The Pathosome Sonata is the pinnacle of the early piano sonata of St. Beethoven.

The third movement that Li Zhifan plays now is a roar sonata, which has similarities with the theme motivation in the yi movement.

The beautiful melody is filled with wandering emotions, showing a wandering mentality.

The legato that begins like raindrops pouring down, is filled with the brightness of youth and the irresistible vitality of life.

But behind the fantasy is a slight uneasiness and restlessness.

Although the theme of the sub-minister in the major is clear, it also implies the instability of the mentality with urgent exercise.

The truncated part expresses a truly strong and stable will in a declaration-like firm tone.

As for the first half of the tragedy, the performance skills are not difficult, and Beethoven's early works pay more attention to melody and dramatic content. As a top master of the romantic school, his works rarely show the sensational elements.

So on this stunning field, although Li Zhifan brought works with amazing rhythm, he could not compare with the difficulty and skills of playing.

Many people clenched their fists, and even Mo Huang sighed: "If I do this, I will definitely lose to Yalong!"

"yes!"

Zhao Yiduo also agreed, "Although the original is extra points, it is not sure that he can compare to the other party's adaptation!"

Even several judges showed a look of worry. As for this song alone, they could give a very good high score, but with Yalong as a reference, it would be difficult to choose.

However, when the time came two and a half minutes, the music suddenly changed.

A series of arpeggios floated out under Li Zhifan's flying fingers, giving people the feeling of rolling over the keys with their faces. The degree is fast and the skills are high, just like the crackling sound of food just falling into the oil pan, but it is smooth and free, without any confusion.

Although Beethoven rarely shows off his skills, this does not mean that he does not make difficult creations at all, nor does it mean that those who later interpret Beethoven's works will not make any changes to the music.

After all, all Beethoven's piano works are written for cuspians. It is completely different from the performance on modern pianos and cuspians.

In different time and space, young Chinese pianists such as Lang Lang, Li Yundi, Shen Wenyu, etc. have made excellent interpretations of this sad third movement. Each of them plays different versions, and they all have their own changes. Not to mention those excellent foreign piano competitions, there are countless changes.

In front of the piano, Li Zhifan's ten fingers suddenly slowed down, gently slid across several notes, and played a gentle piece of music, which made everyone feel relaxed and calm, but as soon as they took a long breath, the notes suddenly rang densely again.

Moreover, the degree of this time has also increased a lot, which is exactly the same as the saying: Big beads fall on the jade plate.

The music was in progress in this tight and loose state. Five minutes later, the music fell on the talisman after the gust of wind and rain.

Is this the end?

not yet!

Li Zhifan closed his eyes, pressed several chords in the midrange area, and continued to play another segment.

This piece of music is an adaptation of the third movement of the tragedy. It only selects a few bars from the original version, removes many slow-paced melodies of the original song, and at the same time increases the intensity, making each note clearer and more tighter and clearer.

In another world, there are many music that are very familiar to you after 8o and 9o, but it was not a direct adaptation of the original tragedy song, but a game called Jin Band. It adapted the tragedy, combining the yi movement with the most classic part of the third movement to create a game music called V3o2Version. Then, someone adapted the yi Beethoven Piano Sonata based on this game music, the third tragedy song of the sad yi Beethoven Piano Sonata No. 8.

Master Lang improvised this second piano music when he was a guest at a singer's concert, and it only took less than three minutes, but it contained many stunning and difficult playing techniques.

Li Zhifan originally wanted to play the tragic and third movements, but he temporarily changed his plan and played these two original and adapted repertoire.

As he expected, the very modern adaptation in the second half won the surprise of the off-the-scenes film.

"marvelous!"

"Li Zhifan is soaring, even ten Asian dragons can't stop him!"

"It's worthy of being Li Zhifan. He has never disappointed people in this competition!"

"Classic style and modern interpretation, and the same music, covers two extremes very comprehensively. This work will surely become a classic!"

"It depends on what the judge said! I guess they have forgotten Yalong's performance just now!"

"The key is Zhou Wenying, I hope she doesn't jump and say something out of tune!"

"I don't want to listen to her words!"

"And Clydewell!"

"Guess who will get the last one of Li Zhifan and Yalong?"

"Can't guess!"

"Don't guess!"

"Both are good, so this one is really hard to predict!"

The piano sound finally fell.

The moment when Li Zhifan stood up, the audience burst into applause instantly, and even the judges applauded.

Zhou Wenying originally wanted to stand up, but before she could speak, Clydewell pressed her on the chair.

Li Zhifan walked to the stage with a smile on his face and bowed to all the audience and judges to thank him.

The host Yi said while going on stage: "It's such a wonderful performance. I believe that many people are as excited as me at this moment, but as a piano novices, my evaluation is useless. I will give this work to the judges and ask the judges to show their scores!"

From left to right, the first one gives the score is Li Wendi.

Without hesitation, he raised the sign with the "yioo" written on it and said, "I am looking forward to Li Zhifan's future. Today's performance, I cannot make objective and strict evaluations in such a short time. Moreover, in my opinion, the charm and artistic level of this piano piece are no longer something I can evaluate. I also want to hear the opinions of other judges!"

The judges behind him smiled but didn't say anything. You gave yi % points, so how do we give you advice?

The second one is a Japanese judge, who raised the sign with a serious face, "It's great, but I only like the front section, and I can't accept the back section, so I'll give 9 points!"

The whole audience was in an uproar!

Is this a score too low?

Many people instantly became dissatisfied with this Japanese review.

Of course, hopefully there is still.

If the points given by other reviewers can be between the two, then the points given by Li Wendi and Japanese reviewers will be removed as the highest and lowest scores, so each review will become very critical in the future.

Everyone is looking forward to who is the final champion? To be continued.
Chapter completed!