The result is similar to Luo Xunying. After reading the film critics' column, most of the film critics gave "The Scarlet Sun" a low score. Although there were some critics in the middle, it was not conspicuous when mixed with many praises.

The old rules.

Look at Xu Wenjing.

Clicking on Xu Wenjing's column, the other party indeed wrote a film review, with a full score of five points and four points: "When the summer season is about to end, this very different Chinese-language film suddenly came from the theater. The theme of darkness and light is broken; the film feel is precisely scheduled, and the textured lens language; in addition, the bizarre plot and the largest scale in the mainland have made this once banned "The Scarlet Sun" exudes a unique temperament."

OK, I will praise you when I come up.

Luo Xun continued to read: "The official introduction is [On the burning and heart-wrenching path of chasing evil spirits, the relationship between father and daughter, the friendship between the same sex, the relationship between sin and righteousness, love and law, but the story of the movie itself changes more complicated than this introduction."

Luo Xun thought so too.

The tragic theme of his filming "The Scarlet Sun" was because he felt that this theme was worth exploring. Xin Xiaofeng and Adao, the so-called murderers who hid and hid in Tibet, actually survived in the opposite form, which represents the supreme point of goodness in human nature and the highest standard of morality.

They are actually very kind.

So they have been doing "sent to death because of kindness". Even in the end, the script has to push them to the path of death in a very extreme way, giving them compassion. Unfortunately, in this process, the film gradually lost its credibility and universality, making it like an overly accidental coincidence piled up, which to a certain extent caused false-

This is the disadvantage of the movie.

But Luo Xun knew that there were such disadvantages, but he still shot it out because he felt that the ideology of this movie was greater than the plot itself, and everyone had no way to escape from the beginning, and the same was true.

When morality and law confrontation-

The policeman played by Duan Yihong pursued the family extermination case until it eventually turned into a tragedy, just like a line in the movie that pointed out: "The law is a combination of divine and animality. It is very cute. It knows you are good, but it limits you to be so evil that no one is afraid of anyone."

The scorching sun is burning.

The core of the "outlaws" of both sides is magnified to the greatest extent. What the characters show is not simply conflicts and oppositions. Some people misunderstand that Duan Yihong has a grace to himself in the play, but it is actually a kind of reconciliation and warmth. Such a foothold is very solid and enough to make people feel touched and thoughtful.

If you do it again.

Will I change the way of shooting?

After reading so many comments, Luo Xun asked himself in his heart, and then he found that he was a little shaken. Perhaps he didn't have to pursue the reversal of his identity, but directly pinched off the last ten minutes and changed it to the ending of the original "Sunspot" after the injection of the death penalty. Then talk to the above about winning a larger scale and making the movie more exciting?

Shake his head.

Luo Xun felt that such a question was meaningless to think about. Ask every director with the same question, if they would make changes if they re-shoot their own work. Anyone who is not pretending to behave will basically have the intention to change. After all, people cannot ignore the attitude of others and will always subconsciously think about avoiding the power. Moreover, only when the movie is officially released, some shortcomings can be exposed, but the specific shortcomings are different.

“The movie is very powerful.”

The film review reads: "The characters have distinct personalities and many plots. When watching the entire movie, you can find Luo Xun's terribleness: the dramatic twists are well controlled, the tension is extremely strong, and the rhythm is compact, which directly obscures the logical omissions. In terms of directorial ability, Luo Xun's directorial level has directly achieved a qualitative leap after "Wolf Warrior". He transitioned from a genius to a veteran in the film industry!"

A veteran in the film industry!

This is Xu Wenjing's evaluation of Luo Xun: "I once communicated with Teacher Luo Xun when "Wolf Warrior" was released. I was blunt about some of his shortcomings in the movie. Of course, those are all shortcomings I think. Maybe some people think that those shortcomings are advantages. But after seeing Luo Xun's second movie, I suddenly realized that I don't need to talk so much nonsense. Luo Xun knows his problems, and he will arm himself to becoming more and more perfect in his practice time and time again. It's just the second movie. His performance is already a world of difference from the first time he made a movie!"

There is nothing wrong.

For Xu Wenjing, "The Scarlet Sun" has made a great progress compared to Luo Xun's first movie, so big that Xu Wenjing couldn't imagine that these two movies were made by the same director!

The first film.

Luo Xun is the most suitable commercial path for novice directors. He uses military action films as the carrier, rhythm as the core, pleasure as the selling point, and large scene support as the proof of his skills. Although he has achieved the limit that novice directors can do, he is actually still a long way from those experienced directors in China.

The second film turned out to be.

Luo Xun actually made a theme like "The Scarlet Sun" that explores people's hearts and depth, abandoning commercial action movies that he already has certain experience, and creating such a movie that is not easy to win box office, but it is also done with a solid and vivid look. This is really surprising!

originally.

Xu Wenjing also thought Luo Xun just wanted to be pretentious and show her literary sense, but she didn't expect that Luo Xun was not pretentious. His movies really showed and expressed. The two movies, completely different genres, have done a good job in their respective genres!

This is progress.

The difficulty of controlling the theme of the second movie is obviously higher than that of "Wolf Warrior", but Luo Xun can control it the same, which is the best manifestation of his progress. Considering how many ratings Luo Xun gives, once the factor of Luo Xun's contact with the director is taken into account, it is easy to get a high score. This is also the reason why many film critics give high praise-

Luo Xun's youth is expected!

OK, but depending on age, it seems that Luo Xun, who is in his early thirties, is expected to be a teenager, but it is a bit forced. Luo Xun has reached a golden period of his life and career, and he is still a young man. However, considering the age of the old directors in China, it seems nothing wrong to say that Luo Xun is expected to be a teenager, and there is no sense of incongruity at all.

As for Luo Xun’s current status?

In view of the discussions many people have been discussing, Xu Wenjing also pointed out at the end of the film review: "The release of "The Scarlet Sun" means that Luo Xun is truly qualified to enter the ranks of China's top-tier stars. Even if the box office of this movie is unknown, from the performance strength to the director's ability, he has been recognized and deserves such honor."
Chapter completed!