu has always cared about this kind of detail.

The movie is the quality that is revealed by details.

now.

People, scenes and shadows are filled with the camera, but they can leave blank space for the picture and create a strong sense of space. This is undoubtedly the most perfect portrayal of Wu's style.

Apart from the later IMAX-3D, whether it is a film or a digital movie, it is a flat rectangular image itself.

Director, a large part of the work of lighting and camera is working hard to make this flat art look as three-dimensional as possible - giving it depth of field, shape and angle, and getting it as close to the living scenes in the real world as possible.

The lens aperture, focal length, movement method, set design, color and actor position all promote this, but the most important one is definitely the exhaustion.

Many movies in later generations really have no skills, and the main emphasis is on the incompleteness of these most basic things. If you want to innovate, at least you must understand the basic skills and techniques.

Wu Xiaozu himself is also promoting the popularization of basic professional qualities.

At least the professionalism of the directors who come out of his team can ensure their professionalism.

In terms of the style of Wu's disciples, Wu Xiaozu retained it and allowed it to develop, but in terms of basic qualities, he always emphasized the need to be consolidated.

In this case, he had conceived the idea of ​​leaving blank space.

This is the new picture texture given by Wu Xiaozu to this ancient costume martial arts movie. The combination of traditional martial arts films and emerging film technology presents the most distinctive style of this film era.

Director Hu Jinquan actually tried the picture blank as early as "The Legend of the Condor Heroes", but the equipment at that time could not be truly displayed.

This progress between thick ink and shallowness is not only a manifestation of directorial technology, but also a concentrated reflection of the professionalism of equipment and personnel in the film industry. To put it bluntly, this is a technological innovation and an innovation of film thinking.

When we watch old movies, we always feel a sense of jumping frame by frame. In fact, this is a technical flaw.

In the 1980s, the most complete application of film was basically achieved at the existing technology level.

At this time, the special effects transfer was not green screen or blue screen, but more on-site special effects combined with later computer technology. Even the early makeup special effects and props accounted for the big deal.

Take "Terminator 1" as an example. In essence, it is undoubtedly a B-level film with science fiction and suspense guise. The special effects are considered crude, but this crudeness is still very attractive to later generations~ This is the problem of the film director's use of technology.

The industrial foundation cannot be explained clearly in just one or two sentences. At this time, the gap between Chinese movies and Hollywood is like the difference between "Star Wars" and "New Shushan Swordsman".

Just as Hollywood later used green screen cutouts to complete the recovery of Marvel movies, we used technology to complete "Search without self-admiration" ~ The gap between some things is actually not just the gap in technology, but also the gap between people who use technology.

In this drama, Wu Xiaozu also tried many special effects, makeup, and other technologies that had never been used in large quantities before. It can be regarded as having a preliminary understanding of these things, and at the same time, he has further gained more understanding of the control of large-scene sports lenses.

Just as there would be no "God of Gamblers: Going to War immediately" without the experience of these two in large-scale scene scheduling and camera movement, the scene of thousands of troops in this "Dragon Inn" would not be so smooth.

"The Little Break" which was popular in later generations is called the first year of Chinese science fiction films. Behind this movie is a group of new generation film directors and filmmakers such as Urshan, Ning Hao, Lu Yang, and Guo Fan to learn and catch up with the Hollywood film industry.

Of course~ There is another mysterious source behind this - Andy Lau~ Manual funny~ Cough cough~ You will find that Andy Lau has promoted the new generation of filmmakers in the mainland~O(∩_∩)O Haha~

Wu Xiaozu's filming this drama also allowed Brother Kai, Tianzhuangzhuang, Huang Jianxin, Li Shaohong and Gu Chang to wait for a group of filmmakers to enter and study. Is it really that they are fond of their cheapness and value to squeeze them?

really!

But in addition to this, he also did his little efforts to make the film career of his motherland!

It’s like the wind has walked eight thousand miles without asking about the return date!

…

"Dragon Inn" crew.

Director Wu held his hands and stood on the chair and watched the group scene of everyone in the room with serious expressions.

After returning from the Golden Horse Awards, he focused more on filming the movie. Dozens of chapters have passed, and the movie has not been released yet, which is simply unforgivable~ Humph~ If it weren't for the author's handsome appearance, he would have been out of the trap! As he waved his arm and shouted "Click!", the crew members on the scene looked at him in unison.

"How many months have passed in "Dragon Gate" traveled all over the place, day and night, and we have struggled together. We have faced the yellow sand together and have also encountered the crew's shelving for my personal reasons. There are controversies, difficulties, joy and noise!"

: : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : :
Chapter completed!