243 Approval of the original author
Many people always think that the work of adapters is relatively simple. After all, their work is based on existing materials. But real creators understand that since original creators have no restraints, their creations become more free; while adapters have to be rigid.
The limitations of existing materials and original authors are completely shackles. As long as you have created something, you can understand and understand the fact that "creation is free". Any attempt to restrict creation
Ideas and rules will eventually harm creation itself, even if you think these rules are good for "creation".
Now Lin Junxiu is facing this problem. If he wants his adapted script to be recognized by the original author, then his adaptation must not go beyond the scope drawn by Nishigan Ryohei. However, Nishibank Ryohei's works are aimed at middle-aged readers.
This group of readers is less likely to convert into movie audiences, and they are not the main buyers of movie box office. Therefore, Junxiu Lin must incorporate elements that young audiences love when adapting it.
Fortunately, the original script was very classic, so Junxiu Lin planned to copy it directly. He told Ryohei Nishigan that the leading actor in the movie version would be Takino Suke Chagawa, a very romantic and idealistic character in Sanchome.
He graduated from the University of Tokyo, has a good family background, and won the Akutagawa Literature Prize. From this setting alone, he is destined to become a prominent figure such as a teacher, reporter or writer.
But Takinosuke chose to come to Sanchome, a slum area, to run the candy store left to him by his aunt, and the income from the candy store was barely enough to save money. The reason why Takinosuke gave up his wealthy family background and his original prominent career
When I was born, I just hoped to write a masterpiece in an ordinary place like Sanchome.
Corresponding to Takinosuke, an idealist, is the repair shop opposite his candy store. The repair shop is run by the Suzuki family. The Suzuki family is a typical post-war Japanese family. Her husband Suzuki Norifumi was originally the owner of the company.
, but it quickly went bankrupt after the war, and finally relied on working as a coolie to open this repair shop; his wife Suzuki Tomoe is a very typical "Yamato Nadeshiko" Japanese wife. No matter how difficult the family is, she works hard to make it happen.
This family is complete and happy, even in the face of domestic violence from her husband; the son Suzuki Ippei was a very typical Shitamachi (community area) child at the time. He was in fourth grade and liked science fiction novels, so he chatted with the male protagonist Takinosuke.
Come on.
The conflict in the story begins with the arrival of Hoshino Rokuko. Rokuko, who originally aspired to go to Beijing, found that he did not enter a so-called big company, but worked in a small shop. The sense of gap was difficult for Rokuko to accept. So here was born
The first conflict plot line in the movie is the conflict between the six sons and the Suzuki family. This is the conflict between young people's dreams and reality.
As the movie goes on, Chakawa falls in love with Ishizaki Miki, the female owner of the hotel next door. Ishizaki Miki originally asked Chakawa to take care of Junnosuke, the son of her acquaintance. Of course, Chakawa, who is an older single young man, does not know and will not like it.
Chakawa took care of an elementary school student, but had a crush on Migui. Chakawa originally regarded Junnosuke as a disruptor in his life, but he soon discovered that Junnosuke liked his novels and was also a science fiction fan.
, so Chunnosuke began to fall in love with this little boy. Chunnosuke also admired Chakawa who could write novels very much, and always treasured the pen that Chakawa gave him as a Christmas gift.
Chachuan, Migui and Junnosuke trigger the second and third plot lines of the story. The second plot line is the emotional line between Chachuan and Migui, which is the same as the plot line of Rokuko and the Suzuki family.
However, Junnosuke's life experience is the hidden thread of the story. After Lin Junxiu clarified the three conflicting lines of the story, he roughly told the ending of the story. The ending of Lin Junxiu's movie can actually be regarded as an open ending, and it also leaves room for the sequel.
A foreshadowing was made.
"This is really a wonderful movie story. I can't help but want to see this movie right away." Nishigan Ryohei nodded with satisfaction. "If this movie can really be shot as described by Lin Jun, I will
I think I will have no regrets in this life. So, I’ll leave this work to Mr. Lin. Please be sure to capture the image you described so that everyone in Japan can see it!”
"I dare not take it for granted. I will try my best to let everyone know the world of Sanchome described by the teacher." Although Lin Junxiu improvised the comic series "Sunset of Sanchome" on a temporary basis, he must admit that West Coast
This comic by Ryohei is really the top among Japanese comics.
If the cost is not considered, this comic can be made into a movie world similar to the "Marvel Universe". "Sunset at Sanchome" by Ryohei Nishigashima does not have a unified protagonist, because it is a series of several short stories.
, but Ryohei Nishigan introduced the so-called "Star System" when creating, that is, the protagonist of story A will appear in story B, story C and other stories with a special image. Their names and settings may not be the same.
They are the same, but their looks are exactly the same. It can be regarded as a little easter egg in the comics, a surprise for old readers.
Because of Ryohei Nishibank's insistence, Shogakukan stopped trying to stop him after hesitating for a moment, and instead began to seek a position on the production committee. Shogakukan was not a fool. Since the original author and director had already hooked up, he really wanted to demolish it.
This good relationship will offend all creators.
Although the Shogakukan family has a great cause, it will be severely impacted for a while. But as a big country of comics, does Japan still lack a platform for publishing comics? Not to mention that Kodansha is eyeing the opposite side, and the Shueisha at home is nothing.
My dear brother, God knows when this brother will stab him in the back.
