"I heard that in order to make the special clips in this movie, Zhang Yimou imported 50 ** pervert-related movies from abroad through China Film, hid in a guesthouse near Rending Lake, and studied them one by one. It is said that many of them were from the Japanese. " Qiao Feng was talking about gossip, and he admired the dedication of the fifth generation director at this time.

"It's true or false. I really can't see Zhang Yimou's image, and he has this hobby." Li Zhi opened his mouth wide in surprise.

Gong Li glanced at him funnyly: "What are you thinking about? That's for filming, not as dirty as you think."

"Hey, you guys are enough, what are you saying in front of the child?" Lin Qingxia kicked Qiao Feng angrily, and then signaled the three of them to see their son Qiao Zhen, who was confused and confused, and could not understand.

"This little thing is as lustful as his father. He is interested in these things at such a young age." Lizhi giggled and pinched Qiao Zhen's fleshy face.

Qiao Zhen, who was pinched with his face, was no longer confused. He was touched by his beautiful aunt, and happily opened his mouth and giggled.

"Look at this guy, he is even more lustful than his father." Gong Li also teased Qiao Zhen's face, and then the little guy was even more happy, and his saliva was thrilling.

Fortunately, he is a little brat. If he is an adult, he will look like a pig.

Lin Qingxia couldn't stand her baby son's stupidity, so she slapped Lizhi and Gong Li's beautiful little paws and took her son to the side for education.

Seeing the silly boy being carried away by his mother, Lizhi could only reluctantly take back his good-looking claws, and then asked curiously: "Judou's money is provided by the Japanese, and the script is also written by Japanese screenwriters. Don't you hate Japanese the most, why do you let her act?"

The person involved Gong Li also looked at Qiao Feng curiously, and she also wanted to know this question.

"Zhang Yimou's personal style is too strong. He will not make the movie into a Japanese-style movie just because the capital is the Japanese man. The Japanese screenwriter participated in the writing of the script. Under his guidance, being able to shoot will only make the land's former appearance. Since it is still a story about China, why bother who the capital is? Besides, Judou is obviously not a movie that can have a high box office. The Japanese are willing to spend this money in vain. Could I still not?" Qiao Feng explained.

Zhang Yimou is different from Chen Datou. Chen Datou was able to shoot the cat demon in such a strong Japanese style because the story Chen Datou filmed was written by Japanese and the script was also compiled by Japanese. The key is that Chen Datou likes Japanese culture, and even the gods still believe that the legacy of the Han and Tang Dynasties is not in China, but was inherited by Japanese. It is even said that only Japanese culture has it now.

Therefore, the Japanese family spirit filmed by the Legend of Cat Demon, and the gloomy atmosphere was the best at Japanese horror movies. We held a grand banquet in the vast Tang Dynasty, and there was actually a small ruined hall with the face of the exotic Yang Guifei. I turned it over and wanted to vomit my big head.

This guy is the peak of his journey from the Yellow Earth to Farewell My Concubine, and then he starts to go downhill, and he is getting worse every year.

Zhang Yimou will definitely not be able to shoot this kind of film. Even if he shoots three shots, it is because he wants to take the path of pure commercial films.

Lao Too, who is used to filming serious movies, wanted to make a fuss, so he filmed a comedy with a strong sense of Errenzhuan. It was released in the Spring Festival. Lao Too also said that he just wanted to try a different style.

So this film is just like being a whim joke by the national teacher. After earning the box office, this original intention was achieved.

The national teacher who re-shoots art films is still very good at it.

Lao Touzi's art films never leave the grassroots. His lifelong literature and art have been rooted in grassroots and folk customs.

Lao Tou likes to shoot ordinary people and ordinary people. He doesn’t like Chen Datou likes to shoot high-end films. Except for commercial films, all movies are grassroots.

His films integrate national culture, social thinking, cultural root search and film innovation. In the early days, Zhang Yimou was famous for directing literary and artistic films full of Chinese traditional culture.

The prominent feature of his works is a deep understanding of traditional feudal consciousness and a strong critical spirit. It is a strong sense of history and life consciousness contained in it. It is a unique landscape of simple folk customs. It is also full of praise and praise for the spirit of female resistance. Behind his strong colors and bold composition, he insists on the truth of life and the lyricism of narratives.

How could Lao Mouzi, who has a strong folk style, be influenced by Japanese and Japanese screenwriters?

Lao Mouzi can be influenced only because of political reasons, such as Ju Dou's filming will be banned from being filmed.

Qiao Feng knew more, such as Red Sorghum won the grand prize, Lao Tozi reached a height that he had never reached, and Radio and Television also held a celebration banquet.

But after only three months of being up, the direction of the wind changed. Negative comments in the newspaper gradually fermented, saying that the old folk customs and customs he expressed in the movie were "uglying the Chinese people" or even "insulting". In addition, those who liked this film imitated the drunken look of the sedan chairmen in the film after leaving the theater and hummed the "unbearable" tune, which also added unstable factors to society.

Then Lao Taozi became sad and fell from the mountain to the bottom of the valley.

Qiao Feng knew that this dark mood would profoundly affect the movie Ju Dou.

As a top photographer, Lao Touzi's selection of scenery is quite eye-catching and quite folk customs. The things he photographs are absolutely Chinese, and he will never do anything like Chen Datou, who is not a Japanese style costume or a Japanese style.

Lao Toozi's film style will definitely make people feel too Chinese and not unhappy.

The ancient southern house, the profound and quaint Hui house gives people a feeling of suffocation and depression.

Colorful dyed cloth, old ancestral hall with yellow and red couplets, dyed workshops filled with water vapor, everything is a suppressed feudal old atmosphere.

If this style can still be photographed with the Japanese influence, it would be a ghost.

Compared with "Red Sorghum", "Ju Dou" seems to have grown into a depressed middle-aged man in one step, and the free and unrestrained Shibalipo has become a closed and dark dyeing workshop. The temperament of the film is like the ability of the sky blue to deteriorate, and is stuck there with the will but not enough strength. He can only change the ending to Ju Dou set the dyeing workshop to vent Dong Rui's passion.

"Zhang Yimou's movies are the best at talking about women. He can always find a gap in women and bring you closer to the entire society. His movies are the best at winning actresses, which is a good thing for you. Because his movies can show you your acting skills as much as possible and make you portray your role as full as possible."

Zhang Yimou's movies can make foreigners pay more attention to Gong Li's acting skills and make fussy. After all, this is why Qiao Feng is willing to let Gong Li shoot Ju Dou.
Chapter completed!