"What a great plot!" After watching this new version of the Baolian Lantern plot, Boss Jia couldn't help but sigh.

First of all, in the plot itself, the plot of Baolian Lantern is impeccable.

As we all know, there are three versions of the popular Chinese Baolian Lantern, namely the Animation Film and Television of the American version of the Baolian Lantern, which was released in 2009. It was produced by Tangren Film and Television in 2001 and starred by Jimmy Lin, and finally, the well-known 2005, the Central Mother version of the Baolian Lantern starring Jiao Enjun, Cao Jun and Shu Chang.

In terms of plot, Old Dai's Baolian Lantern is similar to the Baolian Lantern of the Central Mom version, and this is also recognized as the best version of the plot. At least for the character Yang Jian, it is many times better than the simple villain in the movie.

Of course, because it is a TV series and there are two TV series before and after, the plot is inevitably filled with water, and there are also many unique love between children in China, and Xiao Chenxiang also wants to fall in love.

But in the movie version, these are gone. Although there is still the role of a little fox, the role of childhood sweetheart is far more than that of a girlfriend, and there is no bloody sacrifice for love in the end. In the plot, Yang Jian has also laid a lot of foreshadowing, making Yang Jian's sudden whitewash seem completely unabashed. Audiences with a little experience can even see the complexity of Yang Jian's entire character in advance.

The most outstanding part of the whole movie, which is the climax part of the movie, the part where the agarwood breaks through the sky wall.

First of all, the audience accumulated a few hours of resentment during the movie, and needed a grand climax to explode, and destroying the entire heaven is the highest explosion.

The agarwood broke the sky strips and the heavenly court, destroyed the control of immortals and demons on humans, which perfectly sublimates the theme of the plot.

It turns out that this is not a simple story of splitting the mountain and saving the mother, but a story about how to break free from the three mountains pressing on oneself. The theme is completely sublimated.

Secondly, this breaking the restrictions on society by feudal superstitions allows everyone to gain freedom and eliminate all monsters and monsters. This is obviously in line with the correct view of society and has added points in the review.

Especially at the last moment of reversal, all Yang Jian's blocking and attacks on Chenxiang were for the purpose of destroying the entire Heavenly Court at this last moment, and the shock and reversal of the audience were unimaginable. It is estimated that most of the audiences who thought that this was a simple defeat of Chenxiang and defeating Yang Jian and the final battle between justice and evil would be completely mad by this plot.

You know, this is not the audience in 2020 who has experienced too many reversal plots in movies and TV series, but the audience in 1996. They basically watch movies straightforwardly. Justice defeats evil, and there are few reversal plots, so it will definitely make the audience feel that they are not in enough minds.

At the same time, in terms of details, the script also has many exciting and thoughtful points. For example, the scene in which Yang Jian captured Liu Chenxiang in Dongsheng Shenzhou was first told through the mouth of the storyteller that there was a place that could connect to the underworld in Qianjue Land.

When Yang Jian assigned tasks to his subordinates, he directly forced Chenxiang to Qianjue. In the end, Chenxiang broke everything and tried to fight to the death, Yang Jian never missed the attack, but was unexpectedly swept away by Liu Chenxiang, allowing the remaining power to break the stone tablet of Qianjue, revealing the entrance to the underworld.

As a result, Chenxiang went directly into the underworld to escape. Erlang Shen, as a god, could not enter the underworld without the orders of the Jade Emperor, which allowed Chenxiang to escape the disaster and continue to grow.

When I was watching the movie, I thought it was a forced plot killing by the screenwriter, but after watching the final battle, I would feel it carefully and recall it. These are actually things that Yang Jian had planned.

There is another very shocking thing, which is that Liu Chenxiang was finally pressed onto the Dragon Slaying Platform. The Dragon Slaying Sword that even the real dragon could kill was shattered when it was chopped on Liu Chenxiang's neck, which shocked all the gods, including the Jade Emperor. Zhu Bajie also said at the time, "Oh my God, since the Monkey Brother last time, this Dragon Slaying Sword has been strengthened by 100,000 times? Why can't even kill a child!"

This sentence is considered to be a link with Journey to the West.

But this is not the key. The key is that after Liu Chenxiang broke free from the constraints of the Dragon Slaying Platform and merged with the Baolian Lantern, he stood tall on the heads of all the gods, "I, Liu Chenxiang, are neither immortals nor Buddhas, neither demons nor demons, neither ghosts nor dragons. How did you cut me off the Dragon Slaying Sword? I am just a mere human!"

"I'm just a human!" If there was a B station in this era and could also watch this movie on it, Boss Jia could imagine that the entire screen was crazily browsing this sentence.

Because this line is so ignited that even if Boss Jia didn't see the real movie, he just saw the script, he was deeply shocked by this paragraph, which made him excited.

Finally, what made Boss Jia feel most incredible was that Teacher Dai’s lotus lantern actually reunites the Chinese myth.

As we all know, the myths of China are mainly composed of books such as "Shan Hai Jing", "Su Shen Ji", "Feng Shen Ji", "Journey to the West" and "Strange Stories from a Chinese Studio".

The talented online writers in later generations actually magically connected the stories in these traditional mythological books with the world view, forming a vast world view of immortals and gods.

Of course, this worldview is very nonsense to traditional Taoism, but it can perfectly connect all Chinese myths and legends, which Boss Jia likes very much.

However, there is a breakpoint in the world view of the prehistoric fairy tale, that is, after the world of Journey to the West, the whole story is cut off. There is no unified view of what happened in the prehistoric world after Journey to the West.

Although some online writers have also written the following stories, none of them can be recognized by all the prehistoric streams.

Until Boss Jia saw Mr. Dai’s “Bao Lotus Lantern” and reflected it, isn’t this the next great disaster in the prehistoric world?

Because in order to save her mother, Chenxiang destroyed the Heavenly Court under Yang Jian's plan. From then on, the Heavenly Court was destroyed, and the three realms were completely separated. Humans will never have such things as monsters and monsters. Isn't this an era after the New China, where there are no monsters and monsters, and even animals are not allowed to become spirits?

It can be said that as soon as "The Lotus Lantern" was released, it perfectly explained why the world is no longer as it did in ancient times, with so many legends of immortals and monsters. Because of Yang Jian and Chen Xiang's uncle and nephew, the entire human world has gained unprecedented freedom. What a beautiful plot!

"This old man doesn't just want to put an end to the story of the gods and monsters himself!" Boss Jia looked at Dai Tielang deeply.

Dai Tielang is of course not aware of the prehistoric system now, but the traditional Chinese myth is indeed broken in Journey to the West, without explaining why the demons and monsters in China gradually disappeared.

So Dai Tielang made up for it himself???
Chapter completed!