Zhou Wenbo’s doubt just now is not unreasonable.

It's just that she traveled all over the world in her previous life, and she had seen not only the famous rivers and mountains in China, but also many famous mountains and rivers abroad. Even if she couldn't see them in person, she had seen other people's photography and paintings.

If she wanted to compare, she could say that her vision and knowledge were much better than those of the eldest Kang Shilin and Zhou Wenbai present.

These young and old men from aristocratic backgrounds stayed in this ancient time where transportation was extremely inconvenient. Without Xu Xiake's hobbies, courage, and spirit of taking risks and enduring hardship, they could only wander around the capital, and at most go to Jiangnan.

In addition, there are generations of painters who have explored and studied the combination of Chinese painting and Western painting in previous lives. Xu Beihong, Jiang Zhaohe, Li Keran, etc. are all masters of the fusion of the two painting methods. As a design dog, he can be regarded as half of the art world.

, she and her painter friends have seen countless paintings from these painting schools in museums and art exhibitions. They have also seen the authentic works of these famous painters, as well as the works of later painters influenced by them.

A friend she made when she was a graduate student was an apprentice of Master Li Keran, and she painted landscapes. Zhao Ruxi had a wide range of interests, and even studied traditional Chinese painting with her friend for a month. In addition to working and studying, she would paint whenever her interest arose.

Previous painting.

Although she is not expert in this aspect, she still has the basics. She is also standing on the shoulders of giants.

Because she wanted to get points for painting, when she was learning Professor Kang Shilin's painting method, she had been thinking about integrating what her master taught her with what she had learned in her previous life and what she had understood. According to the system

Say it so she can get points for painting.

For example, in this painting, in order to make the system confirm that it is her original painting method, she boldly integrated the block surface and rubbing effect of the prints she liked before, using a color-printing-style earthy yellow background or sky blue background.

The color brings out the beauty of the contours of the mountains, highlights the general trend, and creates a simple and unobtrusive overall feeling.

She originally practiced these painting techniques locally and had never painted a whole large painting. During this period of time, she studied with Kang Shilin, and she became more mature in the overall grasp and use of ink and brush, and then she made a bold attempt.

Unexpectedly, the effect was very satisfactory to her.

She also has a general understanding of the scoring standards of the system points from the examination of the Four Books and Five Classics every ten days. The higher the level of the competition you participate in, or the higher the level of the person who certifies your results, the greater the influence, and the more points you get.

The more points you get.

So today's painting was a temporary decision, but it had been planned for a long time.

She had already planned to show off her new painting method at the end of the training class, when all the students in the painting class had arrived. At that time, her painting skills were more skilled and her grasp was greater. Now the situation is as follows

They had to take it out in advance; except for Gong Cheng and Xiao Ruotong, all the students were here.

"What a painting, what a painting." Kang Shilin murmured after a long while.

Everyone else nodded in agreement.

Zhao Ruxi's painting is completely different from them not only in perspective, but also in the use of ink and brush.

They are all large freehand brushwork and small freehand brushwork, or gongbi. Even when they are painting in large freehand brushwork, they are full of delicacy and meticulousness.

But Zhao Ruxi's style is simply rough and heroic, directly using thick brushes and large inks, splashing ink over a large area, breaking ink and accumulating ink, supplemented by the use of both center and side ink, a combination of lines and surfaces, and a three-dimensional effect similar to that of Wanren Peak.

The rough texture immediately appeared, making the mountain peaks more majestic and weird, with solid bones and weathered vicissitudes, and the majestic momentum was extremely prominent.

In addition, this painting is not only unique in the use of ink, it is also different from traditional painting methods in terms of three-dimensional perspective. It uses the three-dimensional perspective method they learned in sketching. The mountains, rivers, and trees are all very three-dimensional, giving people a sense of perspective.

A very real feeling.

For example, she uses messy and bold pen and ink to highlight the dots, lines and surfaces in the black ink. The contrast of large blocks, a certain sense of mass and a certain sense of backlighting, make the blending of color and ink in the distance look like layers of clouds.

The current is surging, and the mountains spreading horizontally become more and more vigorous and majestic.

All these painting techniques are completely different from the existing painting techniques of the Jin Dynasty. They can be said to be new and unique.

Kang Shilin turned to look at Zhao Ruxi, his eyes full of joy and admiration: "How can I ask for a disciple like this?"

Zhao Ruxi glanced at Wu Zong and scratched her cheek in embarrassment: "Master, I'm still far from perfect. There are still many mistakes and imperfections in this painting."

Her painting looks okay at first glance. At least the majestic momentum she wanted to express was achieved. But don't look closely. If you look closely, you will find many small failures in brushwork, and there is no proportion at all.

Take control.

Kang Shilin waved his hand: "The rawness and immaturity of the brushwork can be changed with more practice. But not everyone can do this kind of creative painting. If nothing else, just look at your master and me.

I have been exploring painting skills all my life, but I can never break through the limitations."

Zhou Wenbai nodded with great sympathy: "Exactly, exactly."

At this time, he seemed to have remembered the topic just now, and wanted to explain again: "Mr. Kumu, I didn't just want to..."

"Okay, okay." Kang Shilin waved his hand and interrupted the unnecessary words, "No need to explain more, I understand what you mean."

He glanced at everyone, and said proudly and arrogantly: "Although we have also learned Zhiwei's sketch, but if we want to combine the two, it will take a long time to think about it, otherwise the drawings will look different. Now we can do it

To integrate the two, or even innovate on this basis, except for me, a young apprentice who has completely mastered both and has amazing talent, who else here can do it?"

Everyone nodded.

Zhao Ruxi studied painting with Kang Shilin during this period, and Kang Shilin often praised his young apprentice for his intelligence and talent. They had also seen the paintings that Zhao Ruxi painted using Kang Shilin's painting methods, and they could see that although she had only been learning painting for a short time, she had made rapid progress.

Everyone knows about her painting talent and everyone is ashamed of her.

Among the people present, it can be said that except for Cen Song, Wu Zong and Xiao Ruotong, everyone else is in their forties. When people reach middle age, what they have learned has solidified, so let them learn a new painting method, such as

Sketching, that's fine. But combining the two is really not as simple as it sounds.

Young people such as Cen Song and others have not yet mastered the existing traditional painting techniques or the sketching taught by Zhao Ruxi, let alone integrating the two.

Only Zhao Zhiwei, and only Zhao Zhiwei can do it.
Chapter completed!