Lin Yoona listened quietly to Li Chengyou's talk, looked at Li Chengyou with her eyes, and seemed to see the previous aura in Li Chengyou again.

Compared with his peers, and even compared with many people who are far older than Lee Seung-woo, Lee Seung-woo is undoubtedly superior in terms of cultural heritage and ideological depth. It is no wonder that Lee Seung-woo has become famous at a young age, with several films and TV series

The show can be a huge success.

The media and many viewers commented that Lee Seung-woo is a genius, and Lin Yoona felt this more deeply at this time.

Thinking back to Li Chengyou's deep self-confidence and pride, Lin Yoona suddenly felt that these shortcomings that she could not understand before had become Li Chengyou's strengths and charm.

Confidence and pride without the support of strength is a kind of arrogance, but confidence and pride with strength support highlight the uniqueness of Lee Seung-woo.

Compared with Li Chengyou, and looking back at the boys she had interacted with before, Lin Yoona now only felt that those boys were vain and superficial. Compared with the two, they were like pearls and rubble, with no comparative value at all.

"...In short, if you ask me for my opinion, I only have these opinions, but you have to make your own decision on how to decide."

He also briefly helped Lin Yuner analyze her future development. Looking at Lin Yuner, Li Chengyou said: "Although direction is more important than hard work most of the time, hard work is the basis of success. No matter how well the plan helps you do, if you have the ability

If it's not enough and you don't work hard, it's like drawing cakes to satisfy your hunger or looking at plum blossoms to quench your thirst. No matter how beautiful your imagination is, you can only masturbate."

Lin Yuner came back to her senses and nodded.

Li Chengyou said again: "Okay, let's not talk about these unnecessary topics. Let's get back to the topic."

After a pause, Li Chengyou said: "We have talked before that each actor has a different understanding of performance and is divided into different genres. But as far as I am concerned, I don't think it makes any sense to classify actors into a certain genre.

.Although some actors feel that it is not appropriate to use the word 'acting' to describe acting skills, because the word 'acting' means separating the actor from the role, which is a kind of cutting.

But in fact, the essence of performance is still ‘acting’.

No matter how empathetic and integrated an actor is, every individual is different, and one person can never become another person.

The so-called "experience school", "method school" and "expression school" are more about exploring themselves and letting themselves get closer to the character, rather than truly becoming the character.

So what genre is meaningless, what suits the actor himself is the most important.

For example, some actors have strong empathy, delicate personalities, and are relatively emotional. Then they can easily find out from their own emotions a side that suits the character, and get close to the character.

But some actors are more rational and rational than emotional.

Then this type of actor needs to use methods and techniques to set up the role and build a "character image" in his heart. The emphasis is on imitation rather than integration.

As far as you are concerned, frankly speaking, your talent in acting is average.

One is related to your personality, and the other is related to your experience.

You think too much, worry too much, and are often too forward-thinking when doing things. Therefore, people with your personality are more rational than emotional. Compared with those talented actors with strong empathy, you are actually not suitable for the "experience school"

One form.”

Lin Yuner curled her lips, feeling a little unhappy.

Seeing this, Li Chengyou smiled and said: "Don't say a few words to make you unhappy. Although it doesn't sound good, what I said is the truth. People with well-rounded personalities certainly have advantages in interpersonal communication, but as an actor, if you are not a few steps ahead of others,

It is difficult to succeed if you work twice as hard. Although people with this kind of personality are sensitive and have good empathy, their minds are too complicated and they cannot be focused.

Therefore, it is difficult for people with this kind of personality to truly integrate into the role.

Compared with experientialists, people who are more rational than emotional are more suitable to study techniques and use methods and techniques to get closer to the characters.

But your problem is that you have too little experience and know too little.

You have been a trainee of S.M since you were a child and debuted as a teenager. So far, your circle has been too limited.

For example, if you are asked to play the role of a waiter in a coffee shop, you have no experience in this area at all, and you do not know his daily work mode as a waiter in a coffee shop, nor have you experienced the life of a low-level person. How do you think about this in your mind?

The character has no concept at all, so if you rely solely on imagination when performing, how can you possibly make the character come alive and make the audience empathize?"

Lin Yuner was stunned for a moment and had nothing to say.

Li Chengyou said: "Let's take an example. From Seoul to Busan, you can walk, you can take a car, a bus, a subway, or an airplane. There are many ways to get there, but if you only have the concept of walking in your mind, in the audience

It seems to be the slowest and stupidest way. There is also the way foreigners meet and greet you as I mentioned before. If you only know 'hi' and 'hello', this way is definitely too monotonous.

If you want to play a good role as a waiter in a coffee shop, it does not mean that you have to experience the daily life of a waiter for several months, but you must have this concept. You must know the daily work and daily life of a waiter.

Only when you understand this concept can you build a character through this concept.

So this requires you to pay attention to observation in life and accumulate relevant materials.

The more carefully you observe and the more experience you accumulate, the more materials you can choose from when building a character, and the easier it is to make the character more real and vivid.

In fact, let me compare it to you, being a skilled actor is a bit like writing an article.

The more words you know and the more vocabulary you accumulate, the more gorgeous and refreshing your articles will be.

But the premise is that you must have these words in your mind, so that you will have more materials to choose from when writing."

Lin Yoona pondered, frowned and said, "But you also know my situation. I have so many schedules every day, and I don't have time to experience life at all. Besides, it's not appropriate for me to experience the daily life of a waiter in my current status."

Li Chengyou: "..."

Impressed!

This girl is usually very smart, but why is she so stupid now?

Li Chengyou complained: "I just gave an example, and I didn't really ask you to be a waiter. Now that the Internet is so developed, many people like to share their daily life online. When you want to play a role, you won't start with

Go online to find materials. There are also so many classic film and television dramas for your reference. As long as you observe more and accumulate more, you will naturally have more materials in your mind, and you can construct and design them according to the character's personality during the performance.

I’m really impressed, you’re so stupid that I don’t even bother to complain.”

Lin Yuner: "..."
Chapter completed!