"When will Andy Lau's album be released?" Qiao Feng asked.

"In another week," Lizhi thought for a while and said, "That was the time when the love of the world was released. Huaxing and Yongsheng meant that they could promote each other together.

"Well, this idea is good. Please inform the company's artists must promote more for Andy Lau when they are interviewed by reporters in the next two weeks." Qiao Feng asked again after giving instructions: "What is the sales volume of Sally's album now?"

"In eight days, there have been 320,000 copies, second only to last year's bodyguard album of the same name." Lizhi said.

"Very good." Qiao Feng nodded with satisfaction.

Qiao Feng wrote an album song for Ye Qianwen, both in Mandarin and Cantonese. The main song is Qianqiu Quege, and there are lovers and close friends, when they wake up from their dreams, the possibility of love, etc. They are all very classic songs. Any song can be the main album, and then some other ordinary songs can be added to produce an album. It can be said that it is too luxurious and wasteful to put together so many classic songs.

However, this is how Qiao Feng gave Ye Qianwen.

Not only did Qiao Feng produce Ye Qianwen, but all the songs on Liu Dehua's album were also produced by Qiao Feng. Not only did Liu Dehua's early famous works, can you meet again? Can you love them? There are also the days he spent with his subsequent classic songs, his true style, and thank you for your love. Except for the three early works that are slightly average, the rest are all classics.

The reason why Qiao Feng wrote songs for Ye Qianwen and Liu Dehua and had so many classic songs on an album is because he wanted to disrupt the current stagnant waters in the Hong Kong music scene.

Why did the Hong Kong music and film industry decline in the late 1990s? Some people in the Hong Kong film and television industry have explained from a special perspective that the so-called "God of Kings and Queens" in Hong Kong has caused the talent cessation caused by the so-called "God of Kings and Queens" in Hong Kong's "God of Kings and Queens" in the "God of Kings and Queens" in the "God of Kings and Queens" in the "God of Kings and Queens

Hong Kong people like to make some special names, from the Five Tiger Generals of the Wireless to the Later TVB Kowloon Girl, from the Two Kings and One Later to the Battle of Tan Zhang, to the Four Heavenly Kings, from the No. 1 Beauty in Southeast Asia, to the Four Beauties in Hong Kong and Taiwan, to the Four Beauties in Hong Kong and the Four Beauties in Hong Kong, each name is very, very loud, and all kinds of actors and actresses are also very famous.

As a result, the consequence is that other newcomers are difficult to stand out except for these well-known people.

There are few who are the best actors and actresses at the Hong Kong Academy Awards, and most of them are old faces. Look at Liang Chaowei and Zhang Manyu. They can all be held for five sessions, and how many sessions have the Hong Kong Academy Awards been held in total.

During the period of the Kowloon Girl, the male protagonists of all TV series in TVB were mostly five tiger generals, and the female protagonists were mostly nine dragon daughters. It was difficult for others to stand out. When the Five Tiger Generals no longer existed, many Kowloon Girls entered the movie circle, and it was the other people's turn to stand out.

The film and television industry is better, but the most serious one is the music industry and music industry.

There are two major music awards in Hong Kong, the top ten golden songs and the top ten golden songs of Chinese. One is held by TVB, the other is held by Hong Kong Radio, the other is started in 1984, and the other is started in 1978.

The held time was not long, but the two music awards, which were not long, had already shown serious seniority. In the late 1990s and 21st century in the original time and space, it was even more scary.

Since 2001, Liu Dehua, the top ten Chinese Golden Melody Awards, has been in the village for eight years, and Joey Yung has been in the village for five years. In the twelve years of the Best Popular Male and Female Singer Awards, there has been only one winner of the Male Singer Award, Eason Chan and Joey Yung have to go forward for one year, and she has been in the thirteen years for a total of thirteen years.

The most popular group is Twins for six sessions. Of course, there are not many combinations in Hong Kong, so this one doesn’t count.

In the Golden Song of the World Chinese Supreme, Eason Chan occupied nine times from 22 years from 1994 to 2016. The remaining Dawn, Liu Dehua, and Aaron Kwok were all from the four kings. Then Ku Juji, Xie Anqi, Joey Yung and others shared the award for 22 years.

The top ten Golden Songs Awards are not inferior to the top ten Chinese Golden Songs Awards. The winners are quite stable. The most popular male singers Tan Yonglin for four sessions, Zhang Guorong for two sessions, Liu Dehua for six sessions, Aaron Kwok for three sessions, then Eason Chan, Lee Keqin, and Ku Juji, are almost **. Individually, they are divided into the 32nd most popular male singers, female singers Ye Shanwen, Anita Mui for four sessions and five sessions, and then Sammi Cheng, Kelly Chen, Miriam Yeung for eleven sessions.

Basically, Hong Kong music awards, especially grand prizes, were basically divided by just a few people, and they didn’t give anyone else any chance.

Like Joey Yung and Eason Chan won the award in a 21st century, which shows that they are indeed strong, but it also means that there is no successor. In the 1900s, there were still two or three people competing for it. By the 21st century, there were basically no strong competition. Once the strength is stronger, they will be completely dominant.

But if you really don’t have anyone to be stronger than them in some years, this is not very real. What is more likely is that there are those who are stronger than them in some years, just because of seniority, habitual view, and because these people who have won awards all year round are so famous, everyone subconsciously think that they are stronger and sing better, and they should be the ones who win awards. Therefore, the selection and evaluation are stable, and the results of the awards are also stable. Therefore, in addition to the newcomer awards, most of the most famous singers are singers who have been famous for a long time and are lucky enough to be praised.

The names of the king of heaven, queen, singer, queen of song are too overshadowed by people. The small Hong Kong music scene can no longer accommodate newcomers. If there is no chance to make a name for themselves, naturally no one is willing to take the music path. Then, the vicious cycle, the more no one goes to develop in music, the more famous singer, queen of songs, dominated the music scene.

Therefore, there are people in the circle who say that it is because Hong Kong people like to be named gods, kings, and queens, which has led to the film, television and song circles like a pool of stagnant water, which makes no successors and even declines.

............

It is only 1987. The top ten Golden Songs Awards that TVB started in 1984 were only three times until the awards at the beginning of this year. However, the most popular male singer among these three sessions was all included by Tan Yonglin. The most popular female singer, the first one was Jenny Jennie, and the other two sessions were Anita Mui, and the first two sessions were Tan Yonglin, and the first two sessions were the Golden Songs Awards, and Zhang Guorong won the third session.

Another Hong Kong Radio Station held the top ten Chinese Golden Melody Awards for nine sessions. In the first few sessions, mainly Luo Wen, Zhen Ni, Xu Guanjie and others. In the 1981, there was Tan Yonglin. In 1983, Tan Yonglin was the most powerful. In 1984, Zhang Guorong killed in.

Zhang Guorong is six years younger than Tan Yonglin. Tan Yonglin became famous earlier, so Tan Yonglin must be more famous and is stronger than Zhang Guorong in awards. However, although Zhang Guorong has only been a few years since he became famous, his momentum is quite rapid, which aroused the dissatisfaction of Tan Yonglin's fans and began to attack Zhang Guorong. Zhang Guorong's fans quit and retorted against Tan Yonglin. So last year, Tan Zhang's competition for the world began.

Qiao Feng wrote songs for Ye Qianwen and Liu Dehua, and they were all classics, just to disrupt the current stagnant waters of the Hong Kong music scene. He also used Liu Dehua to turn the two Tan and Zhang fighting against each other into a big battle.
Chapter completed!