Now that the man is in love with his concubine, it would be more practical to pursue some dowry money. Who doesn’t know that Lin Junxiu’s movies are box office hits, and Kodansha’s followers of Lin Junxiu have made a lot of money. Then with this money, he has been doing this recently
Time has been frantically poaching, and Shogakukan and Shueisha have been able to withstand it, but many small and medium-sized manga clubs have been forced to close down by Kodansha’s generosity. Now it’s my turn to have a chance to eat meat, and Shogakukan naturally starts to ask for more money.
Talk to Lin Junxiu about how to get into bed, ah, how to get on the boat.
Shogakukan's change of attitude is also under Lin Junxiu's consideration. Since he can't fight, then join. And as a company, there is no need to conflict with interests, right? As for Shogakukan's desire to join the "Sanchome Sunset Production Committee"
, Lin Junxiu will definitely not object. Because according to the practice of Japanese society, the publishing company of the original work is eligible to join the relevant production committee. Moreover, Lin Junxiu also wants to get rid of the impression that he and the show production are supported by Kodansha, so he and the elementary school
The cooperation of Xiao Xiaokan is also necessary. However, Lin Junxiu was a little unhappy when Xiao Xiaokan blocked him at first, so he decided to hang Xiao Xiaokan a little bit.
"Maple-chan, I have received authorization from Teacher Nishibank, and the work of adapting the script will start soon. If it is convenient for you during the summer vacation, you can come over and work part-time. And you can continue to live here with me and help me look after my house.
Enough."
After returning to the University of Tokyo, Lin Junxiu immediately told Xicheng Feng the good news.
"By the way, after learning that it was because of you that I became interested in adapting "Sunset at Sanchome", Mr. Nishigan asked me to bring you a gift."
Lin Junxiu dug out a pair of not too big frames from his bag. Inside the frame was a manuscript from "Sunset at Sanchome". In the blank space of the manuscript, he signed Ryohei Nishigan's name and wrote a paragraph.
Words of thanks to Xicheng Feng for supporting him.
"This... this is really such a precious gift!" Xicheng Feng looked at the frame in Lin Junxiu's hand with some disbelief. He was embarrassed for a long time before taking the frame. "Jun Lin, thank you so much.
You! Your great kindness and kindness will never be forgotten by me, Xicheng Feng!"
"Fengjiang, don't be so exaggerated!" Lin Junxiu was a little dumbfounded, "Aren't you usually quite calm? Okay, okay, this is really a gift given to you by Teacher Nishi'an, not something I specifically asked for.
Well. Well, I still like you to call me Xiujiang."
"If I call you Xiujiang, won't it seem that we are too close? It seems that we have some special relationship." After Xicheng Feng put away the frame, he immediately started talking. "I have always dreamed of being in love with a woman.
Do you want to fall in love? Didn’t you expect that you would have to sleep with a male idol before you can realize this wish? Xiujiang, do you choose Top or Bottom? I can do both."
Seeing Xicheng Feng's train leaving Tokyo and running towards Kagoshima, Lin Junxiu suddenly felt that he should not be easily deceived by Xicheng Feng's move. He was still the same Xicheng Feng, the deadbeat around Lin Junxiu.
One of the friends.
"Let's go to the classroom." Lin Junxiu asked Higashino Yusuke, "If we stay with him any longer, I guess tomorrow's "Nikkan Sports" will really report that I am gay! I still have idol baggage, so
This kind of news is too damaging to me!"
Lin Junxiu's acquisition of the film adaptation rights for "Sunset at Sanchome" by Ryohei Nishigan
Although the risk is relatively high, adapting it into a TV series is not that risky.
Because Japanese television is mainly controlled by a group of middle-aged women, stories like "Sunset on Sanchome" are actually easy to resonate with them. If the female characters in the original work are specially extracted and adapted, it can be like
It is like the Taiga drama that produces several sets of stories. However, Nishigan Ryohei has always strictly controlled the film and television adaptation rights of his works. Before Lin Junxiu, no director had gained his trust.
In addition to the director and screenwriter being jealous of Lin Junxiu's good luck, some agencies are also eyeing this movie. "Sunset at 3-chome" may not necessarily be a great movie at the box office, but it must have a good reputation among critics.
movie. Many of the characters in the original work are very typical. At first glance, they are representative figures of that era. To master such a role, the actor's acting skills are very demanding. But once he masters it, as long as Lin Junxiu is
If there are no problems with the director, there will be no shortage of film awards after its release.
Japan has a strong herd mentality. Once such a highly anticipated movie appears, it is not impossible to sweep all the film awards. If one of its own actors catches such a ride and wins three or four acting awards,
Not only can the actor's salary be doubled, but his reputation in the circle will also be greater, so naturally more actors will join him.
"First of all, we will announce that the script adaptation of "Sunset at Sanchome" is still in progress, so there will be no announcement of actor auditions for the time being." Lin Junxiu did not expect that after the industry's expectations for this adaptation were so high, regardless of
Have you ever cooperated with Junxiu Lin? Basically, people from most agencies in Japan have approached Junxiu Productions.
In addition, we also need to find a place to build the third scene. The cost does not need to be too strict. What I require is a 100% restoration. After all, this movie may be shot in the second and third parts. If it really works
If successful, maybe it will be made into a longevity series like "The Story of Torajiro". Furthermore, our scenes can also be developed into tourist attractions, so the corresponding costs can be recovered. Therefore, I only ask for authenticity.
"
Chapter completed!