Tan Yonglin, Tan Zhang, who caused a sensation in the music industry back then.

There is no need to introduce Tan Yonglin's excellence. He is definitely the top male singer in the Chinese music industry. As an actor, he also won the Golden Horse Award as early as the early 1980s.

The three records he released a few years ago, "Love in the Fog", "The Roots of Love" and "Love Trap" are known as the "Love Trilogy". Because his music eliminates the slang of previous Cantonese pop songs, he creates beautiful, delicate, and romantic lyrics and music styles in a more elegant and popular way, which also makes him very popular in the mainland and has a lot of fans.

However, this time, Tan Yonglin did not sing the classic songs in the Love Trilogy.

He sang a song from another album released two years ago, and it is also a classic song called Flowers in the Water.

The reason why I chose this song is not only because it is as classic as this song, but also mainly because it has two versions of Cantonese and Mandarin.

After all, the Spring Festival Gala faces mainland audiences. Compared with the Cantonese-speaking audiences in Guangdong, Hong Kong, Macao, the majority of audiences who understand Mandarin are still involved.

Therefore, the classic song "Shui Zhonghua" in Mandarin has become a very suitable choice for participating in the Spring Festival Gala.

"In the cold wind

How much prosperity is like a dream

Once upon a time

Blow down with the wind

Looking back suddenly

Love is like clouds

Times flow away like water

No trace

............"

After the flowers in the water came out, Qiao Feng and others looked at Gong Li, who was sad and not suitable for the atmosphere of the Spring Festival Gala.

Gong Li, who felt a little slap in the face, rolled his eyes angrily and muttered silently, probably scolding the director team for not knowing how to choose songs.

The appearance of Tan Yonglin also confirmed Qiao Feng’s previous prediction. Sure enough, after having a Macau-born Zhen Ni, Hong Kong singers will definitely be indispensable.

Whether it is Zhen Ni or Tan Yonglin, their appearance on the Spring Festival Gala stage is not only due to political factors, but also due to traffic factors.

But the traffic premise of this year is strength, and they are all top artists with super strength.

So everyone knows what they sang in the Spring Festival Gala they participated in, and the songs are popular.

It is really incomparable to the Spring Festival Gala with future traffic stars.

It's like a sky and a underground.

After Tan Yonglin, he was a famous National Day teacher, and after the National Day teacher, Suzhou won the Jiangnan performance by Huang Xiafen, the Pingtan master.

Then the next one was still a song program. When the host reported the show and the subtitles appeared on TV, Zhao Yazhi immediately looked at Qiao Feng.

"Looking back - Jiang Yuheng? Is it the Jiang Yuheng from your company?" Zhao Yazhi asked in surprise with a slight lip.

"What, this person belongs to your company? Is there such a singer in Hong Kong? Why haven't I heard of it?" Chen Hong was even more surprised.

Because she had never heard of this name. She had seen all the artists of Qiao Feng Company, at least she had seen or heard of the famous ones.

This also includes artists from TVB.

Those who can appear on the Spring Festival Gala must be famous artists.

So, if it were Qiao Feng's company, she wouldn't have never heard of it.

"Didn't he buy a record company in Taiwan before? There is a UFO record. There is a person named Jiang Yuheng, who may be this person. It's normal that you haven't heard of it." Li Zhi, who was standing beside him, interrupted.

"Oh." Chen Hong and Gong Li suddenly realized.

Qiao Feng also nodded, saying that the person they were talking about was right.

As soon as Qiao Feng admitted, Chen Hong immediately shouted: "Ha, no wonder you said that Zhen Ni could not be the only Hong Kong, Macao and Taiwan singer tonight's Spring Festival Gala. You have known that your company's artists have also appeared on the Spring Festival Gala."

"That's right, I knew it before, but I still analyzed it for us. Who would I show it to?" Gong Li seized the opportunity and laughed.

Slap, Zhao Yazhi slapped her in anger and said angrily: "What are you talking about? There is a child here."

Looking at the two children waiting for themselves with innocent eyes, Gong Li stuck out his tongue in embarrassment.

After taking pictures of Gong Li, Zhao Yazhi glared at Qiao Feng with some anger: "You are the same, you know, why don't you say it clearly? Do you still want us to admire you for your knowledge?"

"What." Qiao Feng was helpless: "I didn't hide it. Think about it when I told you just now, did I guess? After I said that it was impossible for me to invite only Zhen Ni, a Macau artist, to participate in the Spring Festival Gala, it was Chen Hong, you asked me if there will be other Hong Kong and Taiwan artists participating in this year's Spring Festival Gala. Do you think about it? "

As he said that, Qiao Feng looked at Chen Hong.

Chen Hong thought about it carefully and found that it seemed like this.

Others also recalled it and found that it seemed like this was true.

Judging from the appearance of the few people, Qiao Feng knew that they had recalled the conversation just now.

So he smiled bitterly and spread his hands and said, "Right, you remembered it. That's right, I've analyzed it for you, but the reason I analyzed it is not because I knew that Tan Yonglin and others would participate in the Spring Festival Gala, and the reason for deducing it from the results. But because of political needs, we need a family, and we must unite Hong Kong, Macao and Taiwan around the great motherland. To put it bluntly, this is the need for united front, so Hong Kong and Taiwan artists are inevitable results for participating in the Spring Festival Gala. It's not Tan Yonglin, but Jiang Yuheng will have others. As for Zhen Ni, she represents Macau, which is not a convention, because I said that there are really few well-known artists from Macau, and there are even fewer singers."

It's so vain that Zhao Yazhi and the others don't understand that they are fools.

Indeed, based on political considerations, Qiao Feng has no problem with the explanation given by him.

Especially the three girls except Zhao Yazhi, they are all from the mainland and have feelings about the united front.

I also know better about the Spring Festival Gala. I know that since the first time I invited Hong Kong and Taiwan artists to participate in the Spring Festival Gala, it has become a routine to invite Hong Kong and Taiwan artists.

However, there are not many Hong Kong and Taiwan stars invited to each Spring Festival Gala. Usually, there are 1 Hong Kong star and 1 Taiwanese star, totaling 2.

As for tonight's Spring Festival Gala, three stars from Hong Kong, Macao and Taiwan have been released so far.

I'm afraid it's because in this era when Hong Kong and Taiwan stars are regarded as "hot cakes", one or two Hong Kong and Taiwan stars appear on stage make the audience feel unsatisfied and unsatisfied.

And in fact, this is indeed the case.

Because after Jiang Yuheng, two Hong Kong and Taiwan artists took to the stage to sing.

The 1991 Spring Festival Gala is a worthy Spring Festival Gala.

This time, we finally look forward to Ni Ping.

In the same year, Uncle Benshan and Gong Hanlin, two regulars of the Spring Festival Gala in the future, appeared on the Spring Festival Gala for the second time.

It is also the same as this Spring Festival Gala. Chen Peisi and Zhu Shimao presented everyone with an absolutely classic sketch "Police and Thief" on the Spring Festival Gala.

But what the audience remembers most during this Spring Festival Gala and the most visual impact of everyone is the Taiwanese singer Pan Meichen and her beautiful song I want to have a home.

The lyrics of "I Want to Have a Home" are simple and sincere. It makes people want to cry after hearing it. It conveys the desire for home, arouses strong resonance among the audience, and becomes a hit in the mainland.

Pan Meichen was wearing a black outfit, wearing a boy, and looking like a boy. When she didn't sing, the neutral outfit that should be a boy also brought a different visual aesthetic to the mainland audience.

Pan Meichen is the fourth Hong Kong, Macao and Taiwan singer to appear on stage, while Kwong Meiyun is the last Hong Kong, Macao and Taiwan singer to appear on stage.

"This is also an artist in our company." Qiao Feng pointed at Kwong Meiyun and said.

Since this session, the Spring Festival Gala has invited Hong Kong and Taiwan artists to stage on a large scale. Qiao Feng has also planned to focus on promoting the singers under his command on the Spring Festival Gala in the future.
Chapter completed!