"Well? If it was really written about Mrs. Zeng, this essay would be difficult to spread until now, right?"

"Not necessarily. I think the reason why this essay can be passed down is because the sadder Cao Zhi and the more he loves him but cannot get it, the more he feels revenge. There is a saying that Cao Pi gave her jade-carved gold-belt pillow to Cao Zhi after the death of Zeng."

"Why did the version I saw say was given by the maid of Zeng's family?" Nie Guangyi raised his doubts at the right time.

"History is sometimes a confusing account, especially when books like "Romance of the Three Kingdoms" and "New Words of the World" are widely circulated, many people will not be able to distinguish between official and unofficial history."

Meng Xinzhi has read a lot of historical materials but has not come to a clear conclusion.

The official history records about Zeng Shi are relatively limited.

In unofficial history, it is said that Zeng Ji was Cao Zhi's first love, and he directly forgot Yuan Shao's second son Yuan Xi in history.

Cao Zhi and Zeng Ji were in love, and his brother Cao Pi insisted on intervening.

Cao Zhi clearly dreamed of the Zeng family, but he only dared to say that he dreamed of the God of Luoshui.

"Speaking history is a confusing account, this is not like what a top student in cultural relics and museums can say."

"Top student? Why does Mr. Nie say that? Do I seem to be a good student? Isn't it said that the appearance of academic masters is generally poor?" Meng Xinzhi made a joke.

"How is that possible?" Nie Guangyi pointed at himself, "Look at my appearance, you will know that the appearance of a top student can also be very high."

"Mr. Nie is real." Meng Xinzhi turned the topic back, "It is precisely because history is a confusing account that we need to study through cultural relics so that the confusing account will no longer be confusing."

"So, you are sure now that the steamer in "Guanzeng Fu" is the steamer of Mrs. Zhun, right?"

Meng Xinzhi asked replies without answering: "Mr. Nie seems to have any other interpretations?"

"Well, I saw a statement that [Zeng] and Cao Zhi's fief [Jen] are the same as false words. The so-called "GuanZeng Fu" is actually a feeling of self as the king of Juancheng."

"I have also seen this statement, but when we look at the entire "Guanzeng Fu", where is it talking about the righteousness of the monarch and ministers? History has passed, and later generations can only explore the remaining words and phrases, and the result is that there are many different opinions."

"This is indeed." Nie Guangyi agreed, "Some people even say that Cao Zhi wrote this fu to miss his deceased wife. Miss Meng should be able to falsify it, right?"

"No." Meng Xinzhi said truthfully, "Not to mention that the real "The Goddess of Luo River" has been lost, even if it is an authentic work, it still has Gu Kaizhi's interpretation. He directed this drama through painting. When I dreamed of Cao Zhi's creation of "The Story of Ganzeng Fu", I would be able to ask carefully."

"The Goddess of Luo River" is a brilliant stroke in the history of Chinese art. Before Gu Kaizhi, there were only unknown painters and no famous painters.
Chapter completed!