If the basic skills are not good enough, it is "luxury" to ask what style you pursue. At this time, it is not worthy of saying "what style you pursue" is.

…………………………

Wang Xiaomao called Guo Xiaotie's apprentice who had just performed Guankou, and specially invited the other party to sit down and said, "I just talk about my own experience, it may not be right. Please bear with me."

Just this sentence scared Guo Xiaotie's apprentice and stood up again, and said, "Uncle Master, don't call me 'you', you said, you said."

"Why do you always stand up?"

Guo Xiaotie continued on the side: "Don't be polite, you are his uncle, and it's okay for him to stand and listen."

"I'm not polite. He is standing and I'm sitting. I have to look up at him. This position is a treatment for cervical spondylosis?" Everyone smiled after hearing Wang Xiaomao's words, but Wang Xiaomao was still saying, "Why don't you let him kneel down and listen? I have no objection..."

Wang Xiaomao is actually using crosstalk skills to speak, showing his crosstalk level at all times in order to achieve the effect of saying something that can convince the public later. Crosstalk artists do not always have to wait for the audience's laughter to weaken or even stop before they can continue to say it. Sometimes they need to deliberately use laughter to continue to "shake their burdens". Of course, he also wants to seek a relaxed atmosphere, and he thinks this is more conducive to the professor.

In fact, Guo Xiaotie was worried just now because Wang Xiaomao is a family of folk arts and the successor of the Ma School crosstalk. In addition to being capable, the rules and etiquette were also passed down together. How could he say that Guo Xiaotie is not in front of Guo Xiaotie's apprentice?

Not to mention Guo Xiaotie, even if he is instructed by Guo Xiaotie's apprentice, Wang Xiaomao doesn't want to make the atmosphere too serious. He has a long history of homeschooling, but he is young and doesn't like to be a crosstalk artist. He has been doing small business by himself for many years, so he prefers relaxed, humorous and casual atmospheres.

This time, when everyone's laughter was completely over, the apprentice sat down again, and Wang Xiaomao started to speak.

He first stated that since it is a Ma's crosstalk heritage, he would have his own preference for all kinds of styles of speaking, but other styles may not be wrong, not good.

Some crosstalk artists perform "superative and oral activities", which may be due to insufficient skills or deliberately pursuing the performance effect, and will be particularly rapid and vigorous.

If you lack skills, of course you should continue to practice hard; if you pursue results, that is another matter. The actors on the stage are almost saying that they have died, and they are indeed speaking quickly. Many viewers who are not so expert, and some viewers who are more tolerant will not have such high psychological expectations, which will make it easier to get the audience's applause and money.

Wang Xiaomao once again stated that he did not belittle other sects and styles, and admitted that this was also a way to make the performance better, which was understandable. But for him personally, let alone letting him say crosstalk like this, he felt uncomfortable even if he sat in the audience and listened to such crosstalk.

"A crosstalk spoke on stage and felt like he was 'irritated' when he was dying. This was called 'rolling bellow'. If you work hard, some people may like to listen to this, but as an audience, I don't like to listen to this. I am worried that he would die suddenly on stage and I will feel uncomfortable.

Of course, the same thing is still the case. If someone wants to perform this way, it is not wrong to use this method to exchange for "good". Actually, I can say that, but when I perform personally, not only because I am a crosstalk inheritor of the Horse School, but also my personal preference, I am still willing to show it and understand the kind of sticky words of the Horse School. Let me talk about the Horse School below."

"Uncle Master, you said..."

Unlike the "blowbox" style of crosstalk, Ma's crosstalk has a higher pursuit of Guankou since Ma Sanli. If you simply express Guankou's "fastness" and deliberately seem to "work hard", is it a difficult task for Ma Sanli, whose ancestors have been inherited by three generations of folk art artists?

Therefore, "fast" can no longer satisfy the satisfaction of Ma Sanli giving the audience on stage to his artistic enjoyment. He has begun to pursue a feeling of "playing" after being too familiar with these perfunctory words. This is a feeling of flowing, free and rhythmic - beauty. He acts "beauty" himself, and the audience feels comfortable to listen to.

What does this feel like?

Wang Xiaomao suddenly thought of his friend Han Shiqi, so he gave the music to everyone to explain in detail.

When we watch musicians or bands' concerts, some musicians will deliberately show off their skills on stage. In fact, the notes that pop up may not be really beautiful, but it is easy for the audience who are relatively amateurs and more tolerant in the audience to applaud immediately.

But some musical artistic conception is the most important. Even if it is performed live, the musicians fully demonstrate the beauty or desolation of the music itself on the stage, making the audience unable to applaud, or even dare not speak for fear of destroying the artistic conception of this music. They must cooperate and wait until they can applaud before applauding.

Can a musician who plays this kind of artistic conception be unfamiliar with the large notes he plays? It is too easy for him to use "fast" and deliberately exert force on his own?

The main mouth of Ma's crosstalk is this kind of higher pursuit and more beautiful artistic conception...

Wang Xiaomao said to Guo Xiaotie's apprentice again: "I may have said a little too much just now, but it's okay. To be honest, I didn't say it alone for you. In short, I think no one is right or wrong in these two types of Guankou performance styles and styles, but what I am pursuing is definitely the latter.

Specifically for you, you are not both of these two things. You belong to what I mentioned earlier - because of insufficient skills, you are "pulling the bellows" and even "eating chestnuts" when performing in the childhood.

If the basic skills are not good, it is equivalent to a guitarist who is even the simplest "master" in C major. "miss three" and "rotto" can't be pressed. It's a luxury to mention what I pursue what kind of music style I pursue. Of course, as an audience, you can "like" when listening, but you're welcome to say what style you are not worthy of "pursuing" as an actor.

This is about guitarists, and we crosstalk actors are the same, so you need to practice hard now. As I said just now, Mr. Ma can do "fast", of course, it is easier to deliberately make it work hard, so that they pursue style and artistic conception.

By that time you have the capital choice and pursue the style you like, you will truly discover the beauty and fun of crosstalk, but before that - haha, you have to suffer a little first..."
Chapter completed!