Wu Yusen kept it a secret and did not say that Brother Ma would die in the heroic nature.

Wu Yusen was worried that if he spoiled, it would affect many viewers going to the cinema to buy tickets to watch.

He brought the topic back to the bloody two heroes and said, "Of course, I want to perform this drama, and everyone has two sides, both good and bad. There is also good side among bad people. This is another topic.

Then I thought that at the beginning he was sitting in the church. Although I was a Christian who was not a church, I liked to study religion.

On the one hand, I used that church to symbolize heaven. Life could have been beautiful, and life could be like living in heaven. Heaven can accommodate anyone, good people can come in, bad people can come in.

The ugliness of mankind, the war of mankind, and the violence of mankind turned heaven into hell, so I later thought of using a church to make the final action scenes and to make the scenes of a big duel.

Seeing this violence, we destroyed this heaven and exploded the Virgin statue, which was to destroy all the beauty. In order to review the last beauty of mankind, we two heroes fought over the killings there. This was the idea at that time.

Later, when I was filming the church, I really wanted to design some different montage expressions. In addition, I mentioned earlier that I admire David Ryan, a movie master from the 1960s. One of his movies "Lawrence of Arabia" affected me now. He has a very famous picture. Not long after the beginning, the male protagonist lit a match. After igniting it, he used two fingers to knock it out. The second time, when he lit a match, he blew it on the match. When he blew it, he immediately received a desert. The desert happened to be sunrise, and he would imagine the scene of the fire turning into a sunrise. This transfer technique allowed me to understand the film montage and the power of editing.

So later I thought that in order to express the two male protagonists, their hearts and their spirit of sacrifice, when they were shot, I imagined that if a pigeon, a white pigeon, and a candle was flew by a slow motion, the two pictures were connected, the pigeon could represent the sacred side of his heart and his emotional romantic side, so I temporarily called my props, bought the white pigeon, took pictures, and then took pictures from different angles, and then cut them in.

I have been taking too many pigeons, so I like it very much. The pigeons I bought have not been trained, and the pigeon can only take one shot at a time. After the shooting, the pigeons flew to the overpass board and refused to come down. So I had to buy new pigeons every day and buy new pigeons. Every day when I looked up, the pigeons stood on the overpass and refused to come down.

Because they came, they were afraid that we would catch it, so they threw it to the candle. I like to use it so much, and it was very good, and later it became my trademark. In Hong Kong, they said it was Wu's style.

When I was young, I painted posters for churches every week and liked to use a pigeon as the theme, so this pigeon came from."

"Just listening to your introduction by Mr. Wu, I can imagine how beautiful, desolate and tragic a picture is." Billy Christo couldn't help but say deeply in admiration.

Wu Yusen nodded with a smile: "I pay great attention to beauty when shooting movies, regardless of the beauty of the performance, the beauty of photography, the beauty of composition, and the beauty of dynamics."

I think the biggest responsibility of a director is to make the actors in his mind beautiful. I also photograph men and women. Whether he is a man or a child, or even a pigeon, I will photograph beautifully.

When filming action scenes, especially when acting scenes, I pay great attention to the beauty of dynamics. When I was filming, I paid great attention to my actors, such as filming Zhou Runfa. He has never made an action movie. He said that he has never hit anyone in his life and he can't even swing his fists.

But I will set his movements for this actor or each actor. I think first of all, I pay great attention to the actor, his beauty, his movements, and even the size of his hands, how to design a gun based on the size of his hands.

How big is the gun he holds? His posture is that if the hand is big and the gun is too small, it will not look good when he holds it. If the hand is small, the gun that holds a big gun is not good when he holds it.

Some movements always take a machine gun and scan it. Only those with the least standard will take a machine gun.

So I will care about the dynamics of the actor, the hands of the actor, and even the fluttering of his hair, and I will design them for him.

So I said, you should be familiar with photography and editing.

When I use three, four, and five machines, I use normal grids for this angle, 48 grids for another angle, 42 grids for this angle, and 120 grids for this angle, I clearly know which angle is connected, and how to jump from 48 grid to 96 grids, all of which precision calculations are available.

Many people know why I took pictures and cut them like this.

Some of my European and American friends asked me how to calculate fast and slow motion and how the speed came about.

Also, when I was shooting, because this action was designed, I and my action guides. On the scene, I changed it to Zhou Runfa, Li Xiuxian, or he was XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

Because I like dancing, when I was in middle school, I taught my classmates to dance craftsmanship, waltz and tango in the church.

Since I can dance and like singing and dancing, I design all the movements and I go through them first. I feel comfortable doing them. I can do them, and the actors can do them. I designed a "Blooded Two Heroes" out.

................

A few days later, the program recorded by Wu Yusen was broadcast and the response was very big. Especially among the Chinese group, the response was too big.

In the past, if you want to watch Chinese films, you could only go to a videotape rental store to rent and buy them, and then watch them on TV.

Although it feels very good to eat and drink together while watching Chinese movies made under the deeply rooted Chinese culture.

But it's not as refreshing as it seems to be in the cinema.

But now, not only are Chinese directors filming in Hollywood, but even Chinese-language movies and the most popular gunfight action movies in Chinese will be released in theaters in North America.

How can this not make the North American Chinese who only dared to think about it before happy and excited?

Calling friends, the Chinese community knows this episode almost in a short time, knowing the true nature of heroes, and the Bloody Two Heroes will be released in North America.
Chapter completed!