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Cult Movie is defined very close.

Master Kubrick's "Clockwork Orange" and Jim Shaman's "Loki Horror Show" brought a new experience to many movie fans in the 1970s. This type of cult movie is usually not very commercial, but in

It is highly praised in small circles, which is what we later called the 'subculture'.

Of course, it is not ruled out that the directors who shot subcultures such as Cult movies are very mainstream, such as a certain foot control and the couple who changed from brother to sister at the beginning of the century.

"Dark Flower" is a typical Wu's crazy cult work.

Experimental and pioneering tastes a lot.

Theatre.

When some movie fans saw the middle part of the movie, most of them felt that it was not very good, so they chose to leave.

This drama is very similar to Wu Xiaozu's talented "The Birth of a Character" that was filled with tears. It is a love that is loved to die, and those who do not love may ignore it.

This is also the reason why Wu Xiaozu chose to post a supervisor.

It’s someone else’s business to others… But as a group’s big boss, he is really positioned in such a cult movie, which may affect the stock price… Yes, Director Wu is a complete ‘money-worshiping man’.

Didn't see it, the little lady with no fortune, he didn't complain at all? Cough cough... This is definitely not a reason for not touching the other 5.

In short, in the movie hall, "Dark Flower" exudes a typical cult temperament.

Several ghosts in the corner were enjoying the view. One of them exploded and the other was short-inch Jewish.

One of them is Joel Cohen and the other is Ethan Cohen.

This time, I happened to meet Fox's staff on Hong Kong Island. Before that, the two of them had not seen any John Woo's works. But at this time, they had to admit that in Asian movies, they really did

Genius!

Although the two of them are complete geniuses.

Two years ago, the filming of "Blood Maze" was released in two months, making them famous in North America.

Later generations Lao Mouzi remakes "Blood Maze"... That's right, it's the overturned work "Three Guns and Two-Man Turn".

Needless to say, the status of these two brothers among many movie fans.

At this moment, they were amazed in their hearts at the fact that an Asian director was showing them what a fucking surprise was called a fucking surprise in a reckless manner.

The two brothers changed their legs together.

When I saw the dusty scene in the prison, the two brothers subconsciously put down their legs and leaned forward—

The arbitrary acts of the lens and light surprised and admired them.

It’s not that the skills are superb, but that the ideas are very... very good!

How was this set of lenses designed?

Liang Chaowei walked towards the cell with heavy steps, the whole shot was straight and regular. He wiped sweat from time to time and passed through the cells.

In the deepest prison, Liu Qingyun threw the elastic ball with a wicked smile. Many critics' eyes lit up in the changes in this set of cameras.

At this moment, it seemed that at this moment, the two people changed their identities, and the one who was trapped in prison seemed to have become Liang Chaowei. At this moment, he was struggling like a trapped beast, and then he struggled more and more, but he found that there were thorns around him.

In the cramped space of the prison, the iron windows are shadowed, and the characters' positions are clever. Under the cutting of light, the three of them are in a hostile relationship that seems to be there or not. They hit the light on their faces. Under the effect of the drama stage, conflicts and contradictions are immediately

Then it came out.

In the narrow space, the white light reflects the floating objects in the air, and behind them is the black that devours everything. The floating dust that is flying freely is like dancing dark flowers. At this time, the floating dust is erratic, and it is played with by others.

How similar are the rubber balls between them-

The fate of floating dust is swayed by the wind, and the fate of rubber balls is captured in the hands of others. Without external force, they will all become dead silent.

The characters' black life and tragic colors are instantly reflected, and they are destined to be like floating dust and swaying rubber balls.

The excessive arrangement of light makes the relationship between characters unbalanced.

Therefore, when his subordinate raised his gun and pointed it at Achen played by Liang Chaowei, many people felt their hearts beating.

After inquiring and confronting each other, Achen also knew that he was already in the quagmire.

The camera at this moment once again showed the director's ability to control the camera at will. He walked in the prison corridor, holding the camera was completely tilted, which echoed the regular camera he had when he entered.

The camera has conveyed the turmoil in Achen, played by Liang Chaowei, to the audience at this moment.

