It's enough to point out some words, and there is no need to be aggressive. Justice is in the hearts of the people. On the other hand, it is useless to say that you are aggressive but unpopular.

……………………

Guo Xiaotie's apology was sincere. It was the end of the year when many programs were to be recorded, and the contracts had been signed in advance. Those famous apprentices really couldn't come. He didn't want Wang Mao Mao to misunderstand that he was unwilling to contribute, and he used this as a training exercise for his apprentices.

place.

Wang Xiaomao's apology was not polite. In this way, the audience usually came to cheer for the performances in the industry. It should be an inclusive attitude, but these people came to Wangjia Wuyou Tea House, and he felt that he was involved.

Guo Xiaotie's apprentice.

Wang Maomao called Niu Shuang and said: "Lao Guo and I have to walk the 'work' again. Wait for them to come down. You can go up to the stage to say a story and help them say something by the way. You go up to the stage."

That’s it…”

They were backstage. The people in the audience didn't know Wang Xiaomao's arrangements. When they saw Niu Shuang actually taking the stage again, those people in the entertainment industry who were making noises a second ago immediately shut up.

Niu Shuangan sat on the stage, recited a few lines of the opening poem, slapped the wood to wake him up, and said, "Speaking of which - those two useless things just now..."

The audience burst into laughter.

What are you laughing at?

This is the difference between laymen and insiders.

Folk art artists all know how to comment on books, not to mention listening to them. Commentary usually refers to ancient books or classical martial arts, fairy tales, and fantasy novels written by modern people, so Niu Shuang starts with "saying"

, what follows is often things that happened a long time ago, but what he said was "just now", which created a strong contrast. Moreover, the first sentence he started with disparaged the actors in the previous scene, those who came from the audience.

Fellow folk artists who are causing trouble will also find it very useful to listen to.

But he was still saying: "If you are not good at academics, don't blame the audience for not giving you face. There are people in the audience who can tolerate it, and there are people who watch the fun and don't think it's a big deal..."

It was said that the two actors were not good at their studies at first, but later on, they commented on the one who was making noises and finding faults, "it's not a big deal to watch the fun".

Niu Shuang didn't wait for the audience's reaction, and then said: "Of course they are somewhat unfair. Why? Because I am behind them, and my level is limited. If they say something too good, I can't do anything about it.

The acting was done. Not only was my level limited, but the skills of Wang Mao Mao and Guo Xiaotie who were connected were also very shallow, so they also served as foils for us..."

The words came back again. I thought Wang Xiaomao and Guo Xiaotie were not good enough when they were making trouble on the stage. I didn't have time to interrupt just now, and there was nothing to say at this time. But Niu Shuang said these words, "It's okay to watch the fun in the audience."

"It's a big deal" and "You two were a bit unfair just now" have already been stated.

"Back to the main story..." At this point, it was time to take another photo of Xingmu. Niu Shuang did exactly that, but the Xingmu flew up.

Everyone has just seen that Niu Shuang can "hold" a person out of thin air, and now this move is no longer strange. But Niu Shuang did this deliberately, and it also made the audience who wanted to cause trouble more clearly recall Niu Shuang's ability.

, naturally I dare not say more.

Niu Shuang pretended to have spent a lot of effort to grab the piece of wake wood, patted it, and then continued: "This wake tree can fly on its own - this is strange! But it also fits the situation. Because I will say next

This passage is exactly from "Liao Zhai"..."

Niu Shuang's words and actions just now were exactly what Wang Xiaomao taught him before he came on stage.

Not to mention that the two comedians did indeed say something wrong. Even if they didn’t, they just need to point it out in some words. There is no need to be aggressive. Because justice is in the hearts of the people, and conversely, it is useless to say that it is aggressive but unpopular...

Niu Shuang talked about a short story telling, which didn't last long. After he stepped off the stage, Wang Xiaomao and Guo Xiaotie finally came on stage. These were the last two programs of tonight's performance, and of course the last climax.

The first cross talk they talked about was the traditional joke "The Big Bodyguard", with Wang MaoTie making fun and Guo Xiaotie praising it. It seems that when Guo Xiaotie and Wang MaoTie cooperate, they both like to give up the funny position to Wang MaoTie. Today is the Wang family's

The teahouse is open, of course, even more so.

It was difficult to describe this paragraph in the past, because it was originally just a small "padding" at the beginning of "Wenwenhui", which was processed and compiled into a complete paragraph - mainly narrative, and the test was "tongue skills" and "burdengage"

"Relatively not much.

Moreover, the storyline and "baggage" in this paragraph sounded outdated in the 1970s and 1980s. How could there be escort agencies at that time? Young audiences today may not understand it.

But again, speaking to experts is different from speaking to ordinary audiences. What experts listen to is skill. Wang Mao Mao chose such a "guankou skill" that is generally difficult to describe, and demonstrated the unique charm of Ma Pai's cross talk.

"Blowjob". Of course, Wang Mao Mao also adapted this cross talk to make it sound more modern and unique.

In Wang Xiaomao's adaptation of "The Bodyguard", his worry-free teahouse is obviously a place where entertainers perform and guests can drink tea. In fact, it secretly handles various businesses in the world. The most important thing is

Xiang is the bodyguard.

Guo Xiaotie curled his lips and said: "Don't do this, I know you guys are talking about cross talk, are you going to talk about "The Big Bodyguard", right? Let me tell you, what you said is outdated, where can there be such a thing as a bodyguard nowadays?

Why are you people who talk about cross talk so bad that you still tell jokes from eight hundred years ago? If you tell them today, will anyone still believe them?"

This is a deliberate attempt to cause trouble, and it is also a common funny technique used by actors in cross talk to embarrass the actor and make the audience happy. As expected, as soon as Guo Xiaotie's words came out, the audience didn't care whether he was here to cause trouble or not.

Those who came to cheer, no matter whether they were knowledgeable or ordinary spectators, burst into laughter for a while.

But this is a deliberate way to create jokes, which is good, but this "stage" is also too thorough. Judging from Guo Xiaotie's tone, Wang Xiaomao should not continue talking about the next paragraph.

At this time, the experts in the audience, as well as Lu Yuchi and others in the box, didn't understand how Wang Xiaomao could continue after adapting it like this. I was worried that I couldn't talk about it, after all, I must have got the words right, but I was curious.

I saw Wang Mao Mao waiting for the noise from the audience to subside, and said to Guo Xiaotie with a sneer: "Your ears are not good, just wear glasses. When did I say that I am a bodyguard here? I am talking about bodyguards, not

Bodyguard, you just know where it is? Is it out of date? Isn’t it allowed for rich people to hire a bodyguard now? I just said, where are you - eh, your big bodyguard (imitating Guo Xiaotie’s tone just now and vilifying it)

, look at your big fat body."
Chapter completed!