Chapter nine hundred and sixty-eight where the glory lies
Rebirth and Incest in Xiangjiang Text Chapter 968: The Glory of the Glory Lin Qingxia cannot be wrong, and it is even very good in one aspect
It is indeed very beneficial to the TV station and can greatly increase the viscosity of the TV station.
The audience's demand for movies is extremely stable, especially this is a free TV show
For ordinary people, being able to see movies on TV is more cost-effective than spending money to go to the cinema or buying discs.
It can be said that if you really create a movie channel, with the movie resources mastered by Qiao Feng, you can definitely open up the reputation of the TV station in a short time with the movie channel and compete for a huge share of the ratings market.
At that time, even during certain program periods, the ratings will catch up with or even exceed the three major TV stations with the lowest ratings.
However, Qiao Feng knew very well that this method was tempting enough, but it was a double-edged sword
If one is not good, it will hurt yourself
Moreover, the one who was injured was not the TV station
If it was a TV station, then Qiao Feng would not be worried at all, because the original purpose of this TV station was not to make money.
Not
If this double-edged sword cannot be properly damaged, it will hurt Qiao Feng's roots.
It is the foundation of Qiao Feng's base camp in Hong Kong film market
Why did the original Hong Kong movie decline?
There are many reasons for big and small
For example, the subject matter is too single, such as the serious follow-up trend, which will lead to a certain topic becoming popular, and it will be killed immediately. For example, Hollywood blockbusters are conquering cities and land everywhere, and Hong Kong is no exception.
Yes, yes, there are these reasons for the decline of Hong Kong
But these reasons only account for a very small proportion, far from reaching the point where the transformation from quantitative change to qualitative change, making Hong Kong movies decline in just a few years
So what is the real reason for the decline of Hong Kong movies?
It's the market
This is a reason that many outsiders cannot see at all, but it is the main reason
Many people may think that the market for Hong Kong films must be in Hong Kong. In addition, Taiwan, Macau, Southeast Asia and other countries are all traditional markets for Hong Kong films.
I haven't heard that Hong Kong movies in the 1990s lost these markets
Not heard of it doesn't mean there is no
The so-called Southeast Asia, South Korea, and Japan are all traditional ticket stores for Hong Kong films. It is simply nonsense.
That's right, Hong Kong movies have indeed become popular in Southeast Asia, Japan, and South Korea in recent years. They are quite popular. Cheng Long, Jet Li, Wang Xuxian, Leslie Cheung, Andy Lau and others are even more well-known in these countries.
But see who these people are
Look at these people and you will know what movies are that can really sell top-notch movies in these countries and regions.
In South Korea, Leslie Cheung, Wang Yuxian and Andy Lau are definitely representative figures of the top spots. As for Japan, Cheng Long, and Yuan Biao, their movies are also very popular.
But in addition to the movies of these superstars at the top of the entertainment industry, there are a few more movies that can be sold in Korea and Japan. Let alone the top sellers, but how many more movies can be sold to Korea and Japan?
Hong Kong movies are indeed very marketable in Korea and Japan, but the only ones that have markets is a small group of movies like Cheng Long, Leslie Cheung, and Wang Yuxian, not all
This situation also applies to Southeast Asia countries like Singapore, Malay, and Brunei.
Perhaps, it is much better than in South Korea and Japan, but not all Hong Kong movies can be released in Southeast Asian countries.
The publisher who watches the video in this way has the ability to publish a movie. Needless to say, Shaw Brothers or Qiao Feng's movies are there. Shaw Brothers has hundreds of theaters in Nanyang, and they make all the money by publishing their own movies in their theaters.
As for Jiahe, Jiahe took over Dianmao's stall and also had the distribution capabilities of Southeast Asia. Of course, it is still not as tough as Shaw's own theater chain.
But it's not bad either
Then there is Princess Jin. Princess Jin has poor distribution capabilities in Southeast Asia, and she didn't even have them at the beginning. However, after the films of Xinyi City were sold well, after a few years, she also had a certain distribution capabilities in Southeast Asia.
But in addition to these three movies, and among them, Jiahe and Princess Jin are some of their own sons and fine movies, there are several other movies that can be sold to Southeast Asian countries.
Can't say there isn't, but it's definitely very few, and it can't be sold for much money
Therefore, the only thing that can be said to be truly considered a Hong Kong movie without reservation is Taiwan.
Only Taiwan’s film market opens its arms to Hong Kong movies
Especially in the past decade that Hong Kong movies have become popular, Taiwanese audiences like to watch Hong Kong movies very much.
Hong Kong movies account for more than half of the annual box office list of Taiwanese movies every year
The audience likes to watch it, so the film dealer is naturally willing to spend a lot of money to buy it
And the risk is relatively low. After all, the same language and the same kind. Although one is popular in Minnan and the other is popular in Cantonese, just dubbing is enough.
It is easy to understand the contents in it, and there is no barrier.
It can be said that Hong Kong movies rely extremely on the Taiwan market
If a video can be sold well in Hong Kong and can make money, this kind of dependence is not obvious
But if a video cannot be repaid in Hong Kong, you will find out how important the Taiwan market is
If there was no Taiwan market, this film would definitely suffer a lot, at least for a certain period of time
With the Taiwanese market, it only takes a small loss. If you sell it to Taiwanese film merchants, you will not only make a profit, but also make a profit.
I lost a lot in Hong Kong, and I sold it to a Taiwanese film dealer and I can get my money back
I lost a lot and sold it to a Taiwanese film dealer. Oh, I took back a little more or less a little more costly
Originally, the family was destroyed, but in this way, it seemed that they could survive.
Different
Is there a Taiwan market really different?
Therefore, the Taiwan market can be said to be the backing of the Hong Kong film market and the barometer of Hong Kong films
Whether the Taiwan market is good or not determines Hong Kong movies. Can this Oriental Hollywood, which is too small, continue to become popular?
Whether to set up a movie channel has a huge impact on the Taiwan market and the Hong Kong market, which is even more important.
Speaking of which, for movies, it is considered to be related to the surrounding income.
However, this kind of peripheral income, in North America and even Europe, is a serious peripheral income, and only involves peripheral income.
But in Taiwan, this is not just the surrounding income
For Hong Kong film investors, some things here are no secrets.
Among them is the TV broadcast of a movie.
As mentioned earlier, behind the major theaters in Taiwan are three wireless TV stations.
Therefore, often a movie has just been released in theaters for a few days, and then it can be watched in the theater programs of three TVB stations.
This has a huge impact on the movie's box office.
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I've been injured for a few days and I've gradually passed the adaptation period and I can finally write something.
Chapter completed!