These two chapters will introduce the lighting of the film, off-season shooting, sex scenes, and other shooting matters. Maybe I am not very professional.

This novel is about a filmmaker, so there will inevitably be progress and detours in his filmmaking process.

Meng Xin wrote "The Butcher on a Rainy Night" very easily because it was a one-person drama. I wrote Tony Leung Ka Fai and then explained how to film it.

This "The Birth of a Prefix" is different, with deletions, changes, and modifications, and I have never been satisfied with it.

My original intention was to write about Wu Xiaozu’s progress and mental fatigue, but I didn’t expect to make myself exhausted first.

These chapters have been written repeatedly at least three times more than the number of words. With my handicapped coding speed, one chapter would really take half a day.

I wrote a lot of words in a few days. Not only did I not add more manuscripts, but I also exhausted the few manuscripts I had saved... I guess there is no one left...

Originally the second movie was not "The Birth of a Prefix", but then I had a whim and drove myself crazy.

It will no longer be easy to mess around in the future, writing is too laborious.

I guess many brothers in the book club know that I call Kavin every day...

I was so stuck by this plot that I smashed the table... I really smashed the table!

Can you imagine the scene of a grown man who is busy with his third year of life, chatting with a teenager and slamming the table?

Gu Liang has her own job, but she always feels that life lacks color, so she chooses to come back and continue coding.

Then this time it was so colorful... my hands turned green...

This is the plot for now. I will make some changes later without affecting the follow-up.

People always have to look forward. I didn’t save the manuscript. I...I coded...

A big man weighing more than 100 kilograms is standing here, laughing and scolding you all you want.
Chapter completed!