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The sound of gunshots on the screen was accompanied by the sound of glass breaking, accompanied by the sound of running, and the sound of bullets ejection.

The sound montage made the audience not see the picture, but they also knew that a gunfight was happening, and their emotions suddenly became raised.

Sure enough, at this time, a close-up of a black star pistol appeared in front of the audience, and the shells jumped randomly.

The camera simply scans the mirror with the muzzle, and uses the killer's first vision to present the audience with the first scene. This choice of subjective shots is very risky, but it is easier to bring the audience into the atmosphere of the movie.

A simple scanner.

The dimly lit restaurant was chaotic and messy, and there were a few dead bodies lying on the ground.

With paradoxical music, there is inexplicably a sense of tension.

Then--

The fat man, who was holding a crutch and pretending to be innocent, stood blankly in the wide-angle camera, and his slightly funny and nervous look was incompatible with the dead man lying in a pool of blood and the black star pistol held in front of him.

Fat man was wearing short-sleeved shirts, at a loss, and his stupid look was indeed a real performance.

Because he couldn't remember what happened when he was shooting, he was brought to use by Wu Xiaozu as a tool.

This scene is presented from the perspective of the "Gunner" and cleverly uses the depth of field to portray and create a tense visual effect.

This lens is shot using Zeiss lens D25. Its coating technology makes the film very textured. After using filters, it is also very age-like.

"It has nothing to do with you, don't move."

In a horizontal move, Liu Qingyun plays the killer wearing a leather jacket and stands in an unobstructed place, holding a gun in one hand and looking around.

This shot is very interesting. When the shot changes direction as the muzzle is turned, he finds that the other gunman is leaning against the gun in front of him, holding the gun in both hands, and alerting him.

Two people are holding guns with L-shaped positions, alerting each other, and the camera is pulled up - a panoramic shot from the perspective of God.

On the other side of the wall of Killer B, who was facing back against the wall, a bodyguard was protecting Kaohsiung and hiding behind the wall.

Two waves of people were separated by half of the wall, and there were many crises.

But there is an innocent fat old man not far away. This subtle control of space and position is very interesting at once.

The killers on both sides were originally very nervous, but they did not have the fierce confrontation they used to be.

Bang!

Bang!

When! When!

There were no extra actions in the entire gunfight, no fierce fighting in Wu's style, Cheng Long's juggling movements, Yuan Heping's diverse changes and other tedious action scenes that were popular on the market.

People stand statically, and can only hear the introverted and violent scenes of gunfire, without exaggerated movement, which makes the entire large number of static confrontations create a unique tension.

The cold, neat and matched with the paradoxical BGM makes the whole picture taste.

Static capture, this technique appeared in Shaw Brothers martial arts films in the 1970s. The filmmaker who likes to use this "disguised" slow-motion film technique to express the sense of movement in the movie is actually Japanese.

In terms of film, although they often entertained themselves in later generations, they did make a lot of contributions during the war. Especially the "quiet" feeling created by Kurosawa Akira's films, Wu Xiaozu has always liked it very much.

When he designed the scene, his design was completely accomplished with "quietness".

The gunfight scenes show not fancy actions and exciting scenes, but quiet to create a frozen tense and desperate atmosphere.

Therefore, in the picture, in addition to the few shootings and hitting the camera, more of the static waiting presented by camera positions and motion shooting.

It accumulates effects through visual images and creates an emphasis effect. At the key points of the plot development, it is often used to set off emotions and create atmosphere, which is accumulating montage technique.

Especially the killer B, the bodyguard and the boss who were separated by a wall, breathing nervously with each other, sweat flowing.

Then the killer A, who fought sideways, waited quietly and pulled the trigger as the bodyguard appeared.

This set of narrative shots with a very spatial and static capture immediately caught the audience's attention.

Apart from looking at Fei Bo from the front, the killer did not show any other fronts on the screen. The side and back camera design cleverly added a sense of mystery. When the killer turned sideways, half of his face used lights to create a erroneous light spot shadow.

Of course, this did not cause any obstacles to the audience to watch the movie, because the story structure is clear and the structure is clear.

Telling a story clearly is the basic principle of Wu Xiaozu's filming movies. What a director is most afraid of is that he is immersed in his own self-stimulation.

The bodyguard exchanged death for a chance for the boss.

Bang bang bang bang!

Dangdangdang!

The sound of bullets is not dense, and the ideas seem very rhythmic, which also shows the quality of the gunman.

