"You are so beautiful." Qiao Feng said, looking at Jiuer sitting in a sedan chair in a wedding dress on the screen.

"No new ideas, but I like to listen." Gong Li said emotionally.

"I'll tell you every day in the future." Qiao Feng kissed Gong Li's earlobe and said.

"I'm afraid you don't have that time." Gong Li's tone was a little sour.

"I will say it in my heart if I don't have time. Besides, you needless to say about your beauty."

Gong Li, who played Jiuer's "My Grandma", was twenty-two years old when filming Red Sorghum. The role of Jiuer was wild and energetic. She wore a strong local cotton jacket and cotton pants, which was Jiuer herself.

She doesn't say a single line, just standing there makes people unable to take their eyes off. Such beauty is different from the hyaluronic acid internet celebrity faces in later generations, and also from the general beauty in prosperous times. What she represents is a kind of primitive ** and vitality.

There are many men attracted by Jiuer. "My grandfather" Yu Zhan'ao was the one who succeeded. He was a famous sedan chair servant in a hundred miles, but he fell in love with the bride while carrying the sedan chair. When he returned to the door for three days, he was ill-hearted and waited in the wild sorghum field early. When Jiuer was riding a small donkey, he committed the robbery.

Jiuer fought desperately to escape. Although she was unwilling to marry Mazi, she was unwilling to be defiled by the bandits until Yu Zhan'ao took off the hood that was pretending to be a bandit.

Jiuer has a good impression of Yu Zhan'ao, because when he met a fake robber when he got married, he was the first to rush out and knock down the robber, so Yu Zhan'ao was the savior. Moreover, Jiuer was unwilling to marry Mazi, and he didn't want to give Mazi a living life in his fifties. Perhaps with the pleasure of revenge, Jiuer followed Yu Zhan'ao.

In the sorghum field, Jiuer lay in the character "big", Yu Zhan'ao knelt between her legs, and the two of them would immediately become "wood".

There are not many nude shots in the movie, but the audience knows what they will do. The ***k Jiang Wen is rough and domineering. This wild couple with suona is definitely one of the classic shots in the history of Chinese films.

"My grandfather" kneeling in the sorghum field was like a thunder, which caused a strong response among the audience at this time. This not very straightforward shot, accompanied by the slow fall of "My grandma", the blood-red sunset, the sorghum dancing with the wind and the sacred and loud suona sound were engraved in the minds of many people. For **, the film is like a grand ceremony, which is the inheritance of life, and that picture has become the totem of the nation.

The story of "My Grandpa" and "My Grandma" really began with this kneeling.

After the passion of the sorghum field, Jiuer rode out on a donkey. Yu Zhan'ao sang "Sister, Go forward boldly". Jiuer used her hand to pluck her hair, which was scattered by the wind or her messy hair after the passion, and was secretly happy in her heart. This paragraph made the character's image instantly become three-dimensional.

The basic love consciousness in the film is very open, and many dialogues show obscure sexual hints. This is a kind of primitive wildness, a kind of boldness that people can't understand at this time. "My grandpa" snatched "my grandma" from Li Datou, who was suffering from leprosy, and simply killed Li Datou, becoming a "veritable" husband. "My grandma" dared to say no to the traditional arranged marriage, and fell in love with this kind of a kind of ruffian and a bit rogue style. This is a taboo at this time. This practice of breaking through feudal concepts is very courageous, and it takes more courage to express them.

These primitive wildness and passions look exciting.

"Zhang Yimou's use of color is indeed bold, and his ability to control color is indeed unparalleled. He is worthy of being a photographer and is worthy of being the top photographer." Looking at the movie, Qiao Feng sincerely admired Zhang Yimou's lens aesthetics.

"Gu Changwei's photography skills are not bad at all." Gong Li said for Gu Changwei, the serious photographer of this movie.

"Well, you're right, their group produced a group of monsters." Qiao Feng nodded in agreement. Who would have thought that in that class, Zhang Yimou, Cheng Kaige, Gu Changwei and other groups of great people. These people almost caught the most awesome group of fifth-generation directors. It can be said that their group supported the banner of fifth-generation directors.

Zhang Yimou and Gu Changwei, two photographers, have fully utilized their photography skills in red sorghum.

A group of naked men in the yellow land, carrying a red sedan chair. There is no so-called beauty that makes people lick the screen, but it can make people feel vigorous vitality. The red sorghum wine, the blue night, and the sorghum field on the red background on the screen are full of red colors to create the atmosphere.

After Jiuer was killed by the Japanese, the angry Yu Zhan'er and everyone held the fire cups, and the earth thunder rushed towards the Japanese military vehicle. After the dust, Yu Zhan'er took his son's hand and struggled to come to Jiuer's body.

The whole movie seems to be composed only of yellow and red. On the loess high slope, yellow sand is everywhere, especially in the passage of the sedan chair, several sedan chairmen sang and danced, bringing up rolling dust. These yellow sand is the land, the realm of the Chinese nation, and they nurtured us. Zhang Yimou, a native of Xi'an, expressed his love to them in an ink-splashing style. Those yellow lands are the objects he wants to worship. The appearance of this bright color expresses the enthusiasm and magnanimity of people on the loess, and presents the upward spirit of Chinese farmers.

Red is even more outstanding. In addition to the "red" sorghum that is taller than people, there are also the red veil of "my grandma", red sedan chair, red shoes, red window flowers on the window, blood-red sorghum wine in the bowl, and red fire. The Chinese seem to admire red more because it is the color of blood, which is the same bloodline that flows in the bodies of more than one billion people.

The world turned completely red in the blood-red solar eclipse, and Jiuer's son sang a nursery rhyme: "Mom, go to the southwest, the wide road, the long treasure ship." In this section, Zhang Yimou boldly tried to use a blood-red to explore the grief in the characters' hearts, and the exploration of image aesthetics reached its ultimate in this last moment.
Chapter completed!