Uneasy, panic, and helpless.

The contemptuous expression of the old guy was gone, and his originally firm position and confidence were even more turbulent.

The tilt of the east and west makes people feel the depression and panic in his heart. This oblique lens originated from German films in the 1930s and 1940s, so it is also called "German-style lens".

In "2001: A Space Odyssey", the 90° lens has become a classic in film history, and many later films have also used this technology.

Here, the tilted shots can actually easily arouse the audience's temporary sense of despair, but also make the audience have a sense of luck, breathing and struggling. This is also the choice for Liang Chaowei to live or die.

The psychological preparation of the audience.

In the movie, Achen's white handkerchief was given a close-up.

This handkerchief is actually a very important prop. The reason why Achen frequently wipes sweat is because he has been wearing a bulletproof vest for many years. It also shows that he wipes sweat and can think rationally when analyzing problems.

However, when he later threw away the white handkerchief, his determination had been shown.

The dark and bizarre style of the whole movie makes the person you like can't stop.

"There are daytime scenes in this drama?" Joel Cohen suddenly asked.

"No." Ethan thought for a while and denied it.

That's right, this is a movie that makes people see little hope and light, and the whole play is completed at night.

The whole story condensed into one night.

The latter part of the movie.

The dim lights and cold alleys, the scene of Liang Chaowei and Liu Qingyun driving two cars on two parallel roads was even more thrilling.

Although the audience knew that what was waiting for was a contest between life and death, this beautiful shot still made them feel curious about wanting to explore the final look with these two cars...

…

"The director uses the camera to control our heartbeat." A film critic sighed in a low voice.

When everyone thinks it is a classic "Hong Kong style" fire and scene.

Wu Xiaozu took out his specialty - the mirror!!

"Oh Maiga!" Ethan Cohen couldn't help but exclaim.

"This reminds me of Jean-Luc Godard..." Joel Cohen, who was beside him, couldn't help but straighten his body.

"I remember Godard said: There is something most attractive between water and sky, but as the films get more and more, the real beauty is between green and blue. This woo... is simply..."

A layman watches the fun.

This fight in the mirror room makes the scalp numb and the adrenal glands are lifted to the fullest.

But what the expert saw was indeed the director's casual hand at the camera and light. He made the light and shadow change between the blue and green, and the light danced in the mirror and the mirror, as if dark flowers bloomed one by one.

"The fight between the mirrors, lingering between the blue and the green, this scene is really beautiful.

In the middle of the cinema, Old Monster Xu, wearing a baseball cap, stared at the screen with a refreshing attitude.

Yes.

Tsui Hark secretly supported his old gay friend's new film again. He dared to be sure that this was definitely Azu's work.

Whether Ye Wei purse or Mai Zhaohui, they don’t have such skills!

This movie is full of the rich talent that Wu Xiaozu acted casually with his brush, and was brave enough to doodle in the audience's hearts, and was spreading out quickly.

Only then did the energy condense into white dew and surging on everyone's face.

He is worthy of being the man I, Tsui Hark.

This talent - he, Tsui Hark, was convinced!

In the picture, Wu Zhagou was ingeniously covering the fight with the light and shadow, which constantly refracted the light, making the two seem to be shuttled between blue and green, and shooting the fight was really beautiful.

In particular, this created multi-dimensional space has made the two people a symbol of fate under his brush, which can echo the dust and elastic balls before. At this time, Liang Chaowei naturally dressed up as Liu Qingyun, and the mirror projected from time to time The figure of the opponent, the other person they see in the mirror, is actually the ones they see.

Under the muzzle, the mirror is broken. Isn’t it the fate that each other has already destined to be???

Movies are an over-interpretation of human nature, but at this moment, every person with a heart feels that the hands of fate are provoking the two "bald heads" on the screen.

In the end, they pushed themselves into the abyss. They responded to the saying, when you stare at the abyss, the abyss is also staring at you.

Eventually, the mirror surface shattered.

A chess piece stood up.

Achen won Yaodong.

Of course, in the end he didn't win his fate.

Bang!!!!!
To be continued...