What is the segmented market, what is the corresponding market consumption space, what is the audience able to rationally choose the film products that suit them for consumption, whether they know that the country will definitely not allow it.

You just have demand, consumption space, and rationality, but what the country firmly does not allow, you want to rank and segment the market, and then let things like SE love appear openly, why do you want to go against the government?

Damn it, in the domestic atmosphere, ordinary audiences are unwilling to do so.

What does movie rating mean?

As long as you are not stupid, it does not mean that the masses can choose the taste of their movies more accurately, but that R-level films and san-level films are explicitly allowed to be filmed and disseminated, and the state authoritative platform is for them.

You can go home and ask your parents whether they support R-level films or not, and san-level films appear in the market with a high-sounding attitude.

This is why film ratings cannot be implemented in China, and why Chinese literary and artistic policies have always been conservative. Can you blame policy makers and executors, but can you blame your parents?

Obviously not, and then reverse it, your parents do not allow it or support it, so what is wrong with the country's prohibition?

In particular, it is ridiculous to say that SE love content is just one of the factors that affect the grading of the film. Is SE love the most stringent link in domestic censorship besides politics?

What do you see in domestic films that allow you to dew more than two or three seconds, and even if you are lucky, you are not cut off.

Some people say that people who do not agree with movie ratings are conservative, and say that these people are afraid that once they are grading, everyone will go to make san-level films, everyone will go to watch san-level films, and then there will be only san-level films in the cinema. This is pure nonsense, who will worry about these?

Do you need to worry about these? No.

The purpose of the movie grading is to "let the right people come into contact with the right content". The Chinese government's attitude towards elements such as SE, violence, blood, etc., especially SE SE SE SE SE lies not "not allowing teenagers to come into contact with", but "completely prohibiting and not allowing everyone to come into contact with". This is not just a movie, but also a TV, newspapers and magazines, any cultural thing, which is the recognition of this point by the entire country. Therefore, no one is worried about how many people will go to watch san level, but this itself is not allowed and is illegal. Even if there is only one person in the country to watch it, it is not allowed.

So, if you can't relax this point, it's nonsense to say that movie ratings are all nonsense.

Some people say that it is not possible to use film ratings to take cultural backgrounds and other words as excuses, but it is not the case, because this is the fact.

This is actually like you beat your own child in China. Even if you are in public, no one cares about it, and it is even more impossible to call the police. However, in Europe and the United States, there will be basically people calling the police, and then the police will arrest people.

It’s just like in American movies, children must not hold guns, let alone shoot. Even animals are strictly protected. If you want to kill a dog in the movie, the entire American society can be shaken by this dog.

But in China, these are all nonsense. Not only the country, we don’t think this is a matter. No one has ever seen the soldier Zhang Ga, who fantasized about killing the Japanese with a gun like Gazi. In so many movies a year, there were not many dozens or hundreds of children involved in fighting the Japanese and wars.

In movies and TV, eating dog meat and killing chickens, there are even killing crocodiles. Who has watched these things?

This is the different cultural background, system and national conditions.

What we are used to is a big thing that may be earth-shaking in foreign countries, but what they are used to is a big thing that may be earth-shaking for us. How can this be compared?

They just took their beautiful father's things to talk about the domestic system and pointed at it, they were all idle and nonsense. They shouldn't talk about the domestic system, but should go directly to their beautiful father.

Compared with the mainland, Hong Kong's environment is much more relaxed. At least, there have been many films such as SE, violence, and blood, and even the scale is very large.

Among them, the Hong Kong strange case series produced by Shaw Brothers back then can be said to have a great fusion of SE love, violence, blood and horror, and the quality of the fusion is very high.

In the early years, many horrifying murders occurred in Hong Kong, which attracted public attention. "Hong Kong Strange Case Two: Homicide" adapted four stories from real people: "Ghost Head Case", "Good Sister", "Lincun Blood Case", and the sensational "Carton Hiding of the Body".

The director is Gui Zhihong. He once filmed a film that caused Hui Tianci to break his spine and was almost disabled and unable to film.

There are also "Skynet" and "Hidden Body Under the Stove" filmed by Cheng Xiaodong's father Cheng Gang, which are also very high-level films in this series. They were sold at the box office, making Shaw Brothers a fortune.

In 1977, a scandal that shocked Hong Kong and even Southeast Asia broke out in the Hong Kong entertainment industry. Many porn stars were summoned by the police for suspected sales of chun. The "Silver Chicken Case" became a hot news that caused a sensation in Hong Kong. Shaw Brothers was moved and immediately decided to bring this theme to the screen. In order to ensure the quality of the film, Shaw Brothers used the director was Cheng Gang.

However, in Qiao Feng's view, the most violent director in Hong Kong and the most challenging the limit of human tolerance is Mou Dunfu.

The director said that when he was filming "Snake Fighting" in 1980, he needed the "human snake" in the film, but because he could not find so many "remembers" for a while, he found a group of real-life snakes to film. He not only asked the human and snakes to reveal all three points, but even asked them to return to the scene to film a smuggling scene. As a result, although the group of real-life snakes knew they were acting, they were still worried. It is said that some female snakes were even scared to cry because they were afraid of being caught by real police while filming!

But later he almost met a real policeman.

When "Fighting Snakes" filming the scene of police arresting humans and snakes on the beach, Mou Dunfu dragged a team to start filming without saying hello, which made the surroundings noisy, and once alarmed the real policemen patrolling nearby. He thought that another smuggler had entered the country, and even wanted to help "catch people". The humans and snakes were so scared that they almost swim and escaped because they saw the real police... Therefore, because of Mou Dunfu's "lawlessness", it almost made the snake die for a lifetime!

"Fighting Snakes" is indeed hysterical. Mou Dunfu fabricated violent gimmicks, tortured the human and snakes torture the gang of people and snakes torture and inhumane!

The various abuse scenes in the film are absolutely shocking. Qiangjian, lunjian, forced to watch reproductive ***, and even chicken ***, a man was tied up by a snake and dragged to the "snake head" room and was raped. It was a perfect pervert!

In addition to humiliation, Mou Dunfu also auctioned the scene of "selling piglets", allowing a group of women and snakes to stand in rows to "inspecte goods" for human traffickers. There were even scenes where big-bellied women and human traffickers were "big" than "beasts", which was even an insult to human nature! Of course, the most cruel and unkind scene was the scene of human snakes being "flooded" by snakes being beaten by snakes and fishing cannons, and the trampling on human snake dignity was even more outrageous!

When Mou Dunfu filmed "Fighting the Snake", he completely put aside his human morality and shamelessly put his strength in the violent scenes of se, making "Fighting the Snake" a perverted work with "bizarres"!

It is precisely because of many such films that the Hong Kong film market needs a rating system. With a strict censorship system like the mainland film market, such films are absolutely impossible to be released in complete and unabridged manner, so why do you need any movie rating?
Chapter completed!