Don't read it first, you're still coding

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When a human or animal passes through the quicksand area and creates pressure beyond a certain critical point, the quicksand will liquefy quickly, just like falling into a sticky paste. The more you lose your calm, the deeper you struggle, the stronger you stick.

This is the principle of quicksand.

Logically speaking, the gerbil should be in the quicksand pit below.

But in Kurosawa's perception, it suddenly disappeared shortly after it was swallowed up.

It's like it's never existed.

After Kurosawa patiently sensed it for a long time, he guessed that the quicksand leads to a strange subspace.

However, this subspace is more secret than the two subspaces he has ever been to, as if it was covered with a thick layer of linen, which isolates his spiritual perception.

He floated in the air and thought for a moment.

Then he winked at the two little ones holding him.

The height of the body slowly decreases.

The shoes sank into the soft sand without any resistance, followed by the ankles and calves.

Until his body reached a certain depth, he finally felt a light and fluttering attraction.

Kurosawa mobilizes his spiritual energy and adapts to the inhalation feeling that is like a vortex engulfing, without resisting.

Soon he and his two little bodies became hazy.

The next moment, his eyes were covered with darkness.

A familiar sense of involvement came from all over his body.

"call--"

Open your eyes again.

In the dark space, several shadowy torches hung on the walls, casting dark flames.

Another ruined space?

Subspaces can be roughly divided into two categories, one is natural space, similar to the subspace a18 where Kurosawa performed his first professional-level mission.

The second type is space with obvious signs of civilization, also called ruins.

The ruins are more mysterious than ordinary subspaces.

Suddenly, Kurosawa, who was looking at the ancient texture on the wall, frowned.

He vaguely felt the energy fluctuations from the depths of the channel.

However, because there are torches placed on the walls at the entrance, the passage is very dark.

He couldn't see the scene inside clearly.

In addition to yourself, there are others or elves?

Kurosawa secretly raised his vigilance.

He raised his fingers and placed them in front of his mouth, and signaled to the two elves.

Nightmare and Little Shining understood what he meant and nodded.

Kurosawa lowered his pace and walked carefully into the passage.

There will certainly be no danger when leaving the ruins immediately now.

But the huge gains he gained in the ruins near Montenegro last time made him reluctant to leave so simply.

At least we should look at the specific situation and decide on the next action.

Kurosawa kept his strength at every step, his steps were very light and there was almost no sound.

The passage was not long, and Kurosawa soon came to an end.

A magnified space appears before him.

He did not step out of the passage, and carefully hid in the darkness and watched the situation inside.

The ancient patterns on the outside walls emit a faint blue fluorescence.

Compared with ordinary dim textures, those fluorescent textures seem to contain some strange energy.

The texture energy from all over the wall continues to flow, and finally gathers together in the center.

It is different from the high platform where the elf eggs were stored in the ruins center last time.

In the center is a circular altar.

The top wall of the circular altar is carved with complex ancient textures.

The complexity of the pattern is the most seen by Kurosawa.

On the steps of the altar, a man in gray robe stood.

At the feet of the man in gray robe, a worm-shaped elf with brisk hair was piercing his tentacles into a small elf.

That elf was the entry-level gerbil that had disappeared from Kurosawa's sight before.

At a speed visible to the naked eye, the gerbil was shrinking and becoming shriveled, and blood was drawn all over the body, and the red liquid penetrated it into the gerbil's tentacles.

After absorbing it, it swung the dried gerbils away.

In the distance, many air-dried corpses were scattered casually.

Obviously, before this, unlucky little lives like gerbils fell into the quicksand.

Kurosawa looked at the strange-looking elves standing long and with two rows of slender and spiked thorns on his back.

In order to avoid causing noise, he did not take out his smart phone to identify it.

It just brought out the memories of reading the elf's illustrations from my mind.

Ghostly Elf.

So ugly.

Kurosawa commented silently.

His brows were frowning even tighter.

The weird worm was chilling, not because of his frowning.

After all, the appearance of the elves is determined by their race.

But it could plunder the life of an unthreatening elf so casually, exposing its fierce and cold-blooded personality.

He stared at the weirdo for a moment, then moved from it to the man in the gray robe.

The character and behavior of the elves are somewhat in line with its elves.

Most elves are engraved with elves contracts in the stage of elves eggs or cubs, like a piece of white paper.

All their growth experiences can be said to be under the witness of the elves and are deeply influenced by the elves.

The weird insect's sinister and cruel personality are obviously inseparable from the owner around it.

Ordinary elves like Kurosawa will save their lives as much as possible even if they are attacked by elves in the wild.

There are not many elves who die in Kurosawa's hands.

Either it is an extremely violent and vengeful beast, like the cold spider, who is worried that releasing the beast back to the mountain would cause disaster.

Either the little Shining cannot control the strength, like the storm monkey, fell into the lightning of the little Shining who could not control it for the first time using a thunder gun.

Reducing killing wild elves means reducing the risk of backlash to elves.

Simply put, those who do not kill elf are not necessarily good people, but those who kill elf must have problems.

Kurosawa wanted to retreat a little.

Although he was a little curious about this ruined space, he was a cautious person.

In his perception, although the energy was well closed, the weird worm still emitted a strong momentum.

He is ready to leave the ruins space first.

He lowered his pace, but he did not turn around, facing the weird worms and the man in gray slowly retreated and left in the shadow.

"Shit."

Kurosawa, who was alert to the man in gray, slowly retreating, suddenly felt as if he was on his back.

Behind him, that is, in the passage when he came, there was a hissing sound.

He seemed to be targeted by something!

But on the way he came, he clearly felt nothing.
To be continued...