When the boss ran to the kitchen door, he found that a bodyguard was hiding from the opposite side. The other party looked at Kaohsiung with trembling all over his body. After looking straight straight, he carefully hid behind the bathroom door next to him with a sweat on his face.

The bodyguard is played by the assistant director Luo Lixian.

There are often not only one deputy directors in a movie. There are many deputy directors on the set. Some are responsible for communicating with lighting, costumes and makeup, some are responsible for logistics, and some are responsible for actor management, mainly small supporting roles and supporting roles.

Sometimes if you can’t find a suitable candidate or the actor is not in place, the assistant director of actor management will take the stage in person.

Therefore, many of the faces of the assistant directors often appear in film and television dramas. Many of the assistant directors even act better than some professional stars.

The famous Ruhua in Zhou Xingxing's movie is actually his deputy director Li Jianren.

At this time, the light was given to Kaohsiung, and he was given a secret treatment here, which also clarified the character's mind and cleverness.

The atmosphere of the movie was very compact, and two gunmen chased into the kitchen. At this time, the ringtone of the phone suddenly rang, creating a sense of tension, making the audience more immersed in the show.

"Haha! Don't you know if you need to turn off your phone?"

Some viewers whispered, staring at the screen with their eyes tightly, nervous for the boss being chased.

As it turns out, this phone ringtone is the killer's ringtone, tight and loose, instantly making the audience feel relieved.

The boss hid in the wake of the waking box and escaped.

The whole scene has no fancy narrative, straight and straight, and it is not a sprout or a branch. It is simply a simple shooting of the first "gun fire" - Brother Wen was assassinated.

But it is very concise and solid, and the so-called black humor, violent aesthetics, and epic feel are gone here.

Restrict and violent, combining stillness and movement, only the only thing that jumps is gunfire.

It makes the audience feel refreshed and very enjoyable!

Especially you have to know that they just finished watching "The Legend of A Fei"!

…

"Damn it, it's only a few dozen yuan for washing, cutting and blowing. I'll find a hairstyle designer next door and get me a golden retriever. It costs several thousand yuan... I'll hold it!" The movie was turned around, and Ren Dahua sat in front of the camera, exaggeratingly.

The overshoulder shot just brought Wu Xiaozu, who was wearing a baseball cap and a black T-shirt, into the country.

"When I have time to make my hair for me, I saw Wang Zuxian filming fashion magazines in Entertainment Weekly, dyeing her hair golden, as bright as a feces..."

The evil Ren Dahua smiled slightly, his eyes glowing with a sensational light, and Wu Xiaozu on the opposite side also kept a smile on the corner of his mouth, blinked his eyes and listened carefully.

"Do you know what happened recently?"

"I know." Wu Xiaozu nodded.

"Hmm? Have you heard of it?"

"I heard it~" Wu Xiaozu sat slanted, his eyes calm, and he nodded frequently.

"Ah! By the way, the newspaper also said that Wang Zuxian 36D, wow, is it that exaggerated~" Ren Dahua clapped his hands nervously.

"It's not that big~" Wu Xiaozu smiled and shook his head to deny it. The audience smiled knowingly.

"ah?"

“I often do her hair.”

"Wow, then you will have to have nosebleed every time~ hahahaha..." Ren Dahua smiled, suddenly restrained his smile, stood up, and pressed Wu Xiaozu's shoulders, "Come to the company at 3:00 tomorrow afternoon."

Wu Xiaozu nodded with a smile and took a simple and casual breath of cigarette.

During the whole performance, Director Wu's performance was very natural, and many critics watched it nodded frequently.

This acting is much better than Liu Dehua, and it’s a big difference!

If the only thing that can be said to be desirable in "The Legend of Ah Fei" may be that the acting skills of several actors are very remarkable, especially Zhang Xueyou and Liu Jialing, who are quite outstanding and memorable.

However, this does not include Liu Dehua! Among the several actors, Andy Lau is like a husky standing in a pack of wolves. The difference is too obvious and he can only act cool.

Of course, this is still much higher than many stars in later generations. Even the stars in later generations are terrible to be cool, and they come with their own oil fields - such as Xiao Ming Huang.

Da ~

Da ~

In the corridor, a pair of silk legs entered the camera, and the long shot slowly rose. I was seeing Gu Tianle walking into the club company with a secretary wearing an OL uniform.

His eyes were staring at the front secretary's legs.

Um.

The guest starring Shao Damei.

Interior of the conference room.
To be continued...