PS: Please recommend votes, please votes for monthly votes.

Sudden!

The camera was pushed closer, and the person opposite was about to pull out his gun.

Swish!

Bang bang! Bang bang!

On the screen, the five people twisted their bodies and pulled their guns in a uniform manner, silently, aimed and shot!

It was not dragged on at all, even beyond the audience's psychology, extremely concise, bright, restrained and violent!

Wu Xiaozu suppressed the boss's head, and several people shot.

There is no such intense action scenes as today's Hong Kong movies.

All characters have momentum.

But - only the gunshots were heard, no one was seen. Static and dynamics were intertwined here, and they were driven by stillness!

Static movements change and correspond to each other!

Bang!

A headshot!

Before the audience could react, the five people had their own division of labor and were very tacitly alert immediately. The five people quickly turned around to look for the remaining killers.

In the still shot, Wu Xiaozu and Su Liyao turned around and turned backwards, holding guns, and their posture remained unchanged.

It gives the audience a feeling of solemnity, as if it is full of dangers, and it will move the whole body with one blow!

The stainless steel mirror on the elevator reflects the rapid movements of others. At this time, the camera changes, and the downward shot becomes a backward shot. From behind, Wu Xiaozu and Su Liyao raised their guns and pointed them behind them. The mirror on the upper surface reflects the approaching figure.

Bang bang bang bang bang ~

Forced the killer to retreat, the movements were still neat and the camera was still still. At this time, several pillars began to divide the entire picture in an area.

Luo Dong walked in front with a gun in his hand, vigilantly, going deep into the hall where the situation was unknown, without any hidden objects.

He stood between the two pillars A and B, and the entire camera scanned the hall, empty, but it seemed very solemn.

Su Liyao held the important task of blocking the view from top to bottom elevator entrance. He held the gun without moving, and his back was completely handed over to the other four people. At this time, the trust of the five people had been established.

Fei Cheng protected Kaohsiung and hid next to the third C pillar. Wu Xiaozu led Gu Tianle to approach the second B pillar, one on the left and one on the right.

Several people were like fighting King of Pesticides. Luo Dongdan led the way on the road, Su Liyao defended the jungler, Wu Xiaozu and Gu Tianle pushed the line in the bottom lane, and Feicheng guarded the tower in the middle lane.

Everyone is still.

Quietness has become the theme here.

The audience can feel the tense and lonely depression of being frozen in the movie.

The use of long shots allows focus to be constantly expressed in the characters and positions. The sense of layering of the character's position suddenly comes out. This is also the signature of Wu's style.

The sense of layering is a method that Wu Xiaozu always likes to adopt. This style was created in "The Birth of a Character" and was praised by many filmmakers.

At this time, several people seemed to be slightly deformed, controlling the entire situation, filling the spaces in front, back, left, left, and bottom. The carefully designed position was matched with a solidified posture, making people reluctant to give up the shot for one second.

A killer appears at the escalator—

Bang!

Su Liyao, who was guarding the escalator, remained unchanged in his posture, shooting with a gun and bullets.

The long shot captures the position of five people protecting the boss, which really relies on each other and rely on each other.

Everyone held their breath and kept their minds high, and their postures were solidified.

Only Su Liyao pulled the trigger one after another, and the gun fire flashed on the screen.

The shooting sound effect of "reverb" makes the atmosphere in the picture appear instantly, further setting off the atmosphere full of crises around.

At this time, we began to design the partially long shots that captured the expressions of each character, pushing from afar, adding a sense of oppression and tension within the camera.

Of course, it is also for the duration.

At this time...

The camera slowly pulls back-

The audience then discovered that the two killers were actually hidden behind the two pillars A and B.

This continuously changing camera position explains the spatial sense of the entire scene, the position, relationship, level and crisis of the characters very clearly, which directly makes the audience on the scene unable to resist leaning forward.

The changes in this set of camera positions and the simplicity of the cameras, even those who are not good at it, feel the tension coming to your face.

Especially the lens that stretches the perspective, it makes people who know how to behave so terrified.

Wang Jing almost knelt down to watch~

Tsui Hark also opened his mouth wide and his face was full of horror.

I originally thought that the previous two gunfires were already very good, but now I feel something is so funny~ It's called a movie~

Wu Xiaozu reinterprets the violent aesthetics of movies again!

The overall perspective space lens is cut from both sides, allowing the audience to feel the space design and character status of the scene.

The still picture looks like a solemn warrior drawing his sword to wait for a death battle.

This nearly static and silent performance burst out with incomparable pressure and tension.

The camera constantly explains the static performance of both sides of the war, which has laid the foundation for the atmosphere of tension, coldness and crisis to the extreme.

At this time, a cleaner pushed the cart into the painting.

The still picture instantly moved, and the mirror the other party pushed reflected everyone's position.

Everyone acted immediately!

Bang!

Bang bang bang bang bang bang!

Bang bang!

The cleaner who was drawing a gun was shot and the killer was shot.

The entire scene, nearly 4 minutes and 40 seconds, 91 shots were prepared and rendered. Through the final explosion, the audience instantly made the adrenal hormones accumulate like a spring compressed with force, and there was a venting port all at once!

The strong contrast and impact brought by this movement and stillness are appropriately slow, delicate and interesting layout, and close-ups of details that are pointed to the end, making people tremble!

As the gunfight retreated, many viewers then let go of their tense nerves. At this time, everyone felt a sense of pleasure.

Wang Jing sat back on his butt, looking excited, as if he had returned after a fierce exercise!

"This scene is quite cool." Xiang Shisan couldn't help but sigh.

"It's not just cool!!! This scene is simply a magical scene dispatch! The hormones on the screen erupted! There was no line in the whole scene, only bullets flew around, gunfire flashed, but it made people nervous and adrenaline exploded. .In terms of camera dispatch, Wu Xiaozu really...really..." Wang Jing growled at Xiang Shisan excitedly: "Master!"

Unlike Wang Jing, the filmmaker, Xiang Shisan is at most a film businessman. He smiled slightly, but was not too shocked.

The director’s talent is something that cannot be reflected in box office and money, it is actually not very useful.

Does Wang Jiawei have no talent?

If you don’t have talent, you can make the story complete on the screen, but you can’t understand it? If you don’t have enough talent, you can’t do it.

This scene made the film critics frightened and the audience was filled with joy. It was a "obscure" scene.

It is also a scene that connects the first and second half of the movie.

Wang Zuxian, who plays his sister-in-law, has a close-up of a long shot for the first time.

In fact, this is a man's scene in itself, and Lao Wang is just a so-called play here~ but the role is essential, so I can't continue talking about it.

...

In the movie, a piece of paper slowly rolled to a pair of leather shoes, and stopped for 2 seconds

The soundtrack was very picky at this time.

Slowly pulling up the camera, Fei Cheng raised his head and raised his eyebrows to look at Gu Zai, and hesitated for a moment.

He still stretched out his evil fat feet and kicked the ball of paper back.

Because the time is tight and the task is heavy, and it is a game's "exercise", you can save any dialogue.

Louis Koo took the paper ball to Su Liyao, and the other party brought it back.

Wu Xiaozu rolled his eyes and looked at this boring excellence-

It smells so good!

Designing this scene actually explained the subtle turning point of the relationship between the five people. After birth and death, the five people also changed from three camps of indifference and perfunctory mutuality when they first met to a team.

For this reason, the entire scene was cleverly placed in the same picture in the design of the five people.

This design also explains the changes in the relationship between characters.

This plot of kicking the paper ball has no dialogue, either slow or fast, only music, physical movements and expressions of the actors.
To be continued...