"Of course it's impossible. As we all know, I won't talk about how many classic original songs my grandfather and Boss Huang have written for Qian Shao for Qian Shao. The songs written by other well-known musicians have written more than 200 songs for Qian Shao, so why can't Qian Shao not have his own works? Of course it's impossible, it's absolutely impossible."

The more Li Menglong said, the more he got into the state, and the reporters from the media nodded repeatedly, agreeing very much, because what Li Menglong said was true. According to incomplete statistics, in this way, in ten years, all over the world have included more than 500 copyrighted songs under Qian Yibo's name, which is a very large number in the world music scene.

Qian Yibo is also known as the singer with the largest number of singles in the world. If no one can surpass it in the past or two years, there will be rumors that Bestae and Wu Feifei will apply for a world record for him.

Of course, Li Menglong said that his grandfather Li Nianwen and Huang Shulang wrote many classic original songs for Qian Yibo, and the people below only listened to it. Li Menglong praised his old man's thoughts and grandfather could understand it. Compared with Huang Shulang, there are indeed more songs created by Qian Yibo. There are more than 80 songs with clear copyright records and public singing. Moreover, it may be because Huang Shulang and Qian Yibo's musical concepts are consistent, and the two are born with a tacit understanding.

Huang Shulang and Qian Yibo have been combined, and there are many excellent products and classics often circulate. Among the more than 80 songs written by Huang Shulang to Qian Yibo, at least 30 are hailed as classics and are still sang on major charts. This is a very high proportion. Generally speaking, musicians will produce one or two songs for a singer, and at most no more than three main songs will be produced.

The so-called title song is of course a classic among classics. It is generally a work with great inspiration. It must be produced more carefully and more in line with the singer's personal temperament and singing style. It is a symbolic thing that fans can hear at first listening to it that it must be sung by this singer. If someone else sings it, it cannot sing that flavor at all.

This shows how important a singer’s title song in an album is. After the title song is confirmed, how can we make up the number of songs in the remaining album, or more than ten, or twenty or even more?

Strong musicians, such as Huang Shulang, Li Nianwen, Cha Zi Su Meng, and other 10 heroes, will personally continue to produce the entire album and write out the remaining songs.

It’s just that the songs that are made like this are also original music, but compared with the album’s title song, there is less the feeling of sudden bursting of inspiration and the original sentences being naturally made. To be more popular, it is the difference between actively creating and the teacher leaving homework to do homework.

Therefore, after determining the title song of an album, the remaining works generally give the musician the feeling that they have done their homework. Since it is doing homework, it is good to finish it. As for the quality and the requirements are not so strict.

People like Huang Shulang, Li Nianwen and Su Meng can continue to maintain originality. Even if the quality of the original is not as meticulous as the title song, they are also original works written with care. Of course, no matter how careful they are, they cannot be as careful as the title song, and so high-quality. At the same time, they will actively avoid the reappearance of other songs.

After all, red flowers still need green leaves. There must be red flowers on an album without green leaves. The singers are so beautiful. They have obtained so many excellent songs that are of the same level as the title song at once, so they will be worth it for the rest of their lives. As long as they operate well, let alone have so many, they can eat for a lifetime even if they take out a song. Even if there will be no major development, they can still be free of food and clothing.

However, for musicians who make professionals for them, it is a disaster that has caused great disaster, and it is a disaster created by themselves. Eggs cannot be placed in the same basket, not because musicians are afraid of the basket being smashed, but because they are afraid that they will put them all in one basket, so there will be no eggs in the future.

What is needed for a singer?

Especially in such an Internet tide in the Internet era, if a singer does not want to pursue a lifetime and only pursues a temporary moment, then fifteen seconds will only take fifteen seconds.

A background music, a good voice, a saliva song, a good microphone and a live broadcast software.

In just fifteen seconds, whether it is a cover or original, as long as the high part of this song is magical enough and brainwashed enough, he may become famous in an instant. Even if he can't become famous for a year, he will make enough money for the next ten or even twenty years in this year. If he gets out of date the next year, then he can use the money he earns this year to do some small businesses or open a small studio, and he can live well in the future.

Of course, most of these singers are online singers, or they are the way to survive for ordinary online singers.

Even if the online singers are not kept fresh, the pleasure of becoming famous in fifteen seconds still makes too many people flock to it. I have to say that before Shen Yuan arrived, Su Linlin and Sun Xue and the others were the main focus. There is no way. In such an era of technological explosion, what God gave you, you have to live with. Ordinary people in life cannot go against the will of heaven.

However, Su Linlin and their style of conduct are still very particular, and they have real skills in creating and creating. They are all professional and proficient in music theory. Their live broadcasts are real instrument accompaniment. The band-style singing is real and real. Although they are also covers other people's works, they are all with those who rely on listening to them.

There are still essential differences among online singers who play and sing and wander around the live broadcast circle.

Internet singers are also classified. Those who know musical instruments and can only accompaniment themselves can be called online singers. Generally, they can only live broadcasting with accompaniment but not musical theory. No matter how good they are, as long as they don’t really go to the big stage in reality, they are still an online anchor at best.

Saying so much means that for a singer, at least as long as he has a good voice and a good arrangement and accompaniment of a song, he has the hope of continuing to become popular. As for how this song is made, a singer who knows how to discuss with the musician who makes the song for him. If he doesn't know what it is, it doesn't matter. The musician who makes the music for you will help you solve all this. Even if you can't understand the score, it's not a problem, because many music producers will provide a singing sample of each song for this type of singer who doesn't understand music theory but sings very well and has good singing skills, which is the so-called demo.

Such a demo, when a more particular musician gives the singer a more refined musician, he will also turn it into humming English words or Japanese syllables at will, or simply humming without a doubt, allowing the singer to add lyrics and improve it after hearing it. On the one hand, this can give the singer the most direct feeling of the song, knowing where to stop and where to pause, and directly demonstrating every detail of the whole song for the singer, and also expressing respect for the singer, so that he can freely play and integrate his style when he integrates the lyrics into it.

Of course, if you meet a musician who is not particular, or the singer is really a music novice, and no one can sing lyrics for him, he will not be able to learn it. There is no way. Generally, musicians will take charge of it themselves, or simply spend money to find a young singer who specializes in singing, sing the song from beginning to end, and then hand it over to the singer for him to learn it one by one.

Of course, Shen Yuan sang those songs to the July Girls' Group are not listed. On the one hand, as the agent Xiaobai, the things in the agent are all newbies, but how can he know these things in the musicians? In addition, according to the system's tasks, his singers can obtain all the information about a song in the shortest time. Although this direct singing method seems very crambling, it has to be said that it is the most efficient way.

After all, Su Linlin and the others are already artists under his name, and they are already their own people. This kind of teaching and singing for their own people is not subject to this restriction. Especially Shen Yuan also sang it once, and then the lyrics and music scores are given. Su Linlin and the others finally arranged the songs based on the lyrics and music scores. After a running-in, they finally sang these songs in the form of a band, rather than listening to the accompaniment directly.

To say so much means that a singer may not be a musician, but a musician must do something that a singer cannot do. From lyrics to composition and arrangement, coordinate the coordination of the various instruments in a song, what kind of instrument style should be used to interpret each syllable to be more outstanding, and whether the singer you find for this song is truly in line with the style of the song, or whether the style of the song that the target singer will really make a brilliant debut, and so on.

This is a very trivial process, and it is also a very mental and physical energy-consuming thing, especially inspiration and creative impulse. Therefore, when a musician produces a musical work that is the title song level, or when an inspiration bursts out, he will never make all these songs all over the place, as a rational musician, he will never make an album of all these songs for the same singer to sing.

As the saying goes, eggs won't be in a basket.

As a mature agent, the rational way is to constantly divide his works of the title song level that suddenly burst out. If he sings it for the same singer, he will also divide different albums, one or two main songs, and hand over one or more than a dozen or twenty homework works, and then launch them one by one based on the singer's schedule and market feedback.

Only in this way can one keep one's works and singers who sing their own songs in the market and one's inspiration from being exhausted soon after.

That's right, focusing all the songs at the title level that you have carefully produced on one singer's album is a one-time deal in the eyes of many musicians.

The same sentence, what is the most feared by a mature musician? Is it because he has no talent, but he has no songs to write?

No, since you have already embarked on the path of musicians and have very good works put into the market and have been tested by the market, it means that this musician will never have no songs to write, and it is difficult to write classics, so it is still OK to write a few general homework works.

But why do many musicians or singers seem to be short-lived, and after one or two songs that have been sung have become popular, they will never make any songs in the next few years, more than ten years, decades, or even a lifetime. They will be the attitude of chewing two songs in their lifetime. No matter which stage they go on in the future, they will be with two songs in their own way?

Is it really good to be an old song? Or are they really no songs to write and no songs to sing?

Old songs are really fragrant, but there is no song to write or sing.

What are musicians afraid of?

The more mature and famous the musicians are, the more they are afraid of, the most is transcendence, and they are transcendence of themselves.

This kind of fear of transcendence is not the fear of being transcended by oneself

, but I am afraid that I will not be able to surpass myself in the future.

This is true for musicians, and so for some singers.

It is because I am afraid that I can't surpass myself and will not be able to produce works that are comparable to those of the previous songs in the future. So just live a lifetime with one or two songs. There is nothing wrong with it. At least it is better than taking out a few ordinary homework works with general evaluations to make trouble for yourself.

Therefore, every song that has a huge inspiration and explosion is unwilling to put all of these songs into the market at once and put them in one song, and it is even more impossible for the same singer to sing them.

What I am afraid of is nothing else, what I am afraid of is that once all these classic songs that I have finally grasped are released, then in the next few years, I will be more serious or even for a lifetime, I will be exhausted and I will never be able to write every song again.

Therefore, ordinary musicians, especially the more famous musicians, are more taboo to this matter. Even musicians of Li Nianwen and Su Meng cannot avoid the vulgarity. Every time a good work is released, they will be divided into such a way to maintain their continuous creative ability and not have no songs to write in the future.

Li Nianwen and Su Meng are like this, and some other small musicians are even more like this. Some of them can’t produce a few classic works in their lives, so they cherish such works even more. Even when creating albums for other singers, due to their limited level, they cannot hand over even homework works.

So every time that time, just ask the singer who commissioned him to create the album to buy some cover copyrights for some songs from other musicians or singers. Of course, they are also homework works and cover copyrights for classic main songs. Unless you are a big star and big red star, no one will sell you the cover copyright of your main song.

This allows them to buy the cover copyright of homework works from others, and then they are inspired by their own inspiration to create the title song. This is also a good match for red flowers and green leaves. An album made together is put into the market. In this way, it can also make several singers famous, and at the same time, it can also attract more market attention from the musicians who make the album. Therefore, most unfamous musicians and many young singers are happy.

But this is only for most people, but there are too many alternative and extraordinary people in this world who have never taken the ordinary path and are unwilling to accept any restrictions.

You can do whatever you want, and you are afraid that Jiang Lang will be exhausted? No! I am afraid that there will be no songs to write in the future? How could you be! I am afraid that you will be forgotten by everyone? You will be forgotten by everyone! Your whole family will be forgotten by everyone!

Of course, the representative figures in this category are mainly Qian Sijin, but in addition to Qian Sijin, there is one person who can make trouble or the biggest variable in the entire Chinese music scene.

This person is the famous boss Huang Shulang. In a sense, Huang Shulang is the most capable and dare to make trouble in the Chinese music scene.

Especially when a general meets a talented soldier and a good general, when Huang Shulang and Qian Yibo meet, they are even more out of control. Among the more than 80 songs he wrote for Qian Yibo, there is a very special existence.

This very special existence is an album, and the name of this album is "May Miracle"!

So what kind of "May Miracle" is this?

Before "May Miracle" was released, there was not much publicity, and there was even a special new song launch conference, because before the album was released, Qian Yibo was already famous all over the world, and Huang Shulang was also well-known at home and abroad. When these two people came together, as long as any news came out, it would be a big news that caused a sensation in the entertainment industry. Under such big news, is there any extra money to promote the album?

Without promotion, of course I don’t know how many songs there are on this album.

Fans just know that the album is called "May Miracle". May is a good idea. The album is scheduled to be released in May of that year. So what kind of miracle is a miracle?

Is it the title song title or some other reason?

Fans were particularly excited about this album back then, and even became one of the top hot searches in the world's music scene!

Fans are full of expectations, and the entertainment circles in various countries are all focused!

The CP of Huang Shulang and Qian Yibo really did not disappoint everyone's expectations. The original soundtrack of "May Miracle" was fully released, and it shocked the world as it appeared!

Why shocked?

Because everyone who was lucky enough to buy this album and later heard it online discovered that Huang Shulang and Qian Yibo did such a crazy thing together!

That is, all twenty-four songs in the entire album are casually sung by any singer, which are classic works of the title song level!

Twenty-four songs at the title level meant twenty-four albums that were refined and even possible to sell well, and they could also make twenty-four other singers.

However, in the album "May Miracle", the crazy Huang Shulang gave all the same crazy Qian Yibo to sing!

There is no song in the album "May Miracle" called "May Miracle", but even an ordinary fan can understand it instantly.

Twenty-four title song classic music formed an album, which is a miracle in itself, and this miracle was released in May.

Then it's called "May Miracle", there's nothing wrong with it!
Chapter completed!