The seminar was held for several days, and after many discussions and compromises, the final meeting draft was formed.

But this does not mean that the film reform will be implemented in accordance with the draft, and it will eventually be reported. Only after the resolutions of multiple superior supervisory units can we determine which ones need to be implemented and which are not suitable to be removed.

As for the introduction of imported films that Qiao Feng and others are most concerned about, almost apart from the changes in the introduction quota and box office sharing issues, the other suggestions they made were not written into the draft and failed to pass in the seminar.

There is no way, imported videos involve external propaganda and ideological issues. The introduction of any imported film requires strict review, and there are naturally many rules and regulations and problems.

Another thing to know is that the management measures for imported films are based on... The measures specially formulated by the "Notice on Suppressing the Issues of Internal Reference Videos" by the highest departments of the three parties.

The following is a dream to reform the introduction method of imported films.

Not to mention the introduction of commercial films, it is science and technology, industry, agriculture, education, health, news, foreign trade, foreign affairs and other units. If it needs professional records and science and education videos imported by the highest system unit, it must be approved by subordinate ministries and commissions (general bureaus); if it is imported by local units, it must be approved by the provincial level.

Similarly, it is the feature films that social groups and individuals want to give to institutions, groups, schools and other units. Like the above, they are all approved by the top department, and they must go to the Film Administration Bureau of the Ministry of Culture to prepare for the project.

Qiao Feng also understands the official caution very well because he has too much intuitive understanding of Western countries' impact on domestic ideology, cultural invasion and other things.

It is really everywhere and can do everything. No matter how strict the official review is, it is not an exaggeration. Really, the invasion of ideology and culture can be packaged into anything, and they can carry private goods on any small matter that no one may care about, completing their ideological dissemination and cultural invasion.

For example, you can do things in the textbooks in the primary stage of the mainland. Who would dare to think that there would be problems in this regard before things broke out?

But the fact is that it has come out, not only it has come out, but there are many problems with the textbooks and extracurricular reading materials.

This is how they can succeed in matters related to education, let alone be more open, and can also export ideology and culture in a very short time.

Take Haier in China as an example. A Haier brother not only affected the childhood of the 1980s and 1990s, but also affected the life of the direct life.

Why does Haier seem to have stopped advertising much later, but it has no big impact on its sales? It is not that the 1980s and 1990s, who became the main consumer force, have too many feelings for their childhood memories.

The same is true in the United States, such as Barbie dolls, Disney princesses, Transformers, etc., which have made children fall in love with these things since childhood.

Then it is different from Haier. American film and television companies have done a better job in this regard. At every stage, there are advanced film and television works, comics, figures, etc. that meet their age.

Therefore, several Transformers movies have exploded in the box office in China, but the seeds were planted decades earlier.

There are also superhero movies.

Many people may say that I had never read superhero-related comics and animations when I was a child, but it did not affect my love for superheroes at all.

But, take Marvel's superheroes for example.

For those who have never read comics, animations, etc., before Iron Man, in addition to Spider-Man being really popular, there were many people who knew Marvel's superheroes a lot.

However, since Iron Man, how many people have fallen in love with Marvel's superheroes.

What Captain America, Hulk, Thor, Black Widow's.

Then one by one, I was excited to watch those fictional superheroes saving the world.

Do you think this is nothing, just have fun watching it?

It's nothing, if it's really just to watch it.

But this is not the case.

Many people think of the fictional superheroes when they look at the United States, but looking at other people's superheroes, why don't we have them?

There are also various science fiction films, which are also the Americans who saved the world.

Then many people have the same idea. Look at them, it’s so amazing, and they can save the world by one's own efforts.

There are also various action movies, the male protagonist in which is not good. It is like a dirt or a policeman, but he is busy with a large group of terrorists. In the end, he can kill his family, friends and even the country.

There are also real lies, the first drop of blood, etc., too many.

Some people say that there are also such movies in China, and the male protagonists are also amazing. Don’t Cheng Long and Li Lianjie all act like this?

That's right.

But you Chinese think the protagonist is really awesome when watching Chinese movies. No problem. Chinese think the protagonist is really awesome when watching American movies. Just like Americans think the protagonist is really awesome when watching American movies. No problem when watching Chinese movies, you think Jack Chen, Jeterry is awesome, and Li Xiaolong yyds is also no problem.

But Chinese people think it's natural to watch the protagonist in American movies so awesome, but they think it's wrong to watch the protagonist in Chinese movies so awesome, and think you shouldn't be so powerful. How can you be so powerful? It's unrealistic? There's a problem.

Just like many comments on the Internet after the popularity of Wolf Warrior 2, it was said that Wu Jing was so unlucky that a veteran fought against a group of mercenaries. What could it be impossible to use barbed wire to connect shells?

All people with normal intelligence know that movies are fictional, fake, and artistically exaggerated.

Otherwise, where did superheroes come from? Where did so many powerful protagonists come from whom there are dozens of them?

But those who know it is fake think it is okay. When it comes to domestic movies or Chinese starring, it is all kinds of unrealistic. It shouldn't be so powerful, that's really bad.

In Wu Jing's words, it's cheap or not.

This kind of badness is not terrible, because he knows it is bad, and he knows it is fake, but after he is brainwashed, he can't see the goodness of your domestic products, and he thinks you can't be better than their American fathers.

What is the most terrifying thing?

The most terrifying thing is that I really think that Americans are the most powerful, the West is the most powerful, and they are not as good as the West in China or the United States in any place.

This kind of person has basically been completely brainwashed.

After that, he didn't feel that he was admiring foreign countries or pretending to be a problem.

He felt that the problem was us. They talked about our shortcomings and how good American fathers were, and they thought they were so objective and sober. This was still the case that our country had become much stronger twenty years later, and many people would be confused by the things shown in American movies.

Not to mention now.

Nowadays, too many people don’t have the chance to learn too much external things, and I’m afraid their level of understanding is not as good as that of children decades later.

At this time, if foreign film and television works are introduced without strict censorship, they will suddenly come into contact with the fresh, bright and beautiful foreigners from film and television works, which are very different from us. They seem to be all kinds of good things, food, clothing, housing and transportation in life, and seemingly democratic and freedom in the system, which will inevitably have a huge impact on the formed ideology, three views, etc., and may even have a serious impact on the formed ideology, three views, etc.

Therefore, a few days after the seminar was held, Qiao Feng first had an in-depth chat with the leaders who presided over the meeting on behalf of the Hong Kong film and television industry, and then raised his ideas to the superiors through the leaders. Then, the superiors may have held several meetings and studied them. After waiting for two days, they arranged for people from the publicity, culture, radio and television departments, etc. to discuss with Qiao Feng and several heavyweight representatives from Hong Kong. The topic was simple, that is, whether they could have a certain degree of preference for Hong Kong film and television works outside of imported films.

But Qiao Feng actually knew that since the above mentioned above had to discuss, it means that this tilt can be achieved, but the intensity of the policy tilt is what it needs to be discussed.

Of course, we have to talk about what can the Hong Kong film and television industry like Qiao Feng and others come up with in exchange for such policy tilts. Qiao Feng is the focus of this.

Whether it is Taiwan’s UFO Records, Pineapple Cable TV, or the United States’ Comcast, MGM, DreamWorks, Atari, Activision, these companies have strong publicity capabilities, and these are the ones that are valued the most.

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Chapter completed!