The movie in March is divided into two parts, one is before the release of Alang's story and one is after the release of Alang's story.

Before Ah Lang's story was released, the Hong Kong film industry thought that Best Boyfriend and Lucky Star should be considered the two highest-grossing movies in March.

After Alang's story was released, these people realized that they were very wrong. Almost no one expected that Alang's story would be a big hit in Hong Kong in March.

This is something that Taiwan, which is famous for its tragic films and audiences like to watch such movies, has not done.

Unlike the wrong car I took the wrong car back then, it was so popular in Taiwan. It was released for several months, and then re-released for several months after the painting was released for several months. Instead, the box office of the wrong car in Hong Kong was just as good.

The story of Ah Lang is completely opposite. The box office in Taiwan is just like that. In Hong Kong, a market that is known for commercial films and audiences prefer comedy, it actually made a big hit.

It won more than 4 million daily box office on the first day of its release, which not only broke the daily box office record in Hong Kong's March schedule, but also broke the daily box office record for the entire off-season.

Not only did it have a big box office hit, but its reputation was also very good, and almost all media critics gave extremely high praise.

"The Story of Ah Lang is a touching movie, and it is the most classic movie that hits the tears after taking the wrong car." Sing Tao Daily commented.

Oriental Daily, which is also one of the three major newspapers, also commented: "This is a movie about men and a movie about women. A prodigal son looks back and the other relives the old dream. This film is better in the sincerity of feelings. Women do not hate that they have hurt their old love, but they cannot love such a man anymore. The child has become the only bond to get together again. The racing part of the most important paragraph of the whole film is not only a last try to change the ambition of a man, but also a kind of compensation for the woman he has hurt."

As for Ming Pao, who has become the object in Qiao Feng's pocket, he is even more proud of it.

"At the end of "A Lang's Story", the fireworks rising from the motorcycle fell to the ground. When A Lang fell heavily to the ground, ** and Bozi ran towards his slow motion, Luo Dayou's rough and deep love song, this combination of punches attacked, and the touch of his heart immediately gave birth to tears.

A movie, even if there is only one place that can touch the heart, is enough to be called a success. And if a touch can still move the heart at any time as time passes, it is enough to be called a classic.

The editor thinks that "Alang's Story" is like this, and, in addition to the unforgettable ending, its core theme - home and love - is enough to touch the viewer's heart many times.

Although it seems that "Alang's Story" tells the story of a rather down-and-out father and child, in fact, this movie tells a story about home and love, awakening and struggle in its ordinary style. We will be moved by such a movie that has no Hong Kong-style gunfight, police, gangsters, martial arts elements, and even love is unclear. It is not because of Zhou Runfa's unique role, nor because of Sylvia Chang's charm, but because of: in the poor but happy fight between the father and the child, in the old love entanglement between the husband and the ex-wife, in the choice of custody of the child, in the prodigal son's return and struggle, the delicate, plain, and real emotions.

Few Hong Kong local movies impress Hong Kong audiences who are used to fighting and playing with gunfights in this way, but Ah Lang's story has done it.

The director and screenwriter found ways to express the joyful or sad lives under the prosperity of Hong Kong, and then touched the audience's hearts through the use of real lens language, the true expression of life and the delicate expression of emotions.

Quoting a famous saying by Mr. Lu Xun: Tragedy is to destroy the valuable things in life to people. What is valuable is love and righteousness. The reason why the film has such a deep infectious power is because its way of destruction is to pave the infinite foundation and accumulation of love and friendship, but it ends abruptly before the reunion when the surging feelings are about to break through. It is destroyed the previous second! It is so tragic."

Ming Pao took out a whole page to introduce the story of appraising Alang in detail. In addition to being the current shareholder and future boss, Alang's story is indeed a rare classic that will be very good to watch now and then, and it is also because of the core connotation of love and family affection of Alang's story.

If it weren't for this, just because of the high box office, even if Qiao Feng is already the big boss Ming Pao wouldn't have a page to report. After all, Ming Pao can be an elite newspaper with style.

Just like the previous gambling heroes, the box office was so high that Ming Pao only used a piece of tofu to report it.

Alang's story is worthy of the praise from media critics and audiences. When the reputation is so high, the box office has also improved rapidly.

The box office reached 30 million Hong Kong dollars in 20 days of its release, and this is not the limit. With the inevitable decline in attendance and the reduction in screening, it can still get nearly one million box office every day.

When it is released for a month, even if it exceeds 40 million, it will probably not be much different.

"How great would it be if my new movie could get so many box offices?" That night, while Qiao Feng was reading some reports from the theater, Guan Zhilin, who had just taken a shower, was wearing cool clothes and clicking on the box office numbers with Alang's story.

"Your new movie has no chance, but you can look forward to the release of the Swordsman in the summer. " Qiao Feng looked up and looked at the tender beauty Guan Da said funny.

"Who said that it was another collaboration between Andy Lau and me. Even if the box office is not as good as the movie Fa Ge, it will not be worse." Guan Zhilin pouted and dissatisfied with Qiao Feng's new movie.

"I said." Qiao Feng smiled and pointed at his nose: "Don't blame me for hitting you, your new film really can't win a box office. But the characters and images of you and Andy Lau can be left with a name in history."

"How come my new movie is not good?" Guan Zhilin rarely cared about what kind of box office her movie would get, but unexpectedly she was hit by her own man without any mercy. This time, Guan Mei was so popular.
Chapter